Now That’s What I Call Reggae Party

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1It Wasn’t Me
recording engineer und Mix:
Shaun Pizzonia
Produzent(in):
Shaun Pizzonia und Sting International
Blechblasinstrumente:
Kevin Bachelor und Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
Geige / Violine:
Gwen Laster
Gitarre:
R. Zapata
Keyboard:
Nigel Staff
membranophone und Perkussion [drums]:
Shaun Pizzonia
Hintergrundgesang:
Brian & Tony Gold und Shaun Pizzonia
Sologesang:
Ricardo Ducent und Shaggy (Orville Richard Burrell, dancehall and reggae singer)
vocals und Interpret(in):
Ricardo “Rik Rok” Ducent
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
aufgenommen bei und mixed at:
Ranch Recording Studio in New York, Vereinigte Staaten
Musikvideos:
It Wasn't Me von Shaggy (Orville Richard Burrell, dancehall and reggae singer) featuring Ricardo “RikRok” Ducent
Teil von:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 273)
recording of:
It Wasn’t Me
Verfasser(in):
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia und Ricardo Ducent
publisher:
Livingsting Music
basiert auf:
Smile Happy
Shaggy feat. Ricardo “Rik Rok” Ducent3.55?:??
2Red Red Wine
Produzent(in):
Ray “Pablo” Falconer und UB40
arranger:
UB40
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) und DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
Texter und Komponist(in):
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Bang Records (Bert Berns label) (in 1968)
UB403.8?:??
3Cheerleader
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 11)
recording of:
Cheerleader
Verfasser(in):
Mark Bradford (member of Ray), Mark Bradford (songwriter, Cheerleader), Clifton Dillon, Ryan Dillon, Omar Samuel Pasley ("Cheerleader", Jamaican reggae/pop artist Omar Samuel Pasley) und Sly Dunbar
Teil von:
Matuschkes Lieblinge 2015
Omi?:??
4The Tide Is High
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) und Frank Infante (in 1980)
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1980)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.45?:??
5Our Day Will Come
recording engineer:
Gleyder “Gee” Disla (in 2002-05) und Gary Noble (in 2002-05)
assistierende(r) Techniker(in):
Shomari “Sho” Dillon und Neil Dyer
Produzent(in):
Salaam Remi
assistierende(r) Mix:
Ben Baptie und Xavier Stephenson (engineer)
Mix:
Gary Noble
flute, Gitarre und Horn:
Vincent Henry (in 2002-05)
Rhodes Piano, Bassgitarre, Schlagzeug, Gitarre, Orgel und Klavier:
Salaam Remi (in 2002-05)
Schlagzeug:
Troy Auxilly-Wilson (in 2002-05)
Trompete:
Bruce Purse (brass) (in 2002-05)
Hintergrundgesang:
Heshima Thompson (in 2002-05) und Zalon Thompson (in 2002-05)
Horn arranger:
Vincent Henry
arranger:
Salaam Remi
Hintergrundgesang arranger:
Heshima Thompson und Zalon Thompson
phonographisches Urheberrecht (℗) von:
Universal Island Records (not for release label use; a division of Universal Music Operations Limited) (in 2011)
aufgenommen bei:
Creative Space in Miami, Florida, Vereinigte Staaten (in 2002-05) und Instrument Zoo in Miami, Florida, Vereinigte Staaten (in 2002-05)
cover recording of:
Our Day Will Come (in 2002-05)
Texter:
Bob Hilliard
Komponist(in):
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter (publisher), Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Amy Winehouse2.75?:??
6No Woman, No Cry
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
No Woman, No Cry
Texter und Komponist(in):
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Global (publisher) (in 1976)
Fugees?:??
7Show Me
recording engineer:
Ari Levine
zusätzliche(r) Techniker(in):
Charles Moniz
Produzent(in):
Dwayne "Supa Dups" Chin-Quee (reggae dancehall) und The Smeezingtons
Mix:
Manny Marroquin
vocals:
Bruno Mars (US singer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2012) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2012)
produced for:
Black Chiney Music, Inc.
mixed at:
Larrabee Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Levcon Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Show Me
Verfasser(in):
Mitchum Chin, Dwayne Chin-Quee (reggae dancehall), Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine und Peter Hernandez (Bruno Mars, US singer)
publisher:
Black Chiney Music (ASCAP), EMI Music Publishing Ltd. (PRS‐affiliated), Mars Force Music, Roc Nation Music und Sony/ATV Tunes LLC (ASCAP)
Bruno Mars3?:??
8RudeMAGIC!4.35?:??
9Wake Me Up (Reggae mix)Avicii?:??
10Antenna
recording of:
Antenna
Texter und Komponist(in):
Nana Abiona
Fuse ODG2?:??
11Tease Me
Chaka Demus & Pliers?:??
12Don’t Turn Around
cover recording of:
Don’t Turn Around
Texter und Komponist(in):
Albert Hammond und Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs und Warner Chappell
Aswad2.5?:??
13Wild World
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988)
cover recording of:
Wild World
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (beendet), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Maxi Priest3.5?:??
14Baby, I Love Your Way
recording engineer und Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Programmierung:
Aaron Zigman (American score composer)
zusätzliche Programmierung:
Erik Hansen
leitende(r) Produzent(in):
Jeff Aldrich (A&R)
assistierende(r) Mix:
Dave Betancourt (engineer)
Mix:
Tom Lord Alge
Akustikgitarre:
John Goux
Bassgitarre:
Abraham Laboriel
flute und Tenorsaxophon:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre [“Duane Eddy” guitar]:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Gitarre [skank guitar]:
Tony Chin
Keyboard:
Aaron Zigman (American score composer)
Perkussion:
Steve Forman (US percussionist)
Posaune:
Bill Reichenbach (jazz trombonist)
Schlagzeug:
Abraham Laboriel Jr. und John Robinson (session drummer)
Solo-alto saxophone:
Warren Hill
Trompete:
Jerry Hey
Hintergrundgesang:
James McWhinney
Hintergrundgesang und Sologesang:
Quino (of Big Mountain)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) und Aaron Zigman (American score composer)
phonographisches Urheberrecht (℗) von:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (in 1994)
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Big Mountain?:??
15LDN
Techniker(in):
Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) und Mike Pelanconi
Produzent(in):
Darren Lewis, Future Cut und Iyiola Babalola (drum n bass producer Iyiola Babalola)
assistierende(r) Mix:
Dan Porter
Mix:
Future Cut und Mike Pelanconi
Bassgitarre:
Clive Hunte
Gitarre:
Paul Farr
Keyboard:
Darren Lewis, John Ellis (UK session bassist/keyboardist/vocalist/producer) und Iyiola Babalola (drum n bass producer Iyiola Babalola)
Posaune:
Trevor Edwards
Saxophon:
Michael Rose (Saxophonist)
Trompete:
Eddie Thornton
Sologesang:
Lily Allen
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Samples:
Reggae Meringue von Tommy McCook
recording of:
LDN
Verfasser(in):
Lily Allen, Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) und Duke Reid (Jamaican producer and label owner)
Lily Allen3.95?:??
16Uptown Top Ranking
Althea & Donna?:??
17Pass the Dutchie
Produzent(in):
Peter Collins (producer)
Bassgitarre:
Patrick
Gitarre:
Kelvin
Keyboard:
Michael (Keyboard player for Musical Youth)
Schlagzeug:
Junior
vocals:
Dennis
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 25)
cover recording of:
Pass the Kouchie
Verfasser(in):
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) und Fitzroy “Bunny” Simpson
Teil von:
My Kind of People
Musical Youth4?:??
18Boom Shack-A-LakApache Indian?:??
19King of the Dancehall
Produzent(in):
Tony Kelly (reggae producer)
recording of:
King of the Dancehall
Verfasser(in):
Anthony Moses Davis (Jamaican dancehall artist), Maurice Gregory (reggae artist) und Tony Kelly (reggae producer)
Beenie Man3.5?:??
20Mr. Loverman
Gast vocals und Gast-Interpret(in):
Chevelle Franklyn
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recording of:
Mr. Loverman
Verfasser(in):
Mikey Bennett, Hopeton Lindo und Shabba Ranks
publisher:
Greensleeves Publishing Ltd.
Shabba Ranks feat. Chevelle Franklyn2.5?:??
21I Got You Babe
Produzent(in):
Ray “Pablo” Falconer und UB40
Gast vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Interpret(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und UB40
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 2000)
produced at:
The Abattoir in Birmingham, West Midlands, England, Vereinigtes Königreich
cover recording of:
I Got You Babe
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
UB40 feat. Chrissie Hynde2.75?:??
22Dreadlock Holiday
Techniker(in):
Keith Bessey, Eric Stewart und Tony Spath
Produzent(in):
Graham Gouldman und Eric Stewart
Mix:
Eric Stewart
Agogô, Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Bassgitarre, cabasa und Hintergrundgesang und Sologesang:
Graham Gouldman
E-Gitarre:
Rick Fenn und Graham Gouldman
Hybrid-Piano und Maracas / Rumba-Rasseln:
Eric Stewart
Orgel:
Rick Fenn und Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
arranger:
10cc
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (not for release label use!) (in 1978)
aufgenommen bei und mixed at:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Dreadlock Holiday von 10cc
recording of:
Dreadlock Holiday
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. und St. Anne’s Music Ltd.
10cc4.65?:??
2CD
3CD

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 63)