Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria (Basso) "Ich will den Kreuzstab gerne tragen"
produttore:
Hansjoachim Reiser (engineer/producer)
produttore esecutivo:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
voce di basso:
Dietrich Fischer‐Dieskau (baritone) (nel 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1969-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1969-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1970)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1969-07)
registrazione di:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (nel 1969-07)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1726)
librettista:
[anonymous] (special purpose artist)
parte di:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach8:41
2Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitativo (Basso) "Mein Wandel auf der Welt"
produttore:
Hansjoachim Reiser (engineer/producer)
produttore esecutivo:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
voce di basso:
Dietrich Fischer‐Dieskau (baritone) (nel 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1969-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1969-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1970)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1969-07)
registrazione di:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (nel 1969-07)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1726)
librettista:
[anonymous] (special purpose artist)
parte di:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:12
3Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria (Basso) "Endlich, endlich wird mein Joch"
produttore:
Hansjoachim Reiser (engineer/producer)
produttore esecutivo:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
voce di basso:
Dietrich Fischer‐Dieskau (baritone) (nel 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1969-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1969-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1970)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1969-07)
registrazione di:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (nel 1969-07)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1726)
librettista:
[anonymous] (special purpose artist)
parte di:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:42
4Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitativo e Arioso (Basso) "Ich stehe fertig und bereit"
produttore:
Hansjoachim Reiser (engineer/producer)
produttore esecutivo:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
voce di basso:
Dietrich Fischer‐Dieskau (baritone) (nel 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1969-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1969-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1970)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1969-07)
registrazione di:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (nel 1969-07)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1726)
librettista:
[anonymous] (special purpose artist)
parte di:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:01
5Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder"
produttore:
Hansjoachim Reiser (engineer/producer)
produttore esecutivo:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cori:
Münchener Bach‐Chor (Munich Bach Choir) (nel 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1969-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1969-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1970)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1969-07)
registrazione di:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (nel 1969-07)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1726)
librettista:
John Franck (nel 1653)
parte di:
Breitkopf 389 Choralgesänge (numero: 72)
parte di:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:19
6Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
produttore esecutivo:
Wolfgang Werner
contrabbasso :
Herbert Duft (double bass player) (nel 1968-07)
fagotto :
Karl Kolbinger (bassoonist) (nel 1968-07)
organo :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello :
Fritz Kiskalt (cellist) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1969)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (nel 1968-07)
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:37
7Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden"
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
produttore esecutivo:
Wolfgang Werner
contrabbasso :
Herbert Duft (double bass player) (nel 1968-07)
fagotto :
Karl Kolbinger (bassoonist) (nel 1968-07)
organo :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello :
Fritz Kiskalt (cellist) (nel 1968-07)
cori:
Münchener Bach‐Chor (Munich Bach Choir) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1969)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (nel 1968-07)
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:23
8Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt"
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
produttore esecutivo:
Wolfgang Werner
contrabbasso :
Herbert Duft (double bass player) (nel 1968-07)
fagotto :
Karl Kolbinger (bassoonist) (nel 1968-07)
organo :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello :
Fritz Kiskalt (cellist) (nel 1968-07)
cori, voce d’alto e voce di soprano:
Münchener Bach‐Chor (Munich Bach Choir) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1969)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (nel 1968-07)
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:00
9Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn"
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
produttore esecutivo:
Wolfgang Werner
contrabbasso :
Herbert Duft (double bass player) (nel 1968-07)
fagotto :
Karl Kolbinger (bassoonist) (nel 1968-07)
organo :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello :
Fritz Kiskalt (cellist) (nel 1968-07)
cori e voce di tenore:
Münchener Bach‐Chor (Munich Bach Choir) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1969)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (nel 1968-07)
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:56
10Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg"
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
produttore esecutivo:
Wolfgang Werner
contrabbasso :
Herbert Duft (double bass player) (nel 1968-07)
fagotto :
Karl Kolbinger (bassoonist) (nel 1968-07)
organo :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello :
Fritz Kiskalt (cellist) (nel 1968-07)
cori:
Münchener Bach‐Chor (Munich Bach Choir) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1969)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (nel 1968-07)
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:15
11Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm"
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
contrabbasso :
Herbert Duft (double bass player) (nel 1968-07)
fagotto :
Karl Kolbinger (bassoonist) (nel 1968-07)
organo :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello :
Fritz Kiskalt (cellist) (nel 1968-07)
voce di basso:
Dietrich Fischer‐Dieskau (baritone) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1969)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (nel 1968-07)
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:36
12Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
produttore esecutivo:
Wolfgang Werner
contrabbasso :
Herbert Duft (double bass player) (nel 1968-07)
fagotto :
Karl Kolbinger (bassoonist) (nel 1968-07)
organo :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello :
Fritz Kiskalt (cellist) (nel 1968-07)
cori, voce di soprano e voce di tenore:
Münchener Bach‐Chor (Munich Bach Choir) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1969)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (nel 1968-07)
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:02
13Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl"
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
contrabbasso :
Herbert Duft (double bass player) (nel 1968-07)
fagotto :
Karl Kolbinger (bassoonist) (nel 1968-07)
organo :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello :
Fritz Kiskalt (cellist) (nel 1968-07)
cori:
Münchener Bach‐Chor (Munich Bach Choir) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
tecnico di bilanciamento:
Harald Baudis (sound engineer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1969)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (nel 1968-07)
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Breitkopf 389 Choralgesänge (numero: 41)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:24
14Kantate, BWV 82 "Ich habe genug": I. Aria (Basso) "Ich habe genug"
tecnico audio e tecnico di bilanciamento:
Harald Baudis (sound engineer)
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
produttore esecutivo:
Prof. Dr. Hans Hickmann
contrabbasso [Kontrabaß] :
Herbert Duft (double bass player) (nel 1968-07)
fagotto [Fagott] :
Detlef Kühl (bassoonist) (nel 1968-07) e Karl Kolbinger (bassoonist) (nel 1968-07)
oboe :
Manfred Clement (oboist) (nel 1968-07)
organo [Orgel] :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello [Violoncello] :
Johannes Fink (cellist and viola da gamba player) (nel 1968-07) e Fritz Kiskalt (cellist) (nel 1968-07)
voce di basso:
Dietrich Fischer‐Dieskau (baritone) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1970) e Polydor International GmbH (not for release label use!) (nel 1970)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (nel 1968-07)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1727)
parte di:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach8:10
15Kantate, BWV 82 "Ich habe genug": II. Recitativo (Basso) "Ich habe genug. Mein Trost ist nur allein"
tecnico audio e tecnico di bilanciamento:
Harald Baudis (sound engineer)
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
produttore esecutivo:
Prof. Dr. Hans Hickmann
contrabbasso [Kontrabaß] :
Herbert Duft (double bass player) (nel 1968-07)
fagotto [Fagott] :
Detlef Kühl (bassoonist) (nel 1968-07) e Karl Kolbinger (bassoonist) (nel 1968-07)
oboe :
Manfred Clement (oboist) (nel 1968-07)
organo [Orgel] :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello [Violoncello] :
Johannes Fink (cellist and viola da gamba player) (nel 1968-07) e Fritz Kiskalt (cellist) (nel 1968-07)
voce di basso:
Dietrich Fischer‐Dieskau (baritone) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1970) e Polydor International GmbH (not for release label use!) (nel 1970)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (nel 1968-07)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1727)
parte di:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:42
16Kantate, BWV 82 "Ich habe genug": III. Aria (Basso) "Schlummert ein, ihr matten Augen"
tecnico audio e tecnico di bilanciamento:
Harald Baudis (sound engineer)
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
produttore esecutivo:
Prof. Dr. Hans Hickmann
contrabbasso [Kontrabaß] :
Herbert Duft (double bass player) (nel 1968-07)
fagotto [Fagott] :
Detlef Kühl (bassoonist) (nel 1968-07) e Karl Kolbinger (bassoonist) (nel 1968-07)
oboe :
Manfred Clement (oboist) (nel 1968-07)
organo [Orgel] :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello [Violoncello] :
Johannes Fink (cellist and viola da gamba player) (nel 1968-07) e Fritz Kiskalt (cellist) (nel 1968-07)
voce di basso:
Dietrich Fischer‐Dieskau (baritone) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1970) e Polydor International GmbH (not for release label use!) (nel 1970)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (nel 1968-07)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1727)
parte di:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach9:44
17Kantate, BWV 82 "Ich habe genug": IV. Recitativo (Basso) "Mein Gott! wann kommt das schöne: Nun!"
tecnico audio e tecnico di bilanciamento:
Harald Baudis (sound engineer)
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
produttore esecutivo:
Prof. Dr. Hans Hickmann
contrabbasso [Kontrabaß] :
Herbert Duft (double bass player) (nel 1968-07)
fagotto [Fagott] :
Detlef Kühl (bassoonist) (nel 1968-07) e Karl Kolbinger (bassoonist) (nel 1968-07)
oboe :
Manfred Clement (oboist) (nel 1968-07)
organo [Orgel] :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello [Violoncello] :
Johannes Fink (cellist and viola da gamba player) (nel 1968-07) e Fritz Kiskalt (cellist) (nel 1968-07)
voce di basso:
Dietrich Fischer‐Dieskau (baritone) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1970) e Polydor International GmbH (not for release label use!) (nel 1970)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (nel 1968-07)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1727)
parte di:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:11
18Kantate, BWV 82 "Ich habe genug": V. Aria (Basso) "Ich freue mich auf meinen Tod"
tecnico audio e tecnico di bilanciamento:
Harald Baudis (sound engineer)
produttore:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
produttore esecutivo:
Prof. Dr. Hans Hickmann
contrabbasso [Kontrabaß] :
Herbert Duft (double bass player) (nel 1968-07)
fagotto [Fagott] :
Detlef Kühl (bassoonist) (nel 1968-07) e Karl Kolbinger (bassoonist) (nel 1968-07)
oboe :
Manfred Clement (oboist) (nel 1968-07)
organo [Orgel] :
Hedwig Bilgram (harpsichordist and organist) (nel 1968-07) e Elmar Schloter (organist) (nel 1968-07)
violoncello [Violoncello] :
Johannes Fink (cellist and viola da gamba player) (nel 1968-07) e Fritz Kiskalt (cellist) (nel 1968-07)
voce di basso:
Dietrich Fischer‐Dieskau (baritone) (nel 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (nel 1968-07)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (nel 1968-07)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 1970) e Polydor International GmbH (not for release label use!) (nel 1970)
registrata presso:
Herkulessaal in München (Munich), Bayern (Baviera), Germania (nel 1968-07)
registrazione di:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (nel 1968-07)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1727)
parte di:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:46