Can You Dig It? The ’70s Soul Experience

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Each disc of this set is in its own digipak.

Annotazione modificata l'ultima volta il 2020-01-25 18:53 UTC.

Elenco tracce

1▶CD
2▶CD
3▶CD
4▼CD
#TitoloArtistaValutazioneDurata
1Could It Be I’m Falling in Love
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 221)
registrazione di:
Could It Be I’m Falling in Love (nel 1973)
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:15
2Use Me
tecnico:
Bob Hughes (engineer) e Phil Sheer
produttore:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) e Bill Withers
basso elettrico :
Melvin Dunlap
batteria e percussione :
James Gadson (American drummer)
chitarra acustica :
Benorce Blackmon (guitarist, producer, writer)
clavinet e piano elettrico Wurlitzer :
Ray Jackson (trombonist, pianist and arranger)
voce principale:
Bill Withers
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
registrata presso:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Use Me
paroliere e compositore:
Bill Withers
editore:
Interior Music Corp. (nel 1972)
Bill Withers4.353:46
3Love Train
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Love Train (nel 1972)
paroliere e compositore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.153:01
4Why Can’t We Live Together
registrazione di:
Why Can’t We Live Together (nel 1972-08)
paroliere e compositore:
Timmy Thomas
editore:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas33:26
5Ain’t No Woman (Like the One I’ve Got)
produttore:
Steve Barri, Dennis Lambert e Brian Potter (US songwriter & producer)
arrangiatore archi :
Don Hockett e Dennis Lambert
registrazione di:
Ain't No Woman (Like the One I've Got)
autore:
Dennis Lambert e Brian Potter (US songwriter & producer)
editore:
Songs of Universal, Inc. (BMI)
Four Tops3:07
6I’m Doin’ Fine Now
registrazione di:
I’m Doin’ Fine Now
autore:
Thom Bell (keyboards, songwriter, producer) e Sherman Marshall
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
New York City2:44
7Pillow Talk
registrazione di:
Pillow Talk
autore:
Michael Burton (American songwriter and producer) e Sylvia Robinson
Sylvia3:55
8So Very Hard to Go
Tower of Power53:41
9Natural High
registrata a:
London (Greater London), England, Regno Unito
registrazione di:
Natural High
paroliere e compositore:
Charles McCormick
editore:
IQ Music Ltd.
Bloodstone4:01
10Let’s Get It On
produttore:
Marvin Gaye e Ed Townsend
percussione :
Emil Richards
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (nel 1973) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
remix di:
Let’s Get It On (album version) di Marvin Gaye
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 46)
registrazione di:
Let’s Get It On
autore:
Marvin Gaye e Ed Townsend
editore:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e Stone Diamond Music Corporation
Marvin Gaye3.53:59
11That Lady, Part 1
registrazione parziale di:
That Lady
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
editore:
Bovina Music Inc., EMI April Music Inc. e EMI Songs Ltd.
versione di:
Who’s That Lady
The Isley Brothers53:13
12Keep On Truckin’, Part 1
produttore:
Leonard Caston (son of Leonard Caston) e Frank Wilson (Motown singer/songwriter)
arrangiatore:
James Carmichael e Jerry Long (Motown songwriter Jerry Long, Sr.)
registrazione di:
Keep On Truckin’
autore:
Lenny Caston (son of Leonard Caston), Anita Porée e Frank Wilson (Motown singer/songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Diamond Music Corporation
Eddie Kendricks3:31
13Hurts So Good
Millie Jackson3:05
14Midnight Train to Georgia
edit di:
Midnight Train to Georgia di Gladys Knight & the Pips
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.53:57
15I Can’t Stand the Rain
parte di:
Cachitos Nochevieja 2022 (numero: 24) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 197)
registrazione di:
I Can’t Stand the Rain (nel 1973)
autore:
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) e Ann Peebles
editore:
Irving Music, Inc. e JEC Publishing (nel 1977)
Ann Peebles4.252:33
16The World Is a Ghetto
registrazione di:
The World Is a Ghetto
paroliere e compositore:
C. Miller (US saxophonist & flutist, member of War), H. Brown, H. Scott (US funk/rock guitarist, member of War), L. Jordan, L. Oskar, M. Dickerson e S. Allen
autore:
Papa Dee Allen, Harold Brown, B.B. Dickerson, Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar e Howard E. Scott (US funk/rock guitarist, member of War)
editore:
Carlin Music Corp., Far Out Music, Far Out Music, Inc. e TMC Music Inc.
War4:02
17Tell Her She’s Lovely
El Chicano3:03
18The Love I Lost, Part 1
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973)
edit di:
The Love I Lost di Harold Melvin & The Blue Notes
registrazione di:
The Love I Lost
autore:
Gamble & Huff, Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3.653:41
19Cheaper to Keep Her
registrazione di:
Cheaper to Keep Her
paroliere e compositore:
Sir Mack Rice
editore:
Dleif Music, Inc. e Irving Music (BMI)
Johnnie Taylor3:29
20Show and Tell
registrazione di:
Show & Tell
paroliere e compositore:
Jerry Fuller
editore:
Fullness Music Co.
Al Wilson53:30
21Lookin’ for a Love
registrazione cover di:
Lookin’ for a Love
autore:
James Woodie Alexander e Zelda Samuels
Bobby Womack4.52:38
22Be Thankful for What You Got
produttore:
John Davis (70s US funk producer/songwriter aka The Monster) (nel 1974) e Frank Fioravanti (nel 1974)
arrangiatore:
John Davis (70s US funk producer/songwriter aka The Monster) (nel 1974)
diritti fonografici (℗) detenuti da:
Roxbury (70s US soul, subsiduary of Chelsea Records) (nel 1974)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 374)
registrazione di:
Be Thankful for What You Got
paroliere e compositore:
William DeVaughn
editore:
Delicious Apple Music Corp., EMI Jemaxal Music Inc., H&R Lastrada Music, Melomega Music, Music Sales Corporation (American copyright holder in both popular and classical music) e Sony/ATV Tunes, LLC (ASCAP)
William DeVaughn4.53:28
23Just Don’t Want to Be Lonely
registrazione cover di:
Just Don’t Want to Be Lonely
autore:
Vinnie Barrett, Bobby Eli e John Freeman (co writer of Just Don't Want To Be Lonely)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Main Ingredient3:40
5▶CD
6▶CD

Accreditamenti