Big Mahler Box

~ Release by Gustav Mahler (see all versions of this release, 1 available)

Annotation

There appears to be an error in the Amazon album. Track 59 Ruckert Lieder: v. Liebst du um Schönheit is a copy of Track 57 Ruckert Lieder: iii. Ich bin der Welt abhanden gekommen, and the samples on the Amazon (https://www.amazon.com/gp/product/B008J7G5LO) demonstrate this.

This tracklist here shows what Amazon has, but the recording has been corrected to the intended one, as at release:962f22fe-1d77-49a1-b08f-57ac7480f553. Probaby it should be reverted to what you actually get from Amazon unless they fix it.

Annotation last modified on 2019-08-17 12:33 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Symphony No. 1 in D Major ('Titan'): i. Langsam. Schleppend
recording engineer:
David Baker (American engineer and producer - jazz, funk, ...) (from 1974-05-27 until 1974-06-01)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
orchestra:
Utah Symphony (from 1974-05-27 until 1974-06-01)
conductor:
Maurice Abravanel (conductor) (from 1974-05-27 until 1974-06-01)
recorded at:
Mormon Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1974-05-27 until 1974-06-01)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (from 1974-05-27 until 1974-06-01)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
13:00
2Symphony No. 1 in D Major ('Titan'): ii. Kräftig bewegt, doch nicht zu schnell
recording engineer:
David Baker (American engineer and producer - jazz, funk, ...) (from 1974-05-27 until 1974-06-01)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
orchestra:
Utah Symphony (from 1974-05-27 until 1974-06-01)
conductor:
Maurice Abravanel (conductor) (from 1974-05-27 until 1974-06-01)
recorded at:
Mormon Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1974-05-27 until 1974-06-01)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (from 1974-05-27 until 1974-06-01)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
7:05
3Symphony No. 1 in D Major ('Titan'): iii. Feierlich und gemessen, ohne zu schleppen
recording engineer:
David Baker (American engineer and producer - jazz, funk, ...) (from 1974-05-27 until 1974-06-01)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
orchestra:
Utah Symphony (from 1974-05-27 until 1974-06-01)
conductor:
Maurice Abravanel (conductor) (from 1974-05-27 until 1974-06-01)
recorded at:
Mormon Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1974-05-27 until 1974-06-01)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (from 1974-05-27 until 1974-06-01)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
9:56
4Symphony No. 1 in D Major ('Titan'): iv. Stürmisch bewegt
recording engineer:
David Baker (American engineer and producer - jazz, funk, ...) (from 1974-05-27 until 1974-06-01)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
orchestra:
Utah Symphony (from 1974-05-27 until 1974-06-01)
conductor:
Maurice Abravanel (conductor) (from 1974-05-27 until 1974-06-01)
recorded at:
Mormon Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1974-05-27 until 1974-06-01)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (from 1974-05-27 until 1974-06-01)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
18:57
5Symphony No. 2 in C Minor ('Resurrection'): i. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
19:34
6Symphony No. 2 in C Minor ('Resurrection'): ii. Andante moderato. Sehr gemächlich. Nie Eilen
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
10:14
7Symphony No. 2 in C Minor ('Resurrection'): iii. Scherzo. In ruhig fliessender Bewegung
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
10:41
8Symphony No. 2 in C Minor ('Resurrection'): iv. Urlicht: Sehr feierlich, aber schlicht
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
4:18
9Symphony No. 2 in C Minor ('Resurrection'): v. Im Tempo des Scherzos. Wild herausfahrend
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
32:37
10Symphony No. 3 in D Minor: i. Kraftig Entschieden
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
33:56
11Symphony No. 3 in D Minor: ii. Tempo di Menuetto. Sehr mässig
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
9:48
12Symphony No. 3 in D Minor: iii. Comodo. Scherzando. Ohne Hast Symphony No. 3 in D Minor: iv. Sehr langsam. Misterioso. Durchaus ppp
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
18:02
13Symphony No. 3 in D Minor: iv.Sehr langsam. Misterioso. Durchaus ppp
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!')
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
8:47
14Symphony No. 3 in D Minor: v. Lustig im Tempo und keck im Ausdruck
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel')
composer:
Gustav Mahler (composer) (from 1893 until 1896)
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
4:22
15Symphony No. 3 in D Minor: vi. Langsam. Ruhevoll. Empfunden
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
23:15
16Symphony No. 4 in G Major: i. Bedächtig. Nicht eilen
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
15:48
17Symphony No. 4 in G Major: ii. In gemächlicher Bewegung. Ohne Hast
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
8:49
18Symphony No. 4 in G Major: iii. Ruhevoll
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
19:44
19Symphony No. 4 in G Major: vi. Sehr behaglich: Wir genießen die himmlischen Freuden
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
7:47
20Symphony No. 5 in C-sharp Minor: i. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
engineer:
David Baker (engineer Vanguard Classics)
orchestra:
Utah Symphony (from 1974-05-27 until 1974-06-01)
conductor:
Maurice Abravanel (conductor) (from 1974-05-27 until 1974-06-01)
recorded at:
Mormon Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1974-05-27 until 1974-06-01)
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (from 1974-05-27 until 1974-06-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
10:55
21Symphony No. 5 in C-sharp Minor: ii. Stürmisch bewegt. Mit größter Vehemenz
engineer:
David Baker (engineer Vanguard Classics)
orchestra:
Utah Symphony (from 1974-05-27 until 1974-06-01)
conductor:
Maurice Abravanel (conductor) (from 1974-05-27 until 1974-06-01)
recorded at:
Mormon Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1974-05-27 until 1974-06-01)
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (from 1974-05-27 until 1974-06-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
12:35
22Symphony No. 5 in C-sharp Minor: iii. Scherzo. Kräftig, nicht zu schnell
engineer:
David Baker (engineer Vanguard Classics)
orchestra:
Utah Symphony (from 1974-05-27 until 1974-06-01)
conductor:
Maurice Abravanel (conductor) (from 1974-05-27 until 1974-06-01)
recorded at:
Mormon Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1974-05-27 until 1974-06-01)
recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (from 1974-05-27 until 1974-06-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
15:53
23Symphony No. 5 in C-sharp Minor: iv. Adagietto. Sehr langsam
engineer:
David Baker (engineer Vanguard Classics)
orchestra:
Utah Symphony (from 1974-05-27 until 1974-06-01)
conductor:
Maurice Abravanel (conductor) (from 1974-05-27 until 1974-06-01)
recorded at:
Mormon Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1974-05-27 until 1974-06-01)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1974-05-27 until 1974-06-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
8:06
24Symphony No. 5 in C-sharp Minor: v. Rondo-Finale: Allegro
engineer:
David Baker (engineer Vanguard Classics)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
orchestra:
Utah Symphony (from 1974-05-27 until 1974-06-01)
conductor:
Maurice Abravanel (conductor) (from 1974-05-27 until 1974-06-01)
recorded at:
Mormon Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1974-05-27 until 1974-06-01)
recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (from 1974-05-27 until 1974-06-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
14:12
25Symphony No. 6 in A Minor ('Tragic'): i. Allegro energico, ma non troppo
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
17:44
26Symphony No. 6 in A Minor ('Tragic'): ii. Scherzo: Wuchtig
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
11:47
27Symphony No. 6 in A Minor ('Tragic'): iii. Andante moderato
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
13:53
28Symphony No. 6 in A Minor ('Tragic'): iv. Finale: Allegro moderato. Allegro energico
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
27:23
29Symphony No. 7 in E Minor ('Song of the Night'): i. Langsam (Adagio). Allegro con fuoco
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
21:57
30Symphony No. 7 in E Minor ('Song of the Night'): ii. Nachtmusik. Allegro moderato
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
15:57
31Symphony No. 7 in E Minor ('Song of the Night'): iii. Scherzo: Schattenhaft, fließend, aber nicht schnell
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
9:32
32Symphony No. 7 in E Minor ('Song of the Night'): iv. Nachtmusik. Andante amoroso
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
13:59
33Symphony No. 7 in E Minor ('Song of the Night'): v. Rondo-Finale: Allegro ordinario
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
17:35
34Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): i. Veni, Creator Spiritus
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
1:33
35Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): ii. Imple superna gratia
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
4:08
36Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): iii. Infirma nostri corporis
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
5:32
37Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): iv. Accende lumen sensibus
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
2:27
38Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): v. Veni, Creator Spiritus 2
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
6:16
39Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): vi. Gloria Patri Domino
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
3:00
40Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): vii. Poco adagio: Waldung, sie schwankt heran
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
12:37
41Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): viii. Ewiger Wonnebrand
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
1:30
42Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): ix.. Wie Felsenabgrund mir zu Füßen
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
4:24
43Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): x. Gerettet ist das edle Glied
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
3:36
44Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xi. Uns bleibt ein Erdenrest. Hier ist die Aussicht
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
2:50
45Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xii. Höchste Herrscherin der Welt. Dir, der Unberührbar
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
6:56
46Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xiii.. Bei der Liebe, die den Füßen
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
5:19
47Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xiv. Neige, neige, Du Ohnegleiche
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
4:51
48Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xv. Blicket auf zum Retterblick
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
5:37
49Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xvi. Alles Vergängliche
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
4:58
50Symphony No. 9 in D Major: i. Andante comodo
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 9 in D major: I. Andante comodo
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
28:39
51Symphony No. 9 in D Major: ii. Im Tempo Eines Gemachlichen Landlers. Etwas Tappisch Und Sehr Derb
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Landlers. Etwas täppisch und sehr derb
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
16:01
52Symphony No. 9 in D Major: iii. Rondo-Burleske. Allegro Assai. Sehr Trotzig
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 9 in D major: III. Rondo: Burleske. Allegro assai. Sehr trotzig
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
12:35
53Symphony No. 9 in D Major: iv. Adagio. Sehr Langsam Und Noch Zuruckhaltend
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
25:24
54Symphony No. 10 in F-sharp Minor (unfinished): i. Adagio
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
23:12
55Ruckert Lieder: i. Blicke mir nicht in die Lieder!
baritone vocals:
Alfred Poell (baritone)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Felix Prohaska (conductor)
recording of:
Rückert Lieder: I. Blicke mir nicht in die Lieder
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 39)
part of:
Rückert-Lieder
1:37
56Ruckert Lieder: 56 ii. Ich atmet' einen linden Duft
baritone vocals:
Alfred Poell (baritone)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Felix Prohaska (conductor)
recording of:
Rückert Lieder: II. Ich atmet' einen linden Duft
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 40)
part of:
Rückert-Lieder
2:18
57Ruckert Lieder: iii. Ich bin der Welt abhanden gekommen
baritone vocals:
Alfred Poell (baritone)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Felix Prohaska (conductor)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
6:02
58Ruckert Lieder: iv. Um Mitternacht
baritone vocals:
Alfred Poell (baritone)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Felix Prohaska (conductor)
recording of:
Rückert Lieder: IV. Um Mitternacht
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 42)
part of:
Rückert-Lieder
2:16
59Ruckert Lieder: v. Liebst du um Schönheit
baritone vocals:
Alfred Poell (baritone)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Felix Prohaska (conductor)
recording of:
Rückert Lieder: V. Liebst du um Schönheit
orchestrator:
Max Puttmann
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer) (in 1902-08)
premiered at:
[concert] (1907-02-08)
part of:
Gustav Mahler Werke (number: GMW 43)
part of:
Rückert-Lieder
6:02
60Aus der Jugendzeit, No. 12 - Scheiden und Meiden
soprano vocals:
Anny Felbermayer (soprano)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Felix Prohaska (conductor)
recording of:
Lieder und Gesänge: XII. Scheiden und Meiden (for voice and piano)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Lieder und Gesänge
2:27
61Aus der Jugendzeit, No. 3 - Hans und Grethe
soprano vocals:
Anny Felbermayer (soprano)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Felix Prohaska (conductor)
recording of:
Lieder und Gesänge: III. Hans und Grete (for voice and piano)
lyricist:
Gustav Mahler (composer)
composer:
Gustav Mahler (composer) (from 1880 until 1881)
part of:
Lieder und Gesänge
revision of:
Lieder für Tenor: Maitanz im Grünen
2:05
62Aus der Jugendzeit, No. 7 - Ich ging mit Lust durch einen grünen Wald
soprano vocals:
Anny Felbermayer (soprano)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Felix Prohaska (conductor)
recording of:
Lieder und Gesänge: VII. Ich ging mit Lust durch einen grünen Wald (for voice and piano)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 13)
part of:
Lieder und Gesänge
3:51
63Aus der Jugendzeit, No. 1 - Frühlingsmorgen
soprano vocals:
Anny Felbermayer (soprano)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Felix Prohaska (conductor)
recording of:
Lieder und Gesänge: I. Frühlingsmorgen (for voice and piano)
lyricist:
Richard von Volkmann-Leander
composer:
Gustav Mahler (composer) (from 1880 until 1881)
part of:
Lieder und Gesänge
1:44
64Des knaben Wunderhorn, No. 11 - Es Sungen drei Engle
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
performer:
Anny Felbermayer (soprano)
4:27
65Aus der Jugendzeit, No. 10 - Zu Straßburg auf der Schanz'
piano:
Viktor Gräf (pianist Viktor Graef)
baritone vocals:
Alfred Poell (baritone)
recording of:
Lieder und Gesänge: X. Zu Straßburg auf der Schanz (for voice and piano)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 16)
part of:
Lieder und Gesänge
3:44
66Aus der Jugendzeit, No. 11 - Ablösung im Sommer
piano:
Viktor Gräf (pianist Viktor Graef)
soprano vocals:
Anny Felbermayer (soprano)
recording of:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 17)
part of:
Lieder und Gesänge
1:55
67Aus der Jugendzeit, No. 4 - Serenade aus Don Juan
piano:
Viktor Gräf (pianist Viktor Graef)
baritone vocals:
Alfred Poell (baritone)
recording of:
Lieder und Gesänge: IV. Serenade aus Don Juan (for voice and piano)
lyricist:
Tirso de Molina
composer:
Gustav Mahler (composer) (from 1880 until 1881)
translator:
Ludwig Braunfels
part of:
Gustav Mahler Werke (number: GMW 8)
part of:
Lieder und Gesänge
2:04
68Aus der Jugendzeit, No. 5 - Phantasie aus Don Juan
piano:
Viktor Gräf (pianist Viktor Graef)
soprano vocals:
Anny Felbermayer (soprano)
recording of:
Lieder und Gesänge: V. Phantasie aus Don Juan (for voice and piano)
lyricist:
Tirso de Molina
composer:
Gustav Mahler (composer) (from 1880 until 1881)
part of:
Gustav Mahler Werke (number: GMW 9)
part of:
Lieder und Gesänge
2:54
69Aus der Jugendzeit, No. 1 - Frühlingsmorgen
piano:
Viktor Gräf (pianist Viktor Graef)
baritone vocals:
Alfred Poell (baritone)
recording of:
Lieder und Gesänge: I. Frühlingsmorgen (for voice and piano)
lyricist:
Richard von Volkmann-Leander
composer:
Gustav Mahler (composer) (from 1880 until 1881)
part of:
Lieder und Gesänge
2:03
70Aus der Jugendzeit, No. 12 - Scheiden und Meiden
piano:
Viktor Gräf (pianist Viktor Graef)
soprano vocals:
Anny Felbermayer (soprano)
recording of:
Lieder und Gesänge: XII. Scheiden und Meiden (for voice and piano)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Lieder und Gesänge
2:41
71Des knaben Wunderhorn, No. 7 Rheinlegendchen
performer:
Anny Felbermayer (soprano)
recording of:
Des Knaben Wunderhorn: Rheinlegendchen
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 29-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
3:08
72Aus der Jugendzeit, No. 8 - Aus! Aus!
piano:
Viktor Gräf (pianist Viktor Graef)
baritone vocals:
Alfred Poell (baritone)
recording of:
Lieder und Gesänge: VIII. Aus! Aus! (for voice and piano)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 14)
part of:
Lieder und Gesänge
2:08
73Aus der Jugendzeit, No. 6 - Um schlimme Kinder artig zu machen
piano:
Viktor Gräf (pianist Viktor Graef)
soprano vocals:
Anny Felbermayer (soprano)
recording of:
Lieder und Gesänge: VI. Um schlimme Kinder artig zu machen (for voice and piano)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Lieder und Gesänge
1:47
74Aus der Jugendzeit, No. 14 - Selbstgefühl
piano:
Viktor Gräf (pianist Viktor Graef)
baritone vocals:
Alfred Poell (baritone)
recording of:
Lieder und Gesänge: XIV. Selbstgefühl (for voice and piano)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 20)
part of:
Lieder und Gesänge
1:51
75Aus der Jugendzeit, No. 2 - Erinnerung
piano:
Viktor Gräf (pianist Viktor Graef)
soprano vocals:
Anny Felbermayer (soprano)
recording of:
Lieder und Gesänge: II. Erinnerung (for voice and piano)
lyricist:
Richard von Volkmann-Leander
composer:
Gustav Mahler (composer) (from 1880 until 1881)
part of:
Gustav Mahler Werke (number: GMW 7)
part of:
Lieder und Gesänge
3:31
76Aus der Jugendzeit, No. 13 - Nicht wiedersehen!
piano:
Viktor Gräf (pianist Viktor Graef)
baritone vocals:
Alfred Poell (baritone)
recording of:
Lieder und Gesänge: XIII. Nicht wiedersehen (for voice and piano)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 19)
part of:
Lieder und Gesänge
4:28
77Des knaben Wunderhorn, No. 4 - Wed hat dies Liedlein Erdacht
performer:
Anny Felbermayer (soprano)
recording of:
Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 23-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
2:17
78Aus der Jugendzeit, No. 7 - Ich ging mit Lust durch einen grünen Wald
piano:
Viktor Gräf (pianist Viktor Graef)
baritone vocals:
Alfred Poell (baritone)
recording of:
Lieder und Gesänge: VII. Ich ging mit Lust durch einen grünen Wald (for voice and piano)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 13)
part of:
Lieder und Gesänge
3:56
79Aus der Jugendzeit, No. 9 - Starke Einbildungskraft
piano:
Viktor Gräf (pianist Viktor Graef)
soprano vocals:
Anny Felbermayer (soprano)
recording of:
Lieder und Gesänge: IX. Starke Einbildungskraft (for voice and piano)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 15)
part of:
Lieder und Gesänge
1:17
80Des Knaben Wunderhorn: Revelge
baritone vocals:
Alfred Poell (baritone) (in 1951)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
recording of:
Des Knaben Wunderhorn: Revelge (in 1951)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 36)
part of:
Lieder aus “Des Knaben Wunderhorn”
6:46
81Des Knaben Wunderhorn: Das irdische Leben
mezzo-soprano vocals:
Lorna Sydney (mezzo-soprano) (in 1951)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
samples from:
Lieder aus „Des Knaben Wunderhorn” by Gustav Mahler (composer); Orchester der Wiener Staatsoper in der Volksoper (Vienna State Opera Orchestra), Felix Prohaska (conductor), Alfred Poell (baritone), Lorna Sydney (mezzo-soprano)
recording of:
Des Knaben Wunderhorn: Das irdische Leben (in 1951)
premiered in:
Wien (Vienna), Austria (on 1900-01-14)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 26-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
3:03
82Des Knaben Wunderhorn: Lob des hohen Verstandes
baritone vocals:
Alfred Poell (baritone) (in 1951)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
recording of:
Des Knaben Wunderhorn: Lob des hohen Verstandes (in 1951)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 33-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
2:24
83Des Knaben Wunderhorn: Rheinlegendchen
mezzo-soprano vocals:
Lorna Sydney (mezzo-soprano) (in 1951)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
recording of:
Des Knaben Wunderhorn: Rheinlegendchen (in 1951)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 29-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
3:18
84Des Knaben Wunderhorn: Der schildwache Nachtlied
baritone vocals:
Alfred Poell (baritone) (in 1951)
mezzo-soprano vocals:
Lorna Sydney (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
recording of:
Des Knaben Wunderhorn: Der Schildwache Nachtlied (in 1951)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 21-K)
orchestration of:
Des Knaben Wunderhorn : I. Der Schildwache Nachtlied (for voice and piano)
part of:
Lieder aus “Des Knaben Wunderhorn”
5:04
85Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?
mezzo-soprano vocals:
Lorna Sydney (mezzo-soprano) (in 1951)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
recording of:
Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht? (in 1951)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 23-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
2:08
86Des Knaben Wunderhorn: Verlorne Müh'
mezzo-soprano vocals:
Lorna Sydney (mezzo-soprano) (in 1951)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
recording of:
Des Knaben Wunderhorn: Verlor’ne Müh (in 1951)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 22-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
2:31
87Des Knaben Wunderhorn: Der Tamboursg'sell
baritone vocals:
Alfred Poell (baritone) (in 1951)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
recording of:
Des Knaben Wunderhorn: Der Tamboursg’sell (in 1951)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 38)
part of:
Lieder aus “Des Knaben Wunderhorn”
4:48
88Des Knaben Wunderhorn: Trost im Unglück
baritone vocals:
Alfred Poell (baritone) (in 1951)
mezzo-soprano vocals:
Lorna Sydney (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
recording of:
Des Knaben Wunderhorn: Trost im Unglück (in 1951)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 25-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
2:12
89Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
baritone vocals:
Alfred Poell (baritone)
mezzo-soprano vocals:
Lorna Sydney (mezzo-soprano) (in 1951)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
recording of:
Des Knaben Wunderhorn: Wo die schönen Trompeten blasen (in 1951)
premiered in:
Wien (Vienna), Austria (on 1900-01-14)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 35)
part of:
Lieder aus “Des Knaben Wunderhorn”
6:16
90Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
baritone vocals:
Alfred Poell (baritone)
mezzo-soprano vocals:
Lorna Sydney (mezzo-soprano) (in 1951)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
recording of:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt (in 1951)
composer:
Gustav Mahler (composer) (until 1893-08-01)
part of:
Gustav Mahler Werke (number: GMW 28-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
4:11
91Des Knaben Wunderhorn: Lied des Verfolgten im Turm
baritone vocals:
Alfred Poell (baritone) (in 1951)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
recording of:
Des Knaben Wunderhorn: Lied des Verfolgten im Turm (in 1951)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 34)
part of:
Lieder aus “Des Knaben Wunderhorn”
3:53
92Des Knaben Wunderhorn: Urlicht
mezzo-soprano vocals:
Lorna Sydney (mezzo-soprano) (in 1951)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (in 1951)
conductor:
Felix Prohaska (conductor) (in 1951)
phonographic copyright (℗) by:
Vanguard (imprint of Vanguard Records)
recording of:
Des Knaben Wunderhorn: Urlicht (in 1951)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 27-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
5:03

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