Broadway: The Great Original Cast Recordings

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Annotation last modified on 2012-11-29 11:47 UTC.

Tracklist

1CD
2CD
#TitleArtistRatingLength
1My Favorite Things
recording of:
My Favorite Things (The Sound of Music) (in 1959)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
Mary Martin, Patricia Neway2:49
2Do Re Mi
vocals:
Kathy Dunn (original cast member, "The Sound of Music"), Evanna Lien (original cast member, "The Sound of Music"), Mary Susan Locke (original cast member, "The Sound of Music"), Mary Martin (US film and musical actor/singer), Lauri Peters (actress), Marilyn Rogers (original cast member, "The Sound of Music"), William Snowden (original cast member, "The Sound of Music") and Joseph Stewart (original cast member, "The Sound of Music")
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Do‐Re‐Mi (The Sound of Music) (in 1959)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
The Sound of Music (Rodgers & Hammerstein musical)
Mary Martin, Children5:55
3Put on a Happy Face
recording of:
Put On a Happy Face (Bye Bye Birdie)
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.)
part of:
Bye Bye Birdie
Dick Van Dyke3:20
4Camelot
vocals:
Richard Burton (Welsh actor, twice married to Elizabeth Taylor)
orchestra:
The Camelot Orchestra ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
conductor:
Franz Allers (European-American conductor)
recording of:
Camelot (from "Camelot") (in 1960)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Camelot (full musical)
Richard Burton2:32
5Anyone Can Whistle
recording of:
Anyone Can Whistle: Anyone Can Whistle
lyricist and composer:
Stephen Sondheim
part of:
Anyone Can Whistle (full musical)
Lee Remick3:42
6Do I Hear a Waltz?
recording of:
Do I Hear a Waltz? (Do I Hear a Waltz?)
lyricist:
Stephen Sondheim
composer:
Richard Rodgers (composer)
part of:
Do I Hear a Waltz? (Rodgers/Sondheim musical)
Elizabeth Allen & Ensemble3:46
7Big Spender
recording of:
Big Spender
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Helen Gallagher, Thelma Oliver, Girls3:36
8Mame
recording of:
Mame
lyricist and composer:
Jerry Herman
part of:
Mame (full musical)
Charles Braswell & Ensemble6:19
9Willkommen
vocals:
Joel Grey & Company (actor, singer, dancer, photographer, theatre director)
conductor:
Harold Hastings
recording of:
Willkommen (Cabaret) (on 1967-07-31)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Joel Grey & Cast5:11
10Cabaret
vocals:
Jill Haworth
conductor:
Harold Hastings
recording of:
Cabaret (title song from the Kander & Ebb musical) (in 1966)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Jill Haworth4:31
11The Ladies Who Lunch
vocals:
Elaine Stritch (on 1970-05-03)
conductor:
Harold Hastings (on 1970-05-03)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1970-05-03)
recording of:
Company: The Ladies Who Lunch (on 1970-05-03)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation, Quartet Music Inc., Range Road Music Inc. and Rilting Music, Inc.
part of:
Company
Elaine Stritch4:31
12I Want to Be Happy
recording of:
I Want to Be Happy (No, No, Nanette)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
Jack Gilford & Susan Watson3:00
13Send in the Clowns
vocals:
Glynis Johns (on 1973-03-18)
conductor:
Harold Hastings (on 1973-03-18)
orchestrator:
Jonathan Tunick
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1973-03-18)
recording of:
Send In the Clowns (A Little Night Music) (on 1973-03-18)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
Glynis Johns3:29
14What I Did for Love
producer:
Goddard Lieberson
vocals:
Priscilla Lopez
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
What I Did for Love (from “A Chorus Line”)
lyricist:
Edward Kleban
composer:
Marvin Hamlisch
publisher:
American Compass Music Corp., Chappell Morris Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner/Chappell Music Australia Pty. Ltd. and Wren Music Co.
part of:
A Chorus Line (Marvin Hamlisch musical)
Priscilla Lopez & Company3:47
15One
producer:
Goddard Lieberson
choir vocals:
[theatre] (Special Purpose Artist - Do not add releases here, if possible.)
conductor:
Donald Pippin (Broadway musical theatre director and conductor)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
One (from “A Chorus Line”) (on 1975-06-02)
lyricist:
Edward Kleban
composer:
Marvin Hamlisch
part of:
A Chorus Line (Marvin Hamlisch musical)
Marvin Hamlisch4:47
16Tomorrow
vocals:
Andrea McArdle (on 1977-04-25)
orchestrator:
Philip J. Lang
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1977-04-25)
recording of:
Tomorrow (Annie) (on 1977-04-25)
lyricist:
Martin Charnin
composer:
Charles Strouse
publisher:
Charles Strouse Publishing, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and WC Music Corp.
part of:
Annie (Charles Strouse musical)
Andrea McArdle2:08
17Folies Bergeres
recording of:
Folies Bergeres (Nine)
lyricist and composer:
Maury Yeston
part of:
Nine
Liliane Montevecchi, Stephanie Cotsirilos7:00
18Never Met a Man I Didn't Like
producer:
Mike Berniker and Cy Coleman
conductor:
Eric Stern (conductor and arranger)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Never Met a Man I Didn’t Like (The Will Rogers Follies)
orchestrator:
Billy Byers
lyricist:
Betty Comden and Adolph Green
composer and arranger:
Cy Coleman
publisher:
Betdolph Music Company, Big Deal Notes (ASCAP) and Notable Music Co., Inc.
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
part of:
The Will Rogers Follies
Keith Carradine2:19
19My Friend
cover recording of:
My Friend (from the Cy Coleman musical The Life)
lyricist:
Ira Gasman
composer:
Cy Coleman
part of:
The Life (Cy Coleman musical)
Pamela Isaacs, Lillias White3:33