BTHVN 2020: The New Complete Edition (music for the stage)

~ Release by Ludwig van Beethoven (see all versions of this release, 8 available)

Tracklist

1CD: Ritterballett / The Creatures of Prometheus
2CD: Dances & Marches WoO 7, 8, 14, 15, 18-22 & 24
3CD: Egmont / The Ruins of Athens / Gratulations-Menuett
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1Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: Overture. Sostenuto, ma non troppo - Allegro
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro (on 1991-12-31)
premiered in:
Wien (Vienna), Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
8:05
2Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 1 Song: “Die Trommel gerühret” (Clärchen). Vivace
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Cheryl Studer (soprano) (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: I. Lied: „Die Trommel gerühret!“ Vivace (Clärchen) (on 1991-12-31)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
2:57
3Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 2 Entr’acte I. Andante - Allegro con brio “Es ist keine falsche Ader an ihm” (Clärchen)
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer) and Arend Prohmann (producer / editor)
spoken vocals [reciter]:
Bruno Ganz (in 1993-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-09)
conductor:
Claudio Abbado (conductor) (in 1993-09)
balance engineer:
Klaus Hiemann (engineer/producer) and Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (in 1993-09)
recording of:
Egmont, op. 84: II. Zwischenakt I. Andante – Allegro con brio (incidental music, may include narration in some recordings) (in 1993-09)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
3:11
4Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 3 Entr’acte II. Larghetto
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer) and Arend Prohmann (producer / editor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-09)
conductor:
Claudio Abbado (conductor) (in 1993-09)
balance engineer:
Klaus Hiemann (engineer/producer) and Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (in 1993-09)
recording of:
Egmont, op. 84: III. Zwischenakt II. Larghetto (in 1993-09)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
5:00
5Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 4 Song: “Freudvoll und leidvoll” (Clärchen). Andante con moto - Allegro assai vivace
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Cheryl Studer (soprano) (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: IV. Lied: „Freudvoll und leidvoll“ Andante con moto – Allegro assai vivace (Clärchen) (on 1991-12-31)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
1:38
6Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 5 Entr’acte III. Allegro - Marcia. Vivace. “Der König meint” (Regent)
producer:
Christopher Alder (editor/engineer/producer)
spoken vocals:
Bruno Ganz (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: V. Zwischenakt III. Allegro – Marcia. Vivace (incidental music, may include narration in some recordings) (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
3:52
7Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 6 Entr’acte IV. Poco sostenuto e risoluto - Larghetto - Andante agitato
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: VI. Zwischenakt IV. Poco sostenuto e risoluto – Larghetto – Andante agitato (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
3:37
8Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 7 Clärchen’s Death. Larghetto. “Arme Seele!” (Egmont)
producer:
Christopher Alder (editor/engineer/producer)
spoken vocals:
Bruno Ganz (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: VII. Musik, Clärchens Tod bezeichnend. Larghetto (incidental music, may include narration in some recordings) (on 1991-12-31)
writer:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
2:44
9Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 8 Melodrama. “Süßer Schlaf! Du kommst wie ein reines Glück” (Egmont). Poco sostenuto
producer:
Christopher Alder (editor/engineer/producer)
spoken vocals:
Bruno Ganz (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: VIII. Melodram. Poco sostenuto (incidental music, may include narration in some recordings) (on 1991-12-31)
writer:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
5:15
10Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: No. 9 Victory Symphony. Allegro con brio
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: IX. Siegessymphonie. Allegro con brio (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
1:23
11Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: Overture. Andante con moto - Allegro ma non troppo
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: Overtüre (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113 (The Ruin of Athens, Op. 113)
5:10
12Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 1 Chorus: “Tochter des mächtigen Zeus”. Andante poco sostenuto
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
chorus master:
Günther Arndt (choral conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: I. Chor "Tochter des mächtigen Zeus" (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113 (The Ruin of Athens, Op. 113)
4:08
13Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 2 Duet: “Ohne Verschulden Knechtschaft dulden”. Andante con moto - Poco più mosso (A Greek Man, a Greek Woman)
baritone vocals:
Klaus Hirte (baritone)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: II. Duett "Ohne Verschulden Knechtschaft dulden" (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113 (The Ruin of Athens, Op. 113)
5:26
14Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 3 Chorus of Dervishes: “Du hast in deines Ärmels Falten den Mond getragen”. Allegro ma non troppo
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
chorus master:
Günther Arndt (choral conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: III. Chor der Derwische "Du hast in deines Ärmels Falten" (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113 (The Ruin of Athens, Op. 113)
2:32
15Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 4 Marcia alla turca. Vivace / [No. 5 Offstage Music: “Es wandelt schon das Volk im Feierkleide”. Allegro assai ma non troppo]
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: IV. Marcia alla turca (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
is based on:
6 Variations for Piano in D major on an Original Theme, op. 76
part of:
Die Ruinen von Athen, op. 113 (The Ruin of Athens, Op. 113)
1:49
16Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 6. March and Chorus: “Schmückt die Altäre!”. Assai moderato
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
chorus master:
Günther Arndt (choral conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: VI. March "Schmückt die Altare" (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113 (The Ruin of Athens, Op. 113)
6:32
17Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: Recitative: “Mit reger Freude, die nie erkaltet”. Poco Adagio (High Priest)
bass vocals:
Franz Crass (operatic bass)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: Rezitativ: Mit reger Freude, die nie erkaltet (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113 (The Ruin of Athens, Op. 113)
1:59
18Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 7 Chorus: “Wir tragen empfängliche Herzen im Busen”. Allegretto, ma non troppo
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
chorus master:
Günther Arndt (choral conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: VII. Chor und Arie "Wir tragen empfängliche Herzen in Busen" (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113 (The Ruin of Athens, Op. 113)
2:55
19Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: Aria with Chorus: “Will unser Genius noch einen Wunsch gewähren”. Adagio
bass vocals:
Franz Crass (operatic bass)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
chorus master:
Günther Arndt (choral conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: Arie mit Chor: Will unser Genius noch einen Wunsch gewähren (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113 (The Ruin of Athens, Op. 113)
5:43
20Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113: No. 8 Chorus: “Heil unserm König! Heil!”. Allegro con fuoco
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
chorus master:
Günther Arndt (choral conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: VIII. Chor "Heil unserm König! Heil!" (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113 (The Ruin of Athens, Op. 113)
3:42
21Minuet for Orchestra in E‐flat, WoO 3 (“Gratulations-Menuett”): Tempo di menuetto quasi Allegretto
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Gratulations-Menuett, WoO 3 (Congratulatory Minuet) (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1822)
dedicated to:
Karl Friedrich Hensler
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 3)
5:11
4CD: King Stephen / The Consecration of the House / Tarpeja / Leonore Prohaska
5CD: Leonore (I)
6CD: Leonore (II)
7CD: Fidelio (I)
8CD: Fidelio (II) / Overture “Leonore” no. 1 / Arias, Choruses & Scenes WoO 91, 94, 97 & Unv 15

Credits

Release group

includes:The Late String Quartets, opp. 95, 127, 130–133 & 135 by Beethoven (Ludwig van Beethoven, German composer); Takács Quartet