Hits of the 50s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▼CD
Nr.TitelKünstlerBewertungLänge
1One Night
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-15 bis 1957-01-18)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-15 bis 1957-01-18) und Tiny Timbrell (von 1957-01-15 bis 1957-01-18)
Klavier:
Dudley Brooks (von 1957-01-15 bis 1957-01-18)
Schlagzeug:
D.J. Fontana (von 1957-01-15 bis 1957-01-18)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-02-23)
vocals:
The Jordanaires (southern gospel group) (von 1957-01-15 bis 1957-01-18)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957, in 1959) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Paramount Scoring Stage in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-15 bis 1957-01-18), Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-02-23) und Metropolitan Sports Center in Bloomington, Minnesota, Vereinigte Staaten (am 1976-10-17)
cover recording of:
One Night (von 1957-01-15 bis 1957-02-23)
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
live cover recording of:
One Night (am 1976-10-17)
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
recording of:
One Night
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
Elvis Presley2.72:31
2Be-Bop-A-Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:36
3Yakety Yak
recording of:
Yakety Yak
Texter:
Jerry Leiber
Verfasser(in):
Jerry Leiber und Mike Stoller
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Teil von:
Twins (1988)
The Coasters1:55
4Bird Dog
recording of:
Bird Dog
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1958-08-15) und House of Bryant Publications (publisher; do NOT use as release label) (in 1978)
The Everly Brothers2:11
5Boppin’ the Blues
recording of:
Boppin’ the Blues
Komponist(in):
Curley Griffin (1950s rockabilly artist) (in 1956) und Carl Perkins (American pioneer of rockabilly music) (in 1956)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Hi-Lo Music Inc. (BMI-affiliated), MPL Music Publishing Inc., MPL UK Publishing, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Wren Music Co.
Carl Perkins2:49
6That’ll Be the Day
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets2:17
7Folsom Prison Blues
recording of:
Folsom Prison Blues
Texter und Komponist(in):
Johnny Cash (country music legend)
publisher:
Aberbach (London) (publisher), Carlin Music Corporation und Hi Lo Music
basiert auf:
Crescent City Blues
Johnny Cash2:44
8Secret Love
recording of:
Secret Love (song from “Calamity Jane”)
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America und Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1953 winner)
Teil von:
Calamity Jane (stage musical)
Doris Day3:40
9With All My Heart
recording of:
With All My Heart (1957 song)
Texter:
Robert P. Marcucci
Komponist(in):
Peter de Angelis
publisher:
Universal Music Corp. (USA, affiliated with ASCAP) und Universal‐MCA Music Publishing (US)
Petula Clark2:40
10If You Ain’t Lovin’
Faron Young2:19
11Smoke Gets in Your Eyes
cover recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters2:39
12Some Enchanted Evening
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1949-03-01)
Orchester:
Mitchell Ayres and His Orchestra (am 1949-03-01)
recording of:
Some Enchanted Evening (South Pacific) (am 1949-03-01)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company und Williamson Music, Inc.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Perry Como3:27
13Tennessee Waltz
Orchester:
Jack Rael & his Orchestra (in 1950-11)
conductor:
Jack Rael (in 1950-11)
cover recording of:
Tennessee Waltz (am 1950-10-14)
Texter:
Redd Stewart (in 1946)
Komponist(in):
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Patti Page3:03
14I’m Gonna Be a Wheel Someday
Sound-Engineering:
Ron McMaster (US mastering & cutting engineer)
Audio-Engineering:
Dieter Dirks (German audio engineer) (am 1977-03-20), Martin Rushent (am 1977-03-20) und Peter Wolsey (German audio engineer) (am 1977-03-20)
Produzent(in):
Tim Read (producer) (in 1977-03) und Martin Rushent (in 1977-03)
baritone saxophone:
Roger Lewis (Sax Player - Dirty Dozen Brass Band) (am 1977-03-20)
Bassgitarre:
Carlton MacWilliams (guitar player) (am 1977-03-20)
Gitarre:
David 'Mountain Man' Douglas (guitar) (am 1977-03-20) und Roy Montrell (am 1977-03-20)
Klavier und Sologesang:
Fats Domino (am 1977-03-20)
Schlagzeug:
Joseph 'Smokey' Johnson (am 1977-03-20)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1977-03-20), Fred 'Shorty' Kemp (am 1977-03-20) und Walter 'Gorilla' Kimble (sax player) (am 1977-03-20)
Trompete:
Dave Bartholomew (am 1977-03-20) und Thomas 'Mack' Johnson (trumpet player) (am 1977-03-20)
conductor:
Dave Bartholomew (am 1977-03-20)
phonographisches Urheberrecht (℗) von:
Everest Records (classical) und United Artists Records Ltd. (vom 1977 bis heute)
aufgenommen bei:
Deutsches Museum in München, Bayern, Deutschland (am 1977-03-20)
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich (in 1977)
engineered at:
EMI Americas Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977)
live recording of:
I'm Gonna Be a Wheel Some Day (am 1977-03-20)
Verfasser(in):
Antoine Dominique Domino (Fats Domino), Dave Bartholomew und Roy Hayes
Fats Domino2:21
15You, You, You
recording of:
You, You, You
Texter:
Robert Mellin
Komponist(in):
Lotar Olias (composer and lyricist)
Version von:
You You You
The Ames Brothers2:54
16Hey Good Lookin’
recording of:
Hey, Good Lookin’ (am 1951-03-16)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Acuff-Rose Publications, Inc. (BMI) (am 1951-03-16)
Hank Williams42:53
17Moonlight Serenade
recording of:
Moonlight Serenade (original instrumental version)
Komponist(in) und arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Glenn Miller3:36
18I’m in Love Again
April Stevens2:54
19This Time of the Year
recording of:
This Time of the Year
Verfasser(in):
Hollis und Owens (American songwriter and record producer)
Brook Benton2:33
20As Long as I Live
Rosemary Clooney2:15
21Mood Indigo
The Four Freshmen2:40
22Experience Unnecessary
vocals:
Sarah Vaughan (am 1963-07-22)
conductor:
Marty Manning (am 1963-07-22)
arranger:
Marty Manning
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1963-07-22)
recording of:
Experience Unnecessary (am 1963-07-22)
Verfasser(in):
Luigi Creatore, Hugo Peretti, Gladys Shelley und June Winters
Sarah Vaughan2:52
23I’m in the Mood
recording of:
I’m in the Mood
Verfasser(in):
Bernard Besman (producer, label owner and songwriter) und John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
La Cienega Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
John Lee Hooker3:07
24I Get So Lonely (Oh Baby Mine)
recording of:
(Oh Baby Mine) I Get So Lonely
Texter und Komponist(in):
Pat Ballard
The Four Knights2:01
25Guess Things Happen That Way
Produzent(in):
Jack Clement
Akustikgitarre und Sologesang:
Johnny Cash (country music legend) (am 1958-04-09)
E-Gitarre:
Luther Perkins (am 1958-04-09)
Klavier:
Jimmy Wilson (rockabilly piano) (am 1958-04-09)
Kontrabass:
Marshall Grant (am 1958-04-09)
Schlagzeug:
Jimmy Van Eaton (am 1958-04-09)
Hintergrundgesang:
Bill Busby (in 1958-05), George Evans (barbershop tenor vocalist) (in 1958-05), Dave LaBonte (in 1958-05) und Wally Singleton (in 1958-05)
phonographisches Urheberrecht (℗) von:
Sun Entertainment Corporation (company credits only; do not use as release label!) (in 1958)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1958-04-09, in 1958-05)
cover recording of:
Guess Things Happen That Way (von 1958-04-09 bis 1958-05)
Texter und Komponist(in):
Jack Clement
Johnny Cash3.81:52
7▶CD
8▶CD
9▶CD
10▶CD

Nennungen

Veröffentlichung

Verwertungsgesellschaft:MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:Cheap’O’Lata (Nummer: 10003) (Reihenfolge: 54)
ASIN:JP: B002YCGKTW [Info]