Complete Philips Recordings

~ Pubblicazione di John Williams (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

A limited edition, 21-CD set of John Williams' complete recordings made for Philips during his first 10 years with the Boston Pops Orchestra.

Annotazione modificata l'ultima volta il 2022-02-01 08:04 UTC.

Elenco tracce

1▶CD: Pops on the March
2▶CD: Pops in Space
3▶CD: That's Entertainment (Pops on Broadway)
4▶CD: We Wish You a Merry Christmas
5▶CD: Pops Around the World
6▶CD: Aisle Seat
7▶CD: Out of This World
8▶CD: Peter and the Wolf / Nutcracker Suite
9▶CD: With a Song in My Heart
10▶CD: Swing, Swing, Swing
11▶CD: America, the Dream Goes On
12▶CD: On Stage
13▶CD: Bernstein by Boston
14▶CD: Pops in Love
15▶CD: Holst: The Planets
16▼CD: Digital Jukebox
#TitoloArtistaValutazioneDurata
1Those Were the Days
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Glenn Osser
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
Those Were the Days (theme to All in the Family) (nel 1987-06)
paroliere:
Lee Adams (US musical theatre lyricist & librettist)
compositore:
Charles Strouse
Boris Fomin3:02
2Never on Sunday
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Richard Hayman
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
Never on Sunday (nel 1987-06)
paroliere:
Manos Hadjidakis (Manos Hatzidakis, Greek composer) e Billy Towne (movie/musical composer)
compositore:
Manos Hadjidakis (Manos Hatzidakis, Greek composer)
traduttore:
Billy Towne (movie/musical composer)
editore:
EMI Catalogue Partnership, EMI Unart Catalog Inc. e EMI United Partnership Ltd.
parte di:
The 33rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1960 winner)
arrangiamento di:
Τα παιδιά του Πειραιά
versione tradotta di:
Τα παιδιά του Πειραιά
Manos Hadjidakis2:48
3Mondo Cane: More
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Richard Hayman
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
Ti guarderò nel cuore (nel 1987-06)
paroliere:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
compositore:
Nino Oliviero (Italian musician and composer) e Riz Ortolani (songwriter, film music composer and music director)
Riz Ortolani & Nino Oliviero3:31
4By the Time I Get to Phoenix
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Richard Hayman
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
By the Time I Get to Phoenix (nel 1987-06)
paroliere e compositore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
editore:
Charles Koppelman Music, Jonathan Three Music Co. e Martin Bandier Music
Jimmy Webb2:30
5The Girl from Ipanema
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Patrick Hollenbeck
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
The Girl From Ipanema (nel 1987-06)
paroliere:
Vinicius de Moraes (O poetinha)
compositore:
Antônio Carlos Jobim
traduttore:
Norman Gimbel
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. e Words West LLC
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
versione tradotta di:
Garota de Ipanema
parte di:
The Real Book (compilation of jazz standards, volume I)
Antônio Carlos Jobim3:19
6Summer of '42: The Summer Knows
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Eric Knight (Alternative Rock)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
The Summer Knows (Summer of ’42; instrumental version) (nel 1987-06)
compositore:
Michel Legrand
editore:
Warner Bros. Music (publisher; do NOT use as release label), Warner Olive Music LLC e Warner/Chappell North America
Michel Legrand3:49
7The Threepenny Opera: Mack the Knife
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Jack Mason (classical arranger)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione strumentale di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer (nel 1987-06)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
parte di:
Die Dreigroschenoper: Vorspiel
Kurt Weill3:10
8Moulin Rouge: Where Is Your Heart
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
The Song From Moulin Rouge (aka “Where Is Your Heart”) (nel 1987-06)
paroliere:
William Engvick
compositore:
Georges Auric (composer)
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
parte di:
Moulin Rouge (1952 film)
Georges Auric3:04
9Classical Gas
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Glenn Osser
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
Classical Gas (nel 1987-06)
compositore:
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
Mason Williams3:39
10The Pink Panther: Theme
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Henry Mancini (US composer, conductor & arranger)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
The Pink Panther Theme (nel 1987-06)
orchestratore e compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
EMI United Partnership Ltd., Northridge Music, Inc. e 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
Classic 100: Piano (2025) (numero: 61)
Henry Mancini3:13
11Ebb Tide
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Angela Morley
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione cover di:
Ebb Tide (nel 1987-06)
paroliere:
Carl Sigman
compositore:
Robert Maxwell (US harpist, songwriter and teacher)
editore:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., France Mélodie, Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp., SBK Robbins Catalog, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
arrangiamento di:
Ebb Tide (original instrumental version)
Robert Maxwell4:02
12Tijuana Taxi
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Richard Hayman
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
Tijuana Taxi (nel 1987-06)
compositore:
Ervan “Bud” Coleman
editore:
Irving Music (BMI)
Ervan F. “Bud” Coleman2:48
13Days of Wine and Roses
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Richard Hayman
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
Days of Wine and Roses (nel 1987-06)
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
parte di:
The 35th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1964 winner) e Academy Award for Best Original Song (numero: 1962 winner)
Henry Mancini3:31
14A Summer Place: Theme
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Lee Holdridge
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
Theme from “A Summer Place” (original instrumental version) (nel 1987-06)
compositore:
Max Steiner (nel 1959)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America
Max Steiner2:38
15Unchained Melody
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Lee Holdridge
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
Unchained Melody (nel 1987-06)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Alex North3:40
16Ciribiribin
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Glenn Osser
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione strumentale di:
Ciribiribin (They’re So in Love) (Harry James theme song) (nel 1987-06)
paroliere:
Harry James (US big band leader, trumpeter & actor) e Jack Lawrence (US songwriter)
compositore:
Alberto Pestalozza
si basa su:
Ciribiribin (original Italian version)
parte di:
Hit the Deck (1955 movie)
Alberto Pestalozza2:51
17Love Is a Many Splendored Thing
tecnico di registrazione:
John Newton (editor, engineer mixer)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1987-06)
arrangiatore:
Angela Morley
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-06)
registrazione di:
Love Is a Many‐Splendored Thing (nel 1987-06)
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) e WC Music Corp.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1955 winner)
Sammy Fain3:30
17▶CD: Lucky to Be Me
18▶CD: Salute to Hollywood
19▶CD: Pops à la Russe
20▶CD: Pops by Gershwin
21▶CD: By Request… / Pops Britannia

Accreditamenti

Gruppo di pubblicazioni

comprende:Aisle Seat: Great Film Music di John Williams (American score composer and conductor) & The Boston Pops Orchestra
America, The Dream Goes On di John Williams (American score composer and conductor) & The Boston Pops Orchestra
Bernstein by Boston di Bernstein (Leonard Bernstein, American conductor, composer, pianist); Boston Pops Orchestra, John Williams (American score composer and conductor)
By Request… The Best of John Williams and the Boston Pops di John Williams (American score composer and conductor) and the Boston Pops
Digital Jukebox di John Williams (American score composer and conductor) & The Boston Pops Orchestra
Lucky to Be Me di Jessye Norman (soprano) & John Williams (American score composer and conductor)
On Stage di John Williams (American score composer and conductor) & Boston Pops Orchestra
Out of This World di John Williams (American score composer and conductor) & Boston Pops Orchestra
Pops à la Russe di John Williams (American score composer and conductor) and the Boston Pops Orchestra
Pops Around the World di John Williams (American score composer and conductor) & Boston Pops Orchestra
Pops Britannia di Boston Pops Orchestra, John Williams (American score composer and conductor)
Pops by Gershwin di Boston Pops Orchestra
Pops in Love di John Williams (American score composer and conductor) & Boston Pops Orchestra
Pops in Space di John Williams (American score composer and conductor) & The Boston Pops Orchestra
Pops on the March di John Williams (American score composer and conductor) & The Boston Pops Orchestra
Prokofiev: Peter and the Wolf, Op. 67 / Tchaikovsky: Nutcracker Suite, Op. 71a di Prokofiev (Sergei Prokofiev, Russian composer), Tchaikovsky (Pëtr Il’ič Čajkovskij, Russian romantic composer); Dudley Moore, John Williams (American score composer and conductor) & The Boston Pops
Salute to Hollywood di John Williams (American score composer and conductor) & The Boston Pops Orchestra
Swing, Swing, Swing di John Williams (American score composer and conductor) & The Boston Pops
That's Entertainment di John Williams (American score composer and conductor) & Boston Pops
The Planets di Gustav Holst (composer); Boston Pops, John Williams (American score composer and conductor)
We Wish You a Merry Christmas di John Williams (American score composer and conductor) & The Boston Pops Orchestra
With a Song in My Heart di Jessye Norman (soprano), Boston Pops Orchestra, John Williams (American score composer and conductor)
parte di:Boston Pops conducted by John Williams compilations (ordine: 20)