The Complete Columbia Studio Recordings

~ Veröffentlichung von Miles Davis & Gil Evans (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶CD: Miles Ahead
2▶CD: Porgy and Bess
3▶CD: Sketches of Spain
4▶CD: Quiet Nights and More
5▶CD: The Making of Miles Ahead
6▼CD: Alternate and Rehearsal Takes
Nr.TitelBewertungLänge
1[studio discussion]
0:21
2Springsville (take 8 without overdubs)
teilweise recording of:
Springsville
Komponist(in):
John Carisi (American trumpeter and composer)
3:37
3[studio discussion]
0:09
4Miles Ahead (take 11 without overdubs)
teilweise recording of:
Miles Ahead
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Gil Evans (Canadian‐American jazz pianist and composer)
3:35
5I Don’t Wanna Be Kissed (by Anyone but You) (take 3 without overdubs)
teilweise cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
Komponist(in):
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) und Harold Spina (composer/conductor)
3:03
6Springsville (overdub take 1)
teilweise recording of:
Springsville
Komponist(in):
John Carisi (American trumpeter and composer)
2:10
7Springsville (overdubbed solos 4–5)
teilweise recording of:
Springsville
Komponist(in):
John Carisi (American trumpeter and composer)
2:23
8Springsville (overdubbed solos 6–9)
teilweise recording of:
Springsville
Komponist(in):
John Carisi (American trumpeter and composer)
2:35
9Springsville (issued overdubbed solo)
teilweise recording of:
Springsville
Komponist(in):
John Carisi (American trumpeter and composer)
0:29
10Miles Ahead (issued overdubbed solo)
teilweise recording of:
Miles Ahead
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Gil Evans (Canadian‐American jazz pianist and composer)
1:56
11Miles Ahead (overdubbed solo)
teilweise recording of:
Miles Ahead
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Gil Evans (Canadian‐American jazz pianist and composer)
1:36
12I Don’t Wanna Be Kissed (by Anyone but You) (overdubbed solo 1)
teilweise cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
Komponist(in):
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) und Harold Spina (composer/conductor)
1:06
13I Don’t Wanna Be Kissed (by Anyone but You) (overdubbed solo 2)
teilweise cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
Komponist(in):
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) und Harold Spina (composer/conductor)
1:27
14I Don’t Wanna Be Kissed (by Anyone but You) (overdubbed solo 4)
teilweise cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
Komponist(in):
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) und Harold Spina (composer/conductor)
2:06
15I Don’t Wanna Be Kissed (by Anyone but You) (overdubbed solo 8)
teilweise cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
Komponist(in):
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) und Harold Spina (composer/conductor)
3:07
16I Don’t Wanna Be Kissed (by Anyone but You) (overdubbed solo 19 & 19C)
teilweise cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
Komponist(in):
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) und Harold Spina (composer/conductor)
3:00
17Miles Ahead (mono master)
Remaster von:
Miles Ahead von Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Miles Ahead
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Gil Evans (Canadian‐American jazz pianist and composer)
3:33
18Gone (rehearsal sequence)
teilweise recording of:
Gone (Gil Evans composition)
Komponist(in):
Gil Evans (Canadian‐American jazz pianist and composer)
2:55
19Gone, Gone, Gone (rehearsal sequence)
teilweise instrumental recording of:
Porgy and Bess: Act I, Scene II. “Gone, gone, gone (Where is brudder Robbins?)”
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act I, Scene II
2:59
20[studio discussion]
0:57
21Bess, You Is My Woman Now (rehearsal take)
teilweise instrumental cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp
basiert auf:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
5:00
22It Ain’t Necessarily So (take 1)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
3:24
23Oh Bess, Oh Where’s My Bess (take 3)
instrumental cover recording of:
Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess”
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act III, Scene III
3:57
24I Loves You, Porgy (rehearsal sequence)
teilweise instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
2:21
25There’s a Boat That’s Leaving Soon for New York (remake)
instrumental cover recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
Teil von:
Porgy and Bess: Act III, Scene II
2:26
26My Man’s Gone Now (remake take)
instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America und WB Music Corp. (1929–2019) (bis 2019-05-28)
Version von:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
6:16
27Song of Our Country (take 9)
recording of:
Song of Our Country
Komponist(in):
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
basiert auf:
Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra) (for orchestra)
3:01
28Concierto de Aranjuez (adagio) (rehearsal)
teilweise cover recording of:
Concierto de Aranjuez
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
7:25
29Concierto de Aranjuez (adagio) (alternate ending)
teilweise cover recording of:
Concierto de Aranjuez
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
1:23
30[pause track]
0:08