The Operas & Operettas Collection

~ Release by Jacques Offenbach (see all versions of this release, 1 available)

Annotation

30 CDs in cardboard sleeve + booklet packed in a cardboard box

Annotation last modified on 2021-02-16 22:24 UTC.

Tracklist

1▶CD: Ba-ta-clan
2▶CD: Les Bavards
3▶CD: Orphée aux enfers (Opéra-féerie in four acts, 1871) (Acts I & II beginning)
4▼CD: Orphée aux enfers (Opéra-féerie in four acts, 1871) (Acts II end, III & IV)
#TitleRatingLength
1Orphée aux enfers : Acte II. No. 12 - Rondo saltarelle de Mercure : « Eh hop ! Eh hop ! » (Mercure, Junon, Jupiter)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Junon]:
Danièle Castaing (soprano / mezzo-soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Mercure]:
André Mallabrera (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 12 - Rondo saltarelle de Mercure : « Eh hop ! Eh hop ! » (Mercure, Junon, Jupiter) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte II
2:19
2Orphée aux enfers : Acte II. Dialogue : « Salut au puissant maître des dieux » (Mercure, Jupiter, Junon)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Junon]:
Danièle Castaing (soprano / mezzo-soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Mercure]:
André Mallabrera (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. Dialogue : « Salut au puissant maître des dieux » (Mercure, Jupiter, Junon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte II
0:33
3Orphée aux enfers : Acte II. No. 12 bis - Entrée de Pluton
tenor vocals:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 12 bis - Entrée de Pluton (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte II
0:22
4Orphée aux enfers : Acte II. No. 13 - Air en prose de Pluton : « Comme il me regarde ! » (Pluton)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 13 - Air en prose de Pluton : « Comme il me regarde ! » (Pluton) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte II
3:17
5Orphée aux enfers : Acte II. Dialogue : « Laissons cela ! » (Jupiter, Pluton)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. Dialogue : « Laissons cela ! » (Jupiter, Pluton) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte II
0:18
6Orphée aux enfers : Acte II. No. 14 - Chœur de la révolte : « Aux armes, dieux et demi-dieux ! » (Diane, Vénus, Cupidon, Pluton, Jupiter, les Dieux et les Déesses)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Vénus]:
Michèle Command (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09, in 1979)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 14 - Chœur de la révolte : « Aux armes, dieux et demi-dieux ! » (Diane, Vénus, Cupidon, Pluton, Jupiter, les Dieux et les Déesses) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte II
1:51
7Orphée aux enfers : Acte II. Dialogue : « Silence, ou je tonne » (Jupiter, Pluton, Diane, Junon, Vénus, Cupidon, tous)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. Dialogue : « Silence, ou je tonne » (Jupiter, Pluton, Diane, Junon, Vénus, Cupidon, tous) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte II
0:45
8Orphée aux enfers : Acte II. No. 15 - Rondeau des métamorphoses : « Pour séduire Alcmène » (Diane, Vénus, Cupidon, Chœur)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Vénus]:
Michèle Command (soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09, in 1979)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 15 - Rondeau des métamorphoses : « Pour séduire Alcmène » (Diane, Vénus, Cupidon, Chœur) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte II
1:46
9Orphée aux enfers : Acte II. Dialogue : « Seigneurs, deux étrangers sont là » (Mercure, Jupiter, Pluton)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
tenor vocals [Mercure]:
André Mallabrera (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. Dialogue : « Seigneurs, deux étrangers sont là » (Mercure, Jupiter, Pluton) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte II
0:28
10Orphée aux enfers : Acte II. No. 16 - Grand Final, scène, ensemble, chœur et marche : « Il approche ! Il s'avance ! Le voilà, oui, c'est bien lui !" (Pluton, Orphée, les Dieux, Jupiter, Mercure, Vénus, Diane, L'Opinion publique, Cupidon)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [L'Opinion publique]:
Jane Rhodes (French soprano/mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Vénus]:
Michèle Command (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Mercure]:
André Mallabrera (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Orphée]:
Michel Sénéchal (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09, in 1979)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 16 - Grand Final, scène, ensemble, chœur et marche : « Il approche ! Il s'avance ! Le voilà, oui, c'est bien lui !" (Pluton, Orphée, les Dieux, Jupiter, Mercure, Vénus, Diane, L'Opinion publique, Cupidon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte II
9:08
11Orphée aux enfers : Acte II. No. 17 - Entr'acte
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 17 - Entr'acte (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte II
1:06
12Orphée aux enfers : Acte III. No. 18 - Couplets des regrets : « Ah ! Quelle triste destinée » (Eurydice)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 18 - Couplets des regrets : « Ah ! Quelle triste destinée » (Eurydice) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
2:46
13Orphée aux enfers : Acte III. Dialogue : « Voilà deux jours que je suis seule » (Eurydice, John Styx)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [John Styx]:
Bruce Brewer (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Dialogue : « Voilà deux jours que je suis seule » (Eurydice, John Styx) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
1:17
14Orphée aux enfers : Acte III. No. 19 - Couplets du roi de Béotie : « Quand j'étais roi de Béotie » (John Styx)
tenor vocals [John Styx]:
Bruce Brewer (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 19 - Couplets du roi de Béotie : « Quand j'étais roi de Béotie » (John Styx) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
1:55
15Orphée aux enfers : Acte III. Dialogue : « Voyez-vous, il est une chose » (John Styx, Eurydice) / Mélodrame : « Ah ! tenez, Madame » (John Styx, Euridice, Pluton, Jupiter)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [John Styx]:
Bruce Brewer (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Dialogue : « Voyez-vous, il est une chose » (John Styx, Eurydice) / Mélodrame : « Ah ! tenez, Madame » (John Styx, Euridice, Pluton, Jupiter) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
1:04
16Orphée aux enfers : Acte III. Septuor du tribunal : « Minos, Éaque et Rhadamante » (Minos, Éaque, Rhadamante, Chœur, Pluton, Cerbère, Jupiter, Huissier)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
baritone vocals [Minos]:
Jean-Claude Bonnafous (operatic bass) (from 1978-06-05 until 1978-11-09)
bass vocals [Rhadamante]:
Henry Amiel (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
tenor vocals [Éaque]:
Roger Trentin (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [John Styx]:
Bruce Brewer (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Mercure]:
André Mallabrera (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Septuor du tribunal : « Minos, Éaque et Rhadamante » (Minos, Éaque, Rhadamante, Chœur, Pluton, Cerbère, Jupiter, Huissier) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
2:09
17Orphée aux enfers : Acte III. No. 20 - Dialogue : « La séance est ouverte ! » (Minos, Rhadamante, Éaque, Pluton, Cerbère, Jupiter, Huissier) / Mélodrame : « Ah ! mon bras ! » (Jupiter, Pluton, les Juges, Cupidon)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
baritone vocals [Minos]:
Jean-Claude Bonnafous (operatic bass) (from 1978-06-05 until 1978-11-09)
bass vocals [Rhadamante]:
Henry Amiel (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Éaque]:
Roger Trentin (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 20 - Dialogue : « La séance est ouverte ! » (Minos, Rhadamante, Éaque, Pluton, Cerbère, Jupiter, Huissier) / Mélodrame : « Ah ! mon bras ! » (Jupiter, Pluton, les Juges, Cupidon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
1:39
18Orphée aux enfers : Acte III. No. 21 - Ronde des policemen : « Nez au vent, œil au guet » (Chœur)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 21 - Ronde des policemen : « Nez au vent, œil au guet » (Chœur) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
1:17
19Orphée aux enfers : Acte III. No. 22 - Récit et couplets des baisers : « Allons, mes fins limiers, visitez et fouillez ! » (Cupidon, Jupiter, les Policemen, Chœur)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 22 - Récit et couplets des baisers : « Allons, mes fins limiers, visitez et fouillez ! » (Cupidon, Jupiter, les Policemen, Chœur) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
5:10
20Orphée aux enfers : Acte III. Dialogue : « La porte est là ! » (Un Policeman, Jupiter, Cupidon)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Dialogue : « La porte est là ! » (Un Policeman, Jupiter, Cupidon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
0:54
21Orphée aux enfers : Acte III. No. 23 - Petite ronde du bourdon : « Le beau bourdon que voilà » (Chœur des Policemen)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 23 - Petite ronde du bourdon : « Le beau bourdon que voilà » (Chœur des Policemen) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
2:05
22Orphée aux enfers : Acte III. No. 24 - Duo de la mouche : « Il m'a semblé que sur mon épaule » (Eurydice, Jupiter)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 24 - Duo de la mouche : « Il m'a semblé que sur mon épaule » (Eurydice, Jupiter) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
5:47
23Orphée aux enfers : Acte III. Dialogue : « Ah, je savais bien » (Eurydice, Jupiter, Pluton)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Dialogue : « Ah, je savais bien » (Eurydice, Jupiter, Pluton) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
0:57
24Orphée aux enfers : Acte III. No. 25 - Scène des mouches : « Si j'étais roi de Béotie » (Les Enfants)
choir vocals:
Les Petits chanteurs à la croix potencée (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 25 - Scène des mouches : « Si j'étais roi de Béotie » (Les Enfants) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
1:27
25Orphée aux enfers : Acte III. Dialogue : « La mouche ! » (Pluton, Cupidon)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Dialogue : « La mouche ! » (Pluton, Cupidon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
0:47
26Orphée aux enfers : Acte III. Galop
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Galop (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte III
2:04
27Orphée aux enfers : Acte IV. No. 26 - Chœur infernal : « Vive le vin ! Vive Pluton ! » (Chœur, Cupidon)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte IV. No. 26 - Chœur infernal : « Vive le vin ! Vive Pluton ! » (Chœur, Cupidon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte IV
3:08
28Orphée aux enfers : Acte IV. No. 27 - Hymne à Bacchus : « J'ai vu le Dieu Bacchus » (Eurydice, Diane, Cupidon et les Déesses, Pluton)
choir vocals:
Chœur du Capitole de Toulouse
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09, in 1979)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte IV. No. 27 - Hymne à Bacchus : « J'ai vu le Dieu Bacchus » (Eurydice, Diane, Cupidon et les Déesses, Pluton) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte IV
2:57
29Orphée aux enfers : Acte IV. No. 28 - Menuet et galop infernal : « Maintenant, je veux, moi qui suis mince et fluet » (Jupiter, Diane, tous, Pluton, Eurydice)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte IV. No. 28 - Menuet et galop infernal : « Maintenant, je veux, moi qui suis mince et fluet » (Jupiter, Diane, tous, Pluton, Eurydice) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte IV
5:10
30Orphée aux enfers : Acte IV. No. 28 - Dialogue : « Et maintenant, fuyons, Jupiter » (Eurydice, Jupiter, Pluton, Cupidon)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte IV. No. 28 - Dialogue : « Et maintenant, fuyons, Jupiter » (Eurydice, Jupiter, Pluton, Cupidon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte IV
1:14
31Orphée aux enfers : Acte IV. No. 29 - Mélodrame : « Elle est assez bonne ! » (Jupiter, Pluton, Eurydice, Orphée, tous)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Orphée]:
Michel Sénéchal (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte IV. No. 29 - Mélodrame : « Elle est assez bonne ! » (Jupiter, Pluton, Eurydice, Orphée, tous) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte IV
2:49
32Orphée aux enfers : Acte IV. No. 30 - Final : « Ne regarde pas en arrière ! » (L'Opinion publique, tous, Jupiter, les Dieux, Orphée, Pluton, Eurydice)
baritone vocals [Jupiter]:
Michel Trempont (Belgian operatic baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [L'Opinion publique]:
Jane Rhodes (French soprano/mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Orphée]:
Michel Sénéchal (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte IV. No. 30 - Final : « Ne regarde pas en arrière ! » (L'Opinion publique, tous, Jupiter, les Dieux, Orphée, Pluton, Eurydice) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers : Acte IV
2:55
5▶CD: Orpheus in der Unterwelt (Opéra bouffon in two acts, 1858) (Act I)
6▶CD: Orpheus in der Unterwelt (Opéra bouffon in two acts, 1858) (Act II)
7▶CD: La Belle Hélène (Acts I & II beginning)
8▶CD: La Belle Hélène (Acts II end & III)
9▶CD: Die schöne Helena (Act I)
10▶CD: Die schöne Helena (Acts II & III)
11▶CD: La Vie parisienne (Acts I & II)
12▶CD: La Vie parisienne (Acts III & IV)
13▶CD: Pariser Leben (La Vie parisienne) (Acts I & II)
14▶CD: Pariser Leben (La Vie parisienne) (Acts III, IV & V)
15▶CD: La Fille du tambour-major (extraits) / La Grande-duchesse de Gérolstein (extraits)
16▶CD: Die Großherzogin von Gerolstein (Act I)
17▶CD: Die Großherzogin von Gerolstein (Acts II & III)
18▶CD: La Périchole (Act I)
19▶CD: La Périchole (Acts II & III)
20▶CD: Les Brigands (Act I)
21▶CD: Les Brigands (Acts II & III)
22▶CD: Pomme d'api / Monsieur Choufleuri restera chez lui le … (beginning)
23▶CD: Monsieur Choufleuri restera chez lui le … (end) / Mesdames de la Halle
24▶CD: Les Contes d'Hoffman (Prologue / Act I beginning)
25▶CD: Les Contes d'Hoffman (Acts I end & II)
26▶CD: Les Contes d'Hoffman (Act III / Epilogue & Appendices)
27▶CD: Hoffmanns Erzählungen (Prologue / Act I & Act II beginning)
28▶CD: Hoffmanns Erzählungen (Acts II end & III / Epilogue)
29▶CD: Air célèbres – Operetta Arias
30▶CD: Gaîté Parisienne / Fables de La Fontaine

Credits

Release group

includes:Airs célèbres by Offenbach (German-French composer, cellist and impresario), Jane Rhodes (French soprano/mezzo-soprano), Roberto Benzi (conductor), Orchestre National Bordeaux Aquitaine
Ba-ta-clan / Les Bavards
Die Großherzogin von Gerolstein
Die schöne Helena (1979 Munich studio cast, sung in german) by Jacques Offenbach (German-French composer, cellist and impresario); Anneliese Rothenberger (soprano), Brigitte Fassbaender (mezzo-soprano), Nicolai Gedda (tenor), Ferry Gruber (tenor), Benno Kusche (baritone), Klaus Hirte (baritone), Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Münchner Rundfunkorchester (The Munich Radio Orchestra) & Willy Mattes (composer, arranger and conductor)
Hoffmanns Erzählungen by Jacques Offenbach (German-French composer, cellist and impresario); Siegfried Jerusalem (tenor), Jeanette Scovotti (soprano), Dietrich Fischer‐Dieskau (baritone), Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Münchner Rundfunkorchester (The Munich Radio Orchestra), Heinz Wallberg (conductor)
La Belle Hélène by Jacques Offenbach (German-French composer, cellist and impresario); Chœur et Orchestre du Capitole de Toulouse, Michel Plasson (conductor), Jessye Norman (soprano)
La Fille du tambour-major (Extraits) by Jacques Offenbach (German-French composer, cellist and impresario); Michel Dens (French baryton vocalist), Liliane Chatel, Nadine Sautereau (French soprano), Suzanne Lafaye (French soprano), Dominique Tirmont (French actor and bass vocalist), Orchestre et Chœurs de la Société des Concerts du Conservatoire, Félix Nuvolone
La Grande–duchesse de Gérolstein (Extraits) by Jacques Offenbach (German-French composer, cellist and impresario); Éliane Lublin (French soprano), Raymond Amade (tenor), Jean-Christophe Benoît (baritone), Christos Grigoriou, Guy Godin, Chœurs et Orchestre de la Société des Concerts du Conservatoire, Jean‐Pierre Marty (pianist & conductor)
La Périchole (Plasson) by Jacques Offenbach (German-French composer, cellist and impresario); Teresa Berganza (mezzo-soprano), José Carreras (Spanish tenor), Gabriel Bacquier (French baritone), Chœurs et Orchestre du Capitole de Toulouse, Michel Plasson (conductor)
La Vie Parisienne by Offenbach (German-French composer, cellist and impresario); Régine Crespin (soprano), Mady Mesplé (soprano), Luis Masson (operatic bass / baritone), Michel Sénéchal (tenor), Michel Trempont (Belgian operatic baritone), Jean-Christophe Benoît (baritone), Christiane Chateau (French soprano), Éliane Lublin (French soprano), Michel Jarry (baritone), Orchestre et Chœur du Capitole de Toulouse, Michel Plasson (conductor)
Les Brigands by Jacques Offenbach (German-French composer, cellist and impresario); Ghyslaine Raphanel (soprano), Colette Alliot-Lugaz (soprano), Tibère Raffalli (tenor), Michel Trempont (Belgian operatic baritone), François Le Roux (baritone), Thierry Dran, Jean-Luc Viala (tenor), Bernard Pisani (tenor), Chœurs et Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner (John Eliot Gardiner)
Les Contes d’Hoffmann by Offenbach (German-French composer, cellist and impresario); Neil Shicoff (tenor), Ann Murray (Irish mezzo-soprano), Jessye Norman (soprano), Rosalind Plowright (soprano / mezzo soprano), Luciana Serra (soprano), Robert Tear (tenor), José Van Dam (Belgian operatic bass-baritone), Chorus (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) and Orchestra of the Théâtre Royal de la Monnaie, Brussels (Orchestra for the Brussels opera La Monnaie / De Munt), Sylvain Cambreling (conductor)
Orphée aux enfers (1978 studio cast) by Jacques Offenbach (German-French composer, cellist and impresario); Mady Mesplé (soprano), Jane Rhodes (French soprano/mezzo-soprano), Michel Sénéchal (tenor), Charles Burles (tenor), Orchestre et Chœur du Capitole de Toulouse, Michel Plasson (conductor)
Orpheus in der Unterwelt by Offenbach (German-French composer, cellist and impresario); Rothenberger (soprano) • Dallapozza (tenor) • Lindner (soprano) • Kusche (baritone) • Willy Mattes (composer, arranger and conductor)
Pariser Leben by Jacques Offenbach (German-French composer, cellist and impresario); Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Münchner Rundfunkorchester (The Munich Radio Orchestra), Willy Mattes (composer, arranger and conductor)
Vive Offenbach ! Pomme d'Api – Monsieur Choufleuri – Mesdames de la Halle by Offenbach (German-French composer, cellist and impresario); Mady Mesplé (soprano), Jean-Philippe Lafont (baritone), Charles Burles (tenor), Michel Trempont (Belgian operatic baritone), Léonard Pezzino (tenor), Michel Hamel (tenor), Ensemble Vocal Jean Laforge, Orchestre Philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra), Manuel Rosenthal (French conductor & composer)