| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Respect- recording engineer:
- Tom Dowd (am 1967-02-14)
- Produzent(in):
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (am 1967-02-14)
- Bassgitarre:
- Tommy Cogbill (am 1967-02-14)
- Gitarre:
- Jimmy Johnson (am 1967-02-14)
- Klavier:
- Aretha Franklin (am 1967-02-14)
- Kornett:
- Melvin Lastie (am 1967-02-14)
- Orgel:
- Spooner Oldham (am 1967-02-14)
- Schlagzeug:
- Roger Hawkins (am 1967-02-14)
- Tenorsaxophon:
- Charles Chalmers (am 1967-02-14) und King Curtis (am 1967-02-14)
- Hintergrundgesang:
- Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
- vocals:
- Aretha Franklin (am 1967-02-14)
- conductor:
- Tom Dowd (am 1967-02-14)
- arranger:
- Tom Dowd und Arif Mardin
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 1967) und WEA International Inc. (in 1967)
- aufgenommen bei:
- Atlantic Studios in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (am 1967-02-14)
- Texter und Komponist(in):
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:25 |
| 2 | Stand by Me- recorded in:
- New York, New York, Vereinigte Staaten (am 1960-10-27)
- Produzent(in):
- Leiber and Stoller
- vocals:
- Ben E. King (am 1960-10-27)
- conductor:
- Stan Applebaum (am 1960-10-27)
- arranger:
- Stan Applebaum
- phonographisches Urheberrecht (℗) von:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961), Atlantic Recording Corporation (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
- recording of:
- Stand by Me (am 1960-10-27)
- publisher:
- Mike Stoller
- Verfasser(in):
- Ben E. King, Jerry Leiber und Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music und Universal Music Publishing
| Ben E. King | 4.65 | 3:03 |
| 3 | Dancing in the Street- recording of:
- Dancing in the Street
- Verfasser(in):
- I. Hunter, M. Gaye und W. Stevenson
- publisher:
- EMI Music , EMI Music Publishing , FCG Music, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
| Martha Reeves and the Vandellas | | 2:33 |
| 4 | Save the Last Dance for Me- recording of:
- Save the Last Dance for Me
- Verfasser(in):
- Doc Pomus und Mort Shuman
- publisher:
- Hill and Range Southwind Mus S A , Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , Hill and Range Songs, Inc. (in 1974) und Trio Music (in 1974)
| The Drifters | | 2:34 |
| 5 | Knock on Wood- recorded in:
- Memphis, Tennessee, Vereinigte Staaten (am 1966-07-13)
- Produzent(in):
- Steve Cropper
- baritone saxophone:
- probably Floyd Newman
- Bassgitarre [bass]:
- Duck Dunn (am 1966-07-13)
- Gitarre:
- Steve Cropper (am 1966-07-13)
- Klavier:
- Isaac Hayes (am 1966-07-13) und Booker T. Jones (am 1966-07-13)
- Orgel:
- Booker T. Jones (am 1966-07-13)
- Schlagzeug [drums]:
- Al Jackson (am 1966-07-13)
- Tenorsaxophon:
- probably Andrew Love (am 1966-07-13)
- Trompete:
- Wayne Jackson (am 1966-07-13)
- vocals:
- Eddie Floyd (am 1966-07-13)
- phonographisches Urheberrecht (℗) von:
- WEA International Inc. (in 1967)
- recording of:
- Knock on Wood (am 1966-07-13)
- Verfasser(in):
- Steve Cropper und Eddie Floyd
- publisher:
- East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. und Warner Chappell North America
- adaptations:
- Potkraj na les
| Eddie Floyd | 4 | 3:01 |
| 6 | Unchain My Heart | Ray Charles | | 2:52 |
| 7 | Hold on I’m Coming | Sam & Dave | | 2:45 |
| 8 | When a Man Loves a Woman- recording of:
- When a Man Loves a Woman
- Verfasser(in):
- Calvin Lewis, Percy Sledge und Andrew Wright
- publisher:
- Mijac Music, Warner Bros. Music Ltd. , Warner Chappell, Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell , Pronto Music, Inc. (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (vom 1966 bis heute), Pronto (in 1972) und Quinvy (in 1972)
| Percy Sledge | | 2:57 |
| 9 | What Becomes the Broken Hearted (Rerecorded) | Jimmy Ruffin | | 3:04 |
| 10 | Up on the Roof | The Drifters | 5 | 2:33 |
| 11 | I’d Rather Go Blind | Etta James | | 2:36 |
| 12 | Precious, Precious | Isaac Hayes | | 2:38 |
| 13 | Ain’t No Sunshine | Al Jarreau | | 2:04 |
| 14 | Patches | Clarence Carter | | 2:56 |
| 15 | Every Beat of My Heart | Gladys Knight | | 2:04 |
| 16 | For Your Precious Lord | Jerry Butler | | 2:40 |
| 17 | Sad Song | Lou Rawls | | 2:39 |
| 18 | Drift Away | Dobie Gray | | 3:33 |
| 19 | All of My Life | Sam Cooke | | 2:26 |
| 20 | Here We Go Again | Ray Charles | | 3:26 |
| 21 | The One Who Really Love You | Mary Wells | | 2:30 |
| 22 | Hey Girl Don’t Bother Me | The Tams | | 2:36 |
| 23 | Tighten Upsanders | Archie Bell & the Drells | | 2:47 |
| 24 | If You Need Me | Wilson Pickett | | 2:35 |
| 25 | It’s Just Matter of Time | Brook Benton | | 2:32 |
| 26 | If You Don’t Know Me by Now | Harold Melvin & The Blue Notes | | 3:36 |
| 27 | Behind Closed Doors | Percy Sledge | | 2:50 |
| 28 | Spanish Harlem | Ben E. King | | 2:59 |
| 29 | Soul Man- recorded in:
- Memphis, Tennessee, Vereinigte Staaten (am 1967-08-10)
- Produzent(in):
- Isaac Hayes, David Porter und Jim Stewart
- Instrumente:
- Booker T. & the MG’s (in 1967) und The Mar‐Keys Horns (in 1967)
- Sologesang:
- Sam Moore (in 1967) und David Prater (in 1967)
- phonographisches Urheberrecht (℗) von:
- HHO Recordings Ltd., WEA International Inc. (in 1966) und Atlantic Recording Corporation (in 1967)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time (Nummer: 458)
- recording of:
- Soul Man (am 1967-08-10)
- Verfasser(in):
- Isaac Hayes (in 1967) und David Porter (in 1967)
- publisher:
- EMI Music Publishing , Rondor Music (London) Ltd., Rondor Music Ltd. , Walden Music, Inc., Warner Chappell Music Ltd. , Warner Chappell North America, Almo Music Corp. (in 1986) und Walden Music Corp. (in 1986)
| Sam & Dave | 4.5 | 2:38 |
| 30 | Unchain My Heart | Ray Charles | | 2:53 |
| 31 | Getting Mighty Crowded | Betty Everett | | 2:12 |
| 32 | But I Do | Clarence “Frogman” Henry | | 2:20 |
| 33 | Mama Didn’t Lie | Jan Bradley | | 2:04 |
| 34 | Searching for My Love | Bobby Moore | | 2:32 |
| 35 | Land of 100 Dances | Wilson Pickett | 4 | 2:30 |
| 36 | Sugar Sugar | Ike & Tina Turner | | 2:43 |
| 37 | Everybody Needs Somebody to Love | Wilson Pickett | | 2:19 |
| 38 | Eleanor Rigby- cover recording of:
- Eleanor Rigby
- geschrieben in:
- London , England, Vereinigtes Königreich (in 1965) und Weybridge, Surrey, England, Vereinigtes Königreich (von 1965 bis 1966)
- Verfasser(in):
- John Lennon und Paul McCartney
- publisher:
- Blackwood Music Inc. , EMI Music Publishing , Maclen Publishing Co. , MPL Communications Ltd. , Music Corporation of America, Inc. , Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC , Sony/ATV Songs LLC und Sony/ATV Tunes LLC
- geschrieben bei:
- Abbey Road Studios in St John's Wood, Westminster, London , England, Vereinigtes Königreich (in 1966)
| Ray Charles | | 3:00 |
| 39 | Sea of Love | Phil Phillips | | 2:22 |
| 40 | My Guy | Mary Wells | | 2:47 |
| 41 | You’ll Lose a Good Thing | Barbara Lynn | | 2:37 |
| 42 | Tell It Like It Is | Aaron Neville | | 3:08 |
| 43 | Got to Get You Off My Mind | Solomon Burke | | 2:04 |
| 44 | I Know (You Don’t Love Me No More) | Barbara George | | 2:20 |
| 45 | Jimmy Mark | Martha Reeves | | 2:56 |
| 46 | Turn Back the Hands of Time | Tyrone Davis | | 2:43 |
| 47 | He Will Break Your Heart | Jerry Butler | | 2:45 |
| 48 | Let’s Go, Let’s Go, Let’s Go | Hank Ballard | | 2:30 |
| 49 | I Got You (I Feel Good) | James Brown | | 3:07 |
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