The Rock ’n’ Roll Hall of Fame (disc 4)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

4▼CD
#TitoloArtistaValutazioneDurata
1Only You
registrazione di:
Only You
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:42
2All I Have to Do Is Dream
registrazione di:
All I Have to Do Is Dream
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers2:19
3Spanish Harlem
Ben E. King3:02
4My Guy
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer) (nel 1964)
chitarra :
Robert White (US funk/soul guitarist) (nel 1964) e Eddie Willis (nel 1964)
organo :
Earl Van Dyke (nel 1964)
pianoforte :
Johnny Griffith (nel 1964)
strumenti:
The Funk Brothers (nel 1964)
tromba :
Russell Conway (trumpet player) (nel 1964) e Herbert Williams (trumpet player) (nel 1964)
trombone :
George Bohanon (nel 1964) e Paul Riser (nel 1964)
vibrafono :
Dave Hamilton (US guitar/vibraphone player) (nel 1964)
voce di accompagnamento:
The Andantes (nel 1964), Marlene Barrow (nel 1964), Louvain Demps (nel 1964) e Jackie Hicks (nel 1964)
voce principale:
Mary Wells (Motown singer) (nel 1964)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
My Guy (nel 1964)
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells4.22:55
5Baby I Need Your Loving
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 32) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 390)
registrazione di:
Baby I Need Your Loving
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs Australia, Jobete Music Co., Inc., Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops4.52:47
6The Tracks of My Tears
produttore:
Bill “Smokey” Robinson
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 50) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 54)
registrazione di:
The Tracks of My Tears (il 1965-05-19)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
registrazione di:
The Tracks of My Tears (il 1971-05-06)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles4.252:57
7Sleepwalk
Santo & Johnny2:25
8If I Were a Carpenter
Bobby Darin2:22
9Soul and Inspiration
The Righteous Brothers3:05
1040 Miles of Bad Road
Duane Eddy & The Rebels2:10
11Johnny B Goode
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Jasper Thomas (il 1958-01-06)
chitarra e voce principale:
Chuck Berry (il 1958-01-06)
contrabbasso :
Willie Dixon (il 1958-01-06)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1958-01-06)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (il 1958-01-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 53) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Johnny B. Goode (il 1958-01-06)
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry4.252:44
12Boppin the Blues
registrazione di:
Boppin’ the Blues
compositore:
Curley Griffin (1950s rockabilly artist) (nel 1956) e Carl Perkins (American pioneer of rockabilly music) (nel 1956)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Hi-Lo Music Inc. (BMI-affiliated), MPL Music Publishing Inc., MPL UK Publishing, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Wren Music Co.
Carl Perkins3:00
13Kon Tiki
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961)
registrazione di:
Kon‐Tiki
compositore:
Michael Carr (songwriter)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e J. Albert & Son P/L
The Shadows1:57
14That’ll Be the Day
produttore:
Norman Petty
batteria :
Jerry Allison (il 1957-02-25)
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Gary Tollett (il 1957-02-25), Niki Sullivan (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
The Crickets4.62:19
15Walk Don’t Run
tecnico:
Joe Boles
produttore:
Bob Reisdorff
basso elettrico [bass] :
Nokie Edwards
batteria :
Skip Moore
chitarra elettrica [lead guitar] :
Bob Bogle
chitarra elettrica [rhythm guitar] :
Don Wilson (US guitarist, member or The Ventures)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 39)
registrazione cover di:
Walk, Don’t Run
compositore:
Johnny Smith (jazz guitarist)
editore:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) e Windswept Pacific Music Ltd.
The Ventures4.252:08
16I’m a Man
armonica (a bocca) :
Lester Davenport
batteria :
Frank Kirkland
chitarra :
Bo Diddley (American singer, guitarist, songwriter and music producer)
maracas :
Jerome Green
pianoforte :
Henry Gray
voce:
Bo Diddley (American singer, guitarist, songwriter and music producer)
registrazione di:
I’m a Man
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
editore:
68 Publishing Ltd., Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Bo Diddley4.52:48
17Summertime Blues
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-03-28)
batteria :
Earl Palmer (il 1958-03-28)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1958)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-03-28)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 73) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 432)
registrazione di:
Summertime Blues (nel 1958-05)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.752:01
18Oh Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.33:00