| # | Title | Artist | Rating | Length |
|---|
| 1 | What a Fool Believes | The Doobie Brothers | 4 | 3:40 |
| 2 | The Best (edit)- engineer:
- Chris Lord‐Alge
- producer:
- Dan Hartman and Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1989)
- edit of:
- The Best by Tina Turner
- music videos:
- The Best by Tina Turner
- cover recording of:
- The Best
- writer:
- Holly Knight and Michael Chapman
- publisher:
- EMI Music , Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd.
- recording of:
- The Best
- writer:
- Holly Knight and Michael Chapman
- publisher:
- EMI Music , Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd.
| Tina Turner | 3.9 | 4:10 |
| 3 | Summer Breeze | Seals and Crofts | | 4:30 |
| 4 | We Built This City- assistant engineer:
- Paul Ericksen
- engineer:
- Jeremy Smith
- producer:
- Jeremy Smith and Peter Wolf
- mixer:
- Bill Bottrell
- other vocals [DJ voice]:
- Les Garland (in 1985)
- arranger:
- Peter Wolf
- phonographic copyright (℗) by:
- BMG Music (in 1985) and RCA Records (in 1985)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- remixed at:
- The Soundcastle in Silver Lake, Los Angeles, California, United States
- recording of:
- We Built This City (in 1985)
- writer:
- Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf
- publisher:
- BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control , Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. , Universal Music–MGB Songs, Warner/Chappell Music Ltd. , Zomba Enterprises and Zomba Enterprises, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Starship | 3.9 | 4:56 |
| 5 | Walking in Memphis | Marc Cohn | 3.9 | 4:13 |
| 6 | Rough Boy | ZZ Top | 3.35 | 4:47 |
| 7 | I Don’t Want to Talk About It | Rod Stewart | | 4:52 |
| 8 | Urgent- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt , Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Michael Fonfara and Mick Jones
- saxophone:
- Mark Rivera
- solo saxophone:
- Junior Walker
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones , Robert John “Mutt” Lange , Ian Lloyd , Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002), WEA International Inc. (in 1981) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Urgent
- lyricist and composer:
- Mick Jones
- publisher:
- Intersong Music Ltd., Somerset Songs Publishing Inc., Fuji Pacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 4.15 | 4:31 |
| 9 | You’re So Vain- recording engineer:
- Robin Geoffrey Cable (from 1972-09 until 1972-10)
- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- bass:
- Klaus Voorman (from 1972-09 until 1972-10)
- drums (drum set):
- Jim Gordon (from 1972-09 until 1972-10)
- guitar:
- Jimmy Ryan (from 1972-09 until 1972-10)
- percussion:
- Richard Perry (from 1972-09 until 1972-10)
- piano and lead vocals:
- Carly Simon (from 1972-09 until 1972-10)
- additional background vocals:
- Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
- background vocals:
- Mick Jagger (from 1972-09 until 1972-10)
- strings arranger:
- Carly Simon
- orchestrator:
- Paul Buckmaster
- phonographic copyright (℗) by:
- Elektra Records (in 1972), Elektra/Asylum Records (in 1972), Elektra Entertainment (in 1978), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2015)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (from 1972-09 until 1972-10)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
- recording of:
- You’re So Vain (from 1972-09 until 1972-10)
- lyricist and composer:
- Carly Simon
- publisher:
- C’est Music, Quackenbush Music, Ltd. , Universal Music Corporation and Universal Music Publishing Group
| Carly Simon | 4.55 | 4:18 |
| 10 | Is This Love | Whitesnake | 4.2 | 4:44 |
| 11 | Glory of Love- engineer and mixer:
- Terry Christian and John Guess
- producer:
- Michael Omartian
- guest background vocals:
- Kenny Cetera
- lead vocals:
- Peter Cetera
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1986) and Warner Music International (in 1986)
- recorded at and mixed at:
- Lion Share Studios in Los Angeles, California, United States
- recording of:
- Glory of Love
- writer:
- Peter Cetera, David Foster and Diane Nini
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ピアーミュージック , ユニバーサル・ミュージック・パブリッシング Synch事業部 , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (in 1986), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
| Peter Cetera | 4.2 | 4:18 |
| 12 | Big Yellow Taxi (radio edit) | Joni Mitchell | | 4:13 |
| 13 | I’d Really Love to See You Tonight | England Dan & John Ford Coley | 5 | 2:39 |
| 14 | Magic | Pilot | 4.75 | 3:06 |
| 15 | Ventura Highway | America | 4 | 3:32 |
| 16 | She’s Gone | Daryl Hall & John Oates | 3.65 | 5:13 |
| 17 | Little Red Corvette (single version) | Prince | 3.5 | 3:09 |
| 18 | Ride Like the Wind- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, solo guitar and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and piano:
- Michael Omartian
- percussion:
- Lenny Castro
- synthesizer:
- Rob Meurer
- background vocals:
- Christopher Cross and Michael McDonald
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. (in 1979) and Warner Bros. Records Inc. (in 1979)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Ride Like the Wind
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music and Universal Music–MGB Songs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Christopher Cross | 4.1 | 4:36 |
| 19 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:54 |
| 20 | Lonely Boy | Andrew Gold | 4 | 4:25 |
| 21 | I.G.Y. | Donald Fagen | | 6:03 |
| 22 | I Saw the Light | Todd Rundgren | 5 | 3:00 |
| 23 | Another Night | Wilson Brothers | | 4:00 |
| 24 | I Keep Forgettin (Every Time You’re Near) | Michael McDonald | 4 | 3:42 |
| 25 | Goodbye Girl | David Gates | | 2:49 |
| 26 | Easy | Faith No More | 4.5 | 3:09 |
| 27 | Werewolves of London | Warren Zevon | 4.9 | 3:29 |
| 28 | We’re All Alone | Frankie Valli | | 4:08 |
| 29 | Mexico | James Taylor | | 2:57 |
| 30 | Owner of a Lonely Heart- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Chrysalis Scandinavia AB , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. , Tremander Songs, Unforgettable Songs , Unforgettable Songs Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. , Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 3.85 | 4:28 |
| 31 | Dance With Me | Orleans | 5 | 3:01 |
| 32 | Baby What a Big Surprise- assistant recording engineer and recording engineer:
- Armin Steiner (strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (in 1977)
- additional background vocals:
- Tim Cetera (in 1977) and Carl Wilson (in 1977)
- orchestrator:
- Peter Cetera, Dominic Frontiere and James William Guercio
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977, in 1978), Chicago Records Inc. (in 1977) and Rhino Entertainment Company (in 2002, in 2007)
- recorded at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States
- recording of:
- Baby, What a Big Surprise (in 1977)
- orchestrator:
- Dominic Frontiere
- lyricist and composer:
- Peter Cetera (in 1977)
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
| Chicago | 3 | 3:06 |
| 33 | Just the Way It Is, Baby | The Rembrandts | 3.5 | 4:04 |
| 34 | Miles Away | Winger | 3.65 | 4:13 |
| 35 | Lotta Love | Nicolette Larson | 5 | 3:06 |
| 36 | Too Young | Jack Wagner | | 4:11 |
| 37 | Jane | Jefferson Starship | 3.75 | 4:12 |
| 38 | Year of the Cat- producer:
- Alan Parsons
- phonographic copyright (℗) by:
- Al Stewart (in 1976)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1981)
- mixed at:
- Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 13)
- recording of:
- Year of the Cat
- writer:
- Al Stewart and Peter Wood
- publisher:
- Carlin Music Corporation, Dick James Music Ltd. , Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. , Universal Songs , Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd.
| Al Stewart | 4.4 | 6:34 |
| 39 | Black Velvet | Alannah Myles | 4.5 | 4:47 |
| 40 | Thunder Island | Jay Ferguson | | 3:59 |
| 41 | St. Elmo’s Fire (Man in Motion) | John Parr | 3.8 | 4:12 |
| 42 | Satisfaction | Bill Champlin | | 3:43 |
| 43 | High Enough | Damn Yankees | 3.6 | 4:46 |
| 44 | I Love a Rainy Night | Eddie Rabbitt | 5 | 3:11 |
| 45 | Smoke From a Distant Fire | Sanford Townsend Band | 5 | 3:34 |
| 46 | Desperado | Linda Ronstadt | | 3:32 |
| 47 | Who’ll Be the Fool Tonight | Larsen/Feiten Band | | 4:10 |
| 48 | Night Owl | Gerry Rafferty | | 6:09 |
| 49 | I’d Love You to Want Me | Lobo | 2.5 | 4:04 |
| 50 | Marina Del Rey | Marc Jordan | | 3:12 |
| 51 | It’s the Falling in Love | Carole Bayer Sager & Michael McDonald | | 3:56 |
| 52 | You Might Need Somebody | Turley Richards | | 3:37 |
| 53 | Just When I Needed You Most | Randy VanWarmer | | 4:02 |
| 54 | Once in a Lifetime- additional engineer:
- Jack Nuber, John Potoker and Steven Stanley
- assistant engineer:
- Kendal Stubbs
- engineer:
- Dave Jerden
- producer:
- Brian Eno and Talking Heads
- mixer:
- David Byrne , Brian Eno, Dave Jerden and John Potoker
- bass:
- Tina Weymouth
- drums (drum set):
- Chris Frantz
- guitar and lead vocals:
- David Byrne
- keyboard:
- Jerry Harrison
- background vocals:
- Brian Eno and Nona Hendryx
- arranger:
- Talking Heads
- vocals arranger:
- David Byrne and Brian Eno
- phonographic copyright (℗) by:
- Sire Records Company (in 1980)
- additionally recorded at:
- Eldorado Studios in Burbank, California, United States and Sigma Sound Studios in New York, New York, United States
- recorded at:
- Compass Point Studios in Nassau, Bahamas, Eldorado Studios in Burbank, California, United States (lead vocals, background vocals) and Sigma Sound Studios in New York, New York, United States (lead vocals, background vocals)
- mixed at:
- Eldorado Studios in Burbank, California, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 28), Helsingin Sanomat: 100 maailman parasta laulua (number: 35) and Indie 88: Top 500 Indie Rock Songs (number: 54)
- recording of:
- Once in a Lifetime
- lyricist:
- David Byrne
- composer:
- David Byrne , Brian Eno, Chris Frantz, Jerry Harrison and Tina Weymouth
- publisher:
- Bleu Disque Music Co. , Careers–BMG Music Publishing, Inc., E.G. Music Ltd. and Index Music
| Talking Heads | 4.4 | 4:20 |
| 55 | Last Plane Out | Toy Matinee | | 5:12 |
| 56 | Ooh La La | Faces | 3.75 | 3:34 |
| 57 | Believe It or Not (from “Greatest American Hero”) | Joey Scarbury | 4 | 3:15 |
| 58 | Make It With You | Bread | 5 | 3:12 |
| 59 | Love the One You’re With- engineer:
- Andy Johns
- producer:
- Bill Halverson and Stephen Stills
- bass:
- Calvin Samuels (in 1970-03)
- congas:
- Jeff Whittaker (in 1970-03)
- guitar, organ, percussion and lead vocals:
- Stephen Stills (in 1970-03)
- steelpan:
- Stephen Stills
- background vocals:
- Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (in 1970-03) and John Sebastian (in 1970-03)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1970)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1970-03)
- recording of:
- Love the One You’re With (in 1970-03)
- lyricist and composer:
- Stephen Stills
- publisher:
- Sony/ATV Music Publishing LLC , Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 and Gold Hill Music, Inc. (in 1970)
- sub-publisher:
- EMI Music Publishing Scandinavia AB (in 1997)
| Stephen Stills | 3.5 | 3:06 |
| 60 | Why I Came to California | Leon Ware | | 4:09 |
| 61 | Willin’ | Little Feat | | 2:55 |
| 62 | Cool Fool | Bruce Roberts | | 4:25 |
| 63 | Love Is the Answer | Utopia | | 4:18 |
| 64 | Midnight at the Oasis | Maria Muldaur | 4 | 3:50 |
| 65 | Every Little Word | Firefall | | 4:08 |
| 66 | Who’s Crying Now | Randy Crawford | | 4:31 |
| 67 | Quits | Danny O’Keefe | | 3:19 |
| 68 | Southern Cross | Crosby, Stills & Nash | 3.25 | 4:41 |
| 69 | Long Hot Summer Nights | Wendy Waldman | | 4:13 |
| 70 | Must of Got Lost | The J. Geils Band | 5 | 2:58 |
| 71 | When the Children Cry | White Lion | 3.5 | 4:24 |
| 72 | The Magician | Larry Carlton | | 4:15 |
| 73 | So Wrong | Patrick Simmons | | 3:20 |
| 74 | We’re in This Love Together- additional engineer:
- Jay Graydon
- assistant engineer:
- Debbie Thompson
- engineer:
- Joe Bogan
- associate producer:
- Tom Canning
- producer and mixer:
- Jay Graydon
- alto saxophone:
- Lon Price
- bass guitar:
- Abe LaBoriel
- drums (drum set):
- Steve Gadd
- electric guitar:
- Jay Graydon and Steve Lukather
- Rhodes piano:
- Michael Omartian
- synthesizer:
- Michael Boddicker and Michael Omartian
- background vocals and lead vocals:
- Al Jarreau
- percussion [rhythm] arranger:
- Tom Canning, Jay Graydon and Al Jarreau
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981)
- additionally recorded at:
- Garden Rake Studios in Studio City, Los Angeles, California, United States
- recorded at:
- Dawnbreaker Studios in San Fernando, California, United States
- mixed at:
- Garden Rake Studios in Studio City, Los Angeles, California, United States
- recording of:
- We’re in This Love Together
- writer:
- Roger Murrah and Keith Stegall
- publisher:
- Blackwood Music, Inc. (ended), EMI Blackwood Music Inc., Magic Castle Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Al Jarreau | 5 | 3:46 |
| 75 | Love You Like I Never Loved Before | John O’Banion | | 3:23 |
| 76 | What Do You Want the Girl to Do | Lowell George | 5 | 4:49 |
| 77 | I Want Something to Find Me | Brenda Russell | | 3:05 |
| 78 | Hold On | Jamie Walters | 4 | 4:25 |
| 79 | Savannah Sunny Sunday | Galdston & Thom | | 5:40 |
| 80 | Love Is Alive | Gary Wright | 5 | 3:50 |
| 81 | Go Ahead and Rain | J.D. Souther | | 3:31 |
| 82 | Do the Bossa Nova | Vapour Trails | | 3:06 |
| 83 | Get Used to It | Roger Voudouris | | 3:00 |
| 84 | Love and Mercy | Brian Wilson | | 2:54 |
| 85 | Drowning in the Sea of Love | Boz Scaggs | | 5:30 |
| 86 | Too Young | Crackin’ | | 3:58 |
| 87 | Think I Know What Love Is | Stephen Bishop | | 3:25 |
| 88 | Nobody’s Business | Maxus | | 3:21 |
| 89 | Godwhacker | Steely Dan | 3 | 4:57 |
| 90 | Sensitive Soul | Jerry Corbetta | | 3:23 |
| 91 | The Best of Me- recorded in:
- Los Angeles, California, United States (from 1985 until 1986)
- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster and Humberto Gatica
- guitar:
- Michael Landau (from 1985 until 1986)
- keyboard:
- David Foster (from 1985 until 1986)
- vocals:
- Olivia Newton‐John (from 1985 until 1986)
- performer:
- David Foster
- arranger:
- David Foster
- phonographic copyright (℗) by:
- Atlantic Recording Corporation
- recorded at:
- The Lighthouse in North Hollywood, Los Angeles, California, United States (from 1985 until 1986)
- recording of:
- The Best of Me (from 1985 until 1986)
- lyricist:
- Richard Marx
- composer:
- David Foster , Jeremy Lubbock and Richard Marx
- publisher:
- AF Encore Fund LLC, BMG Monarch, Bravo and Encore Music, Foster Frees Music Inc., Hollysongs, Peermusic III, Ltd. , Sony Music Publishing (Japan) Inc. , Warner/Chappell Music, Inc., ピアーミュージック and フジパシフィックミュージック BMG事業部
| David Foster | | 4:06 |
| 92 | Letting It Out | Eric Martin Band | | 4:17 |
| 93 | Possessive Love | Marilyn Martin | | 4:16 |
| 94 | Leaving It All Behind | The Dukes | | 3:10 |
| 95 | Someday, Someway | Marshall Crenshaw | | 2:50 |
| 96 | I Just Can’t Let Go | David Pack | | 4:53 |
| 97 | It Is What It Is (qnd That’s All) | Steve Forbert | | 3:31 |
| 98 | Don’t Hang Up Those Dancing Shoes | Terence Boylan | | 3:29 |
| 99 | Lost Inside Your Love | Badfinger | 5 | 2:42 |
| 100 | Hearts in Trouble | The Dukes | | 3:42 |
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