| # | Title | Artist | Rating | Length |
|---|
| 1 | Crazy (The Devil Wears Prada) | Alanis Morissette | 3.25 | 3:38 |
| 2 | Love Is All Around (Four Weddings and a Funeral) | Wet Wet Wet | 3.85 | 3:52 |
| 3 | Too Lost in You (Love Actually) | Sugababes | | 3:32 |
| 4 | When You Say Nothing at All (Notting Hill) | Ronan Keating | | 4:13 |
| 5 | Just Like Heaven (Just Like Heaven) | Katie Melua | | 3:32 |
| 6 | All by Myself (Bridget Jones Diary)- cover recording of:
- All by Myself
- lyricist:
- Eric Carmen
- composer:
- Eric Carmen and Sergei Rachmaninov
- publisher:
- Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control , Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- Let’s Pretend
- is based on:
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
| Jamie O’Neal | | 4:30 |
| 7 | If You Are Not the One (Maid in Manhattan) | Daniel Bedingfield | 1 | 4:17 |
| 8 | Sweet Home Alabama (Sweet Home Alabama) | Jewel | | 3:38 |
| 9 | Cant Fight the Moonlight (Coyote Ugly)- miscellaneous support:
- Sara Lind (task: technical assistant) and Robert Orton (task: technical assistant)
- additional engineer:
- Austin Deptula, Greg Hunt , Gary Leach and Tim Weidner
- engineer and mixer:
- Steve MacMillan
- producer:
- Trevor Horn
- bass:
- Lee Sklar and Jamie Muhoberac
- drums (drum set) [drums]:
- Curt Bisquera and John Robinson
- guitar:
- Tim Pierce
- keyboard [keyboards]:
- Jamie Muhoberac
- piano:
- Alan Pasqua
- background vocals:
- Sue Ann Carwell and Niki Harris
- orchestrator:
- David Campbell
- phonographic copyright (℗) by:
- Curb Records, Inc. (in 2000) and Curb Records, Inc. (in 2020)
- recorded at:
- Royal Tone Studios in North Hollywood, Los Angeles, California, United States and Sarm West Coast in Los Angeles, California, United States
- music videos:
- Can't Fight the Moonlight by LeAnn Rimes
- part of:
- Billboard Year-End Hot 100 singles of 2002 (number: 56)
- recording of:
- Can’t Fight the Moonlight
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing Australia Pty Ltd , Realsongs and Universal/MCA Music Ltd.
| LeAnn Rimes | 2.85 | 3:33 |
| 10 | Hold Me Now (50 First Dates)- additional recording engineer:
- Colin Mitchell
- programming and producer:
- Tony Kanal
- assistant engineer:
- Tom Sweeney
- assistant mixer:
- Mark Valentine
- mixer:
- Dave Way
- bass guitar:
- Dave Carpenter
- drums (drum set):
- Brooks Wackerman
- guitar:
- Gabrial McNair and Warren Fitzgerald
- keyboard:
- Gabrial McNair and Tony Kanal
- phonographic copyright (℗) by:
- Maverick Recording Company (in 2004)
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States and Studio K in Los Feliz, Los Angeles, California, United States
- mixed at:
- Way Station in Beverly Hills, California, United States
- cover recording of:
- Hold Me Now
- writer:
- Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey
- vocals arranger:
- Tom Bailey , Alannah Currie and Joe Leeway
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Point Music and Point Music Ltd.
| Wayne Wonder | | 4:08 |
| 11 | Angel (City of Angels) | Sarah McLachlan | 4.5 | 4:26 |
| 12 | Bitch (What Women Want) | Meredith Brooks | 4 | 4:03 |
| 13 | Turn Back Time (Sliding Doors) | Aqua | | 3:45 |
| 14 | How Can You Mend a Broken Heart (Notting Hill)- cover recording of:
- How Can You Mend a Broken Heart
- written in:
- Kensington, Kensington and Chelsea, London , England, United Kingdom
- writer:
- Barry Gibb and Robin Gibb
- publisher:
- Abigail Music (London) Ltd. , BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. , Universal Music Careers and Universal Music Publishing International MGB Ltd.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Al Green | | 4:25 |
| 15 | Waiting for a Girl Like You (Footloose) | Foreigner | 4.4 | 4:38 |
| 16 | Grease (Grease) | Frankie Valli | 4.3 | 3:17 |
| 17 | Lonely at the Top (You Have Got Mail) | Randy Newman | | 2:27 |
| 18 | At My Most Beautiful (Never Been Kissed) | R.E.M. | | 3:33 |
| 19 | A Thousand Miles (White Chicks) | Vanessa Carlton | | 3:55 |
| 20 | Unchained Melody (Ghost)- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH , North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3 | 3:37 |
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