Gitarre

~ Veröffentlichung von John Williams (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶12"-Vinyl
2▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
C1Suite Nr. 1 in G-dur, BWV 1007 (für Violoncello solo): I. Prelude
Gitarre und klassiche Gitarre:
John Williams (classical guitarist)
Interpret(in):
John Williams (classical guitarist)
recording of:
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
Teil von:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
Johann Sebastian Bach2:23
C2Suite Nr. 1 in G-dur, BWV 1007 (für Violoncello solo): II. Allemande
Gitarre und klassiche Gitarre:
John Williams (classical guitarist)
Interpret(in):
John Williams (classical guitarist)
recording of:
Suite no. 1 G-Dur, BWV 1007: II. Allemande (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: II. Allemande (Cello Suite No. 1 in G major, BWV 1007: II. Allemande)
Teil von:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
Johann Sebastian Bach3:46
C3Suite Nr. 1 in G-dur, BWV 1007 (für Violoncello solo): III. Courante
Gitarre und klassiche Gitarre:
John Williams (classical guitarist)
Interpret(in):
John Williams (classical guitarist)
recording of:
Suite no. 1 G-Dur, BWV 1007: III. Courante (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: III. Courante (Cello Suite No. 1 in G major, BWV 1007: III. Courante)
Teil von:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
Johann Sebastian Bach3:03
C4Suite Nr. 1 in G-dur, BWV 1007 (für Violoncello solo): IV. Sarabande
Gitarre und klassiche Gitarre:
John Williams (classical guitarist)
Interpret(in):
John Williams (classical guitarist)
recording of:
Suite no. 1 G-Dur, BWV 1007: IV. Sarabande (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: IV. Sarabande (Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande)
Teil von:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
Johann Sebastian Bach3:26
C5Suite Nr. 1 in G-dur, BWV 1007 (für Violoncello solo): V. Menuets 1 & 2
Gitarre und klassiche Gitarre:
John Williams (classical guitarist)
Interpret(in):
John Williams (classical guitarist)
recording of:
Suite no. 1 G-Dur, BWV 1007: V. Menuet I & II (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: V. Menuet I & II (Cello Suite No. 1 in G major, BWV 1007: V. Menuet I & II)
Teil von:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
Johann Sebastian Bach3:15
C6Suite Nr. 1 in G-dur, BWV 1007 (für Violoncello solo): VI. Gigue
Gitarre und klassiche Gitarre:
John Williams (classical guitarist)
Interpret(in):
John Williams (classical guitarist)
recording of:
Suite no. 1 G-Dur, BWV 1007: VI. Gigue (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: VI. Gigue (Cello Suite No. 1 in G major, BWV 1007: VI. Gigue)
Teil von:
Suite no. 1 in G major, BWV 1007 (catch-all for arrangements)
Johann Sebastian Bach1:59
C7Sonata in E minor: Longo 352
Gitarre und klassiche Gitarre:
John Williams (classical guitarist)
recording of:
Sonata in E minor
Komponist(in):
Domenico Scarlatti (composer)
arranger:
Andrés Segovia (guitarist)
Arrangement von:
Sonata in C minor, K 11, L 352: Allegro
Domenico Scarlatti3:08
C8Gavotte
klassiche Gitarre:
John Williams (classical guitarist)
recording of:
Gavotte
Komponist(in):
Alessandro Scarlatti (composer)
Alessandro Scarlatti3:26
D1Variations on a Theme by Mozart, Op. 9
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958-12)
klassiche Gitarre:
John Williams (classical guitarist) (in 1958-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Introduction and Variations on a Theme by Mozart, op. 9 (in 1958-12)
Komponist(in):
Fernando Sor (Ferdinand Sor, Spanish composer)
publisher:
B. Schott's Söhne (publisher; do not use as label)
Teil von:
Works of Fernando Sor by opus number (Nummer: op. 9)
basiert auf:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
Fernando Sor6:52
D2Oración, Study in E
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958-12)
klassiche Gitarre:
John Williams (classical guitarist) (in 1958-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Oración: Study in E (in 1958-12)
Komponist(in):
Andrés Segovia (guitarist)
publisher:
B. Schott's Söhne (publisher; do not use as label)
Andrés Segovia3:18
D3Estudio
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958-12)
klassiche Gitarre:
John Williams (classical guitarist) (in 1958-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Estudio (in 1958-12)
Komponist(in):
Andrés Segovia (guitarist)
publisher:
B. Schott's Söhne (publisher; do not use as label)
Andrés Segovia2:12
D4Humorada
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958-12)
klassiche Gitarre:
John Williams (classical guitarist) (in 1958-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Humorada (in 1958-12)
Komponist(in):
Paquita Madriguera
Paquita Madriguera1:51
D5Barcarolle
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958-12)
klassiche Gitarre:
John Williams (classical guitarist) (in 1958-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Cavatina: IV. Barcarole (in 1958-12)
Komponist(in):
Alexandre Tansman (Polish-French composer) (in 1951)
publisher:
B. Schott's Söhne (publisher; do not use as label)
Teil von:
Cavatina
Alexandre Tansman3:22
D6La Maja De Goya
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958-12)
klassiche Gitarre:
John Williams (classical guitarist) (in 1958-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
La maja de Goya (catch-all for arrangements) (in 1958-12)
Komponist(in):
Enrique Granados (composer)
publisher:
Unión Musical Española
Arrangement von:
12 tonadillas al estilo antiguo, H.136: No. 8: La maja de Goya (song)
Enrique Granados4:51
D7Vals Criollo
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1958-12)
klassiche Gitarre:
John Williams (classical guitarist) (in 1958-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Vals venezolano no. 3: “Natalia” (in 1958-12)
Komponist(in):
Antonio Lauro (Venezuelan composer)
Teil von:
4 valses venezolanos
Antonio Lauro2:41

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Discogs:https://www.discogs.com/master/856544 [Info]