Live at Art D'Lugoff's: Top of the Gate

~ Release by Bill Evans (see all versions of this release, 5 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Emily
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Emily (Emily Theme from The Americanization of Emily) (on 1968-10-23)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
4:46
2Witchcraft
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Witchcraft (on 1968-10-23)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
5:44
3Yesterdays
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
bass:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Yesterdays (on 1968-10-23)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
5:07
4Round Midnight
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live recording of:
’Round Midnight (on 1968-10-23)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:25
5My Funny Valentine
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1968-10-23)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
4:44
6California Here I Come
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
California Here I Come (on 1968-10-23)
lyricist:
Buddy DeSylva and Al Jolson
composer:
Joseph Meyer (US songwriter)
publisher:
M. Witmark & Sons (on 1924-01-07)
5:43
7Gone With the Wind
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Gone With the Wind (on 1968-10-23)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
6:55
8Alfie
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental cover recording of:
Alfie (on 1968-10-23)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
5:08
9Turn Out the Stars
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live recording of:
Turn Out the Stars (on 1968-10-23)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
4:37
2▶Digital Media