A Bronx Tale

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Streets of the Bronx
recording of:
The Streets of the Bronx
Cool Change42:58
2I Wonder Why
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 24)
recording of:
I Wonder Why
writer:
Melvin Anderson and Ricardo Weeks
publisher:
Schwartz Music
Dion & The Belmonts4.52:19
3Little Girl of Mine
recording of:
Little Girl of Mine
writer:
Herbie Cox and Morris Levy
publisher:
EMI Longitude Music
The Cleftones43:14
4Don’t You Know
recording of:
Don't You Know
writer:
Bobby Worth (American songwriter)
Della Reese42:33
5For Your Precious Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 3) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 327)
recording of:
For Your Precious Love
writer:
Arthur Brooks (Soul singer (ex-Impressions), sibling to Harrison and Richard), Richard Brooks (Soul singer/songwriter (“For Your Precious Love”)) and Jerry Butler (soul singer)
publisher:
Sunflower Music Inc (publisher) and Gladstone Music (from 1958 to ????)
Jerry Butler42:45
6Ain’t That a Kick in the Head
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor)
recording of:
Ain’t That a Kick in the Head (on 1960-05-10)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
Dean Martin4.52:31
7Father and Son
recording of:
Father and Son
Cool Change30:49
8A Beautiful Morning
producer:
The Rascals (US soul & rock group, formerly known as The Young Rascals)
background vocals:
David Brigati
arranger:
Arif Mardin
recording of:
A Beautiful Morning
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Eddie Brigati Publishing, EMI April Music Inc. and EMI Jemaxal Music Inc.
The Rascals4.52:33
9Tell It Like It Is
producer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Alvin “Red” Tyler (American jazz saxophonist)
recorded at:
Jazz City Studios in New Orleans, Louisiana, United States (in 1966)
recording of:
Tell It Like It Is (in 1966)
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Aaron Neville4.352:40
10Bustalk
recording of:
Bustalk
Bobby Watson41:31
11I Only Have Eyes for You
instrumental cover recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. and Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
The Gerry Niewood Quartet32:41
12Ninety Nine and a Half (Won’t Do)
recorded in:
Memphis, Tennessee, United States (on 1965-12-20)
baritone saxophone:
Floyd Newman (on 1965-12-20)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-12-20)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-12-20)
guitar:
Steve Cropper (on 1965-12-20)
piano:
Isaac Hayes (on 1965-12-20)
tenor saxophone:
Charles “Packy” Axton (on 1965-12-20) and Andrew Love (on 1965-12-20)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-12-20)
vocals:
Wilson Pickett (on 1965-12-20)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
Ninety‐Nine and a Half (Won’t Do) (on 1965-12-20)
writer:
Steve Cropper, Eddie Floyd and Wilson Pickett
publisher:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Wilson Pickett42:42
13Ten Commandments of Love
lead vocals:
Harvey Fuqua
cover recording of:
Ten Commandments of Love (Commandments of Love) (in 1958-08)
lyricist and composer:
Marshall Paul
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Tristan Music Ltd. and ロックンロール ミュージック (Rock ’n’ Roll Music)
The Moonglows44:04
14I Only Have Eyes for You (feat. The Complexions)
performer:
The Complexions
cover recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. and Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
The Flamingos43:51
15Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues4.44:27
16Baby I Need Your Loving
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 32) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 390)
recording of:
Baby I Need Your Loving
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia, Jobete Music Co., Inc., Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops4.52:45
17Regrets
Butch Barbella20:50
18All Along the Watchtower
engineer:
Eddie Kramer (engineer) (from 1968-01-21 until 1968-05)
producer:
Jimi Hendrix
12 string guitar:
Dave Mason (co‐founder of Traffic) (from 1968-01-21 until 1968-05)
acoustic guitar, electric bass guitar, electric guitar and lead vocals:
Jimi Hendrix (from 1968-01-21 until 1968-05)
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (from 1968-01-21 until 1968-05)
percussion:
Brian Jones (Rolling Stones member) and Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (from 1968-01-21 until 1968-05)
background vocals:
Dave Mason (co‐founder of Traffic)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1968-01-21) and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1968-04, in 1968-05)
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1968-01-21)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 11), New York Post: 100 Greatest Covers (2007) (number: 24), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 40), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 47) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 48)
cover recording of:
All Along the Watchtower (from 1968-01-21 until 1968-05)
lyricist and composer:
Bob Dylan (from 1967-10 until 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), Sony Music Publishing (worldwide except Japan, ended 1995) and Dwarf Music (from 1968 to present)
The Jimi Hendrix Experience4.54:00
19I’m So Proud
recording of:
I’m So Proud
lyricist and composer:
Curtis Mayfield
writer:
Momiji Tsukada (songwriter and producer; aka. Qrion)
publisher:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Curtom Publishing Co Inc (from 1964 to ????)
The Impressions42:49
20It’s a Man’s Man’s Man’s World
recorded in:
New York, New York, United States (on 1966-02-16)
engineer:
Ron Lenhoff
producer:
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1966-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1966-02-16)
guitar:
Billy Butler (jazz guitarist) (on 1966-02-16)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1966-02-16), Waymon Reed (on 1966-02-16) and Lammar Wright (on 1966-02-16)
lead vocals:
James Brown (The Godfather of Soul) (on 1966-02-16)
recorded at:
Talent Masters Studios in New York, New York, United States (on 1966-02-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 123)
recording of:
It’s a Man’s Man’s Man’s World (on 1966-02-16)
writer:
James Brown (The Godfather of Soul) and Betty Jean Newsome
James Brown4.42:49
21Cristo Redentor
bass:
Butch Warren (on 1963-01-12)
drums (drum set):
Lex Humphries (on 1963-01-12)
guitar:
Kenny Burrell (on 1963-01-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-01-12)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1963-01-12)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1963-01-12)
vibraphone:
Donald Best (on 1963-01-12)
chorus master:
Coleridge-Taylor Perkinson (on 1963-01-12)
arranger:
Duke Pearson
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-01-12)
recording of:
Cristo Redentor (on 1963-01-12)
composer:
Duke Pearson
publisher:
Blackbyrd Productions, Inc. and Gailantcy Music Co.
Donald Byrd45:40
22Streets of the Bronx
Bells and String Orchestra24:51

Credits

Release

ASIN:US: B0000029DU [info]