Wheel of Knowledge Sampler

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Hit the Road Jack
produttore:
Sid Feller
basso :
Edgar Willis (bass) (il 1961-07-05)
batteria :
Edward "Bruno" Carr (il 1961-07-05)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1961-07-05)
sassofono baritono [baritone sax] :
Leroy "Hog" Cooper (saxophonist) (il 1961-07-05)
sassofono contralto [alto sax] :
Bennie "Hank" Crawford (il 1961-07-05)
sassofono tenore [tenor sax] :
David “Fathead” Newman (American jazz saxophonist) (il 1961-07-05)
tromba :
Phillip Guilbeau (il 1961-07-05) e John Hunt (trumpeter) (il 1961-07-05)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1961-07-05) e Margie Hendrix (il 1961-07-05)
voce di accompagnamento:
The Raelettes (il 1961-07-05)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
Bell Sound Studios in New York, New York, Stati Uniti (il 1961-07-05)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 6) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 248)
registrazione di:
Hit the Road Jack (il 1961-07-05)
paroliere e compositore:
Percy Mayfield
editore:
Tangerine Music, Tangerine Music Corp. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles4.451:59
2Stormy Monday Blues
Bobby “Blue” Bland4:08
3Blue Suede Shoes
batteria :
W.S. Holland (nel 1955-12)
chitarra :
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12) e Jay Perkins (nel 1955-12)
contrabbasso :
Clayton Perkins (nel 1955-12)
voce:
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1955, dal 1956 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 5) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 95)
registrazione di:
Blue Suede Shoes (nel 1955-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:15
4All I Have to Do Is Dream
registrazione di:
All I Have to Do Is Dream
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers2:21
5Long Tall Sally
registrazione di:
Long Tall Sally
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
Little Richard2:09
6Big Girls Don't Cry
tecnico:
Gordon Clark (recording engineer)
produttore:
Bob Crewe
chitarra :
Tommy DeVito
chitarra basso :
Nick Massi
pianoforte e tastiera :
Bob Gaudio
voce:
Bob Gaudio, Tommy DeVito, Nick Massi e Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
direttore d'orchestra:
Charles Calello
esecutore:
The Four Seasons (aka Frankie Valli and the Four Seasons)
arrangiatore voci:
Nick Massi
orchestratore:
Charles Calello
copyright (©) per il video detenuto da:
Claridge Music Company (ASCAP) (publisher) (nel 1962)
lavorazione tecnica effettuata presso:
Stea-Phillips in New York, New York, Stati Uniti
registrazione di:
Big Girls Don’t Cry
autore:
Crewe e Gaudio
editore:
BoBoB Music Corp., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Reservoir 416 e Claridge Music (publisher) (nel 1962)
The Four Seasons42:26
7You Really Got Me
produttore:
Shel Talmy (nel 1964-07)
armonica (a bocca) , chitarra [rhythm guitar] , tastiera e voce principale:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1964-07)
batteria :
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (nel 1964-07)
chitarra :
Harry Fryer (nel 1964-07)
chitarra [lead guitar] :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (nel 1964-07)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (nel 1964-07)
pianoforte aggiunto:
Perry Ford (English pop singer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1964)
supporto a vario titolo:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (incarico: Courtesy of / c/o Celebrity Licensing, Inc.)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1964-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 162) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 176)
registrazione di:
You Really Got Me (nel 1964-07)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. e Jay Boy
The Kinks4.252:14
8Oh, Pretty Woman
registrazione di:
Oh, Pretty Woman (Roy Orbison song)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison2:57
9Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:37
10Heart Full of Soul
tecnico:
Roger Cameron
produttore:
Giorgio Gomelsky
basso :
Ron Prentice (il 1965-04-20)
chitarra :
Jeff Beck (English rock guitarist) (il 1965-04-20)
chitarra acustica :
Keith Relf (il 1965-04-20)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1965)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito (il 1965-04-20)
registrazione cover di:
Heart Full of Soul (il 1965-04-20)
paroliere e compositore:
Graham Gouldman
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Man-Ken Music Ltd.
The Yardbirds4.62:30
11Devil With a Blue Dress on & Good Golly Miss Molly
Mitch Ryder & The Detroit Wheels3:28
12Poor Side of Town
registrazione di:
Poor Side of Town
autore:
Johnny Rivers (Singer, songwriter, and guitarist) e Lou Adler
editore:
EMI Sosaha Music, Inc., Johnny Rivers Music e Jonathan Three Music Co.
Johnny Rivers3:45
13Summer in the City
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) e Trio Music Co., Inc.
The Lovin’ Spoonful2:41
14Happy Together
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner (singer and songwriter) e Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
editore:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.42:54
15What the World Needs Now Is Love
registrazione di:
What the World Needs Now Is Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (nel 1965), Songs of Fujimusic (nel 1965, nel 1993) e BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1993)
Jackie DeShannon3.63:12
16Crimson and Clover
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Crimson and Clover
autore:
Tommy James (American musician, singer, songwriter and record producer) e Pete Lucia Jr.
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) e Big Seven Music Corp. (nel 1987)
Tommy James & the Shondells3:28
17I Hear You Knocking
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds2:50
18That Lady
registrazione di:
That Lady
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
editore:
Bovina Music Inc., EMI April Music Inc. e EMI Songs Ltd.
versione di:
Who’s That Lady
The Isley Brothers5:36
19Hello It's Me
diritti fonografici (℗) detenuti da:
Bearsville Records Inc. (nel 1972)
registrazione di:
Hello, It’s Me
paroliere e compositore:
Todd Rundgren
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren53:46
20Breakdown
tecnico di registrazione e tecnico di missaggio:
Max e Noah Shark
produttore:
Denny Cordell
basso elettrico :
Ron Blair
diritti fonografici (℗) detenuti da:
Gone Gator Records (nel 1976)
registrata presso e mixata presso:
The Shelter Studio (Leon Russell's second studio) in Los Angeles, California, Stati Uniti
registrazione di:
Breakdown
paroliere e compositore:
Tom Petty
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd. e Skyhill Pub. Co., Inc.
Tom Petty and the Heartbreakers4.152:43
21That's the Way (I Like It)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:05
22I Want You Bad
NRBQ2:32
23Cool Places
registrazione di:
Cool Places
autore:
Ron Mael e Russell Mael
Sparks3:24
24Hey Pocky Way
tecnico di registrazione:
Gene Paul
produttore:
Joel Dorn
percussione :
Ralph MacDonald
registrazione di:
Hey Pocky A-Way
autore:
Ziggy Modeliste, Art Neville, Leo Nocentelli e George Porter, Jr.
The Neville Brothers54:13
25Jambalaya
Jo-El Sonnier2:43