Absolutely the Best of Classic Rock

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1School’s Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the singer, active as a solo artist 1975‐present)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:28
2Burn
registrata a:
Montreux, Vaud (Canton Vaud), Svizzera (nel 1973-11)
assistente tecnico:
Tapani Tapanainen (nel 2004)
tecnico:
Martin Birch
basso elettrico :
Glenn Hughes (UK rock bassist and vocalist) (nel 1973-11)
batteria :
Ian Paice (nel 1973-11)
chitarra elettrica :
Ritchie Blackmore (nel 1973-11)
organo Hammond e tastiera :
Jon Lord (nel 1973-11)
voce:
Glenn Hughes (UK rock bassist and vocalist) (nel 1973-11)
voce principale:
David Coverdale (nel 1973-11)
registrata presso:
Rolling Stones Mobile Studio in Regno Unito (nel 1973-11)
registrazione di:
Burn (nel 1973-11)
autore:
Ritchie Blackmore, David Coverdale, Jon Lord e Ian Paice
editore:
Deep Purple Music (Overseas) Ltd. e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Deep Purple54:30
3Hold the Line
tecnico di registrazione:
Dana Latham, Gabe Veltri e Tom Knox
assistente tecnico:
Dana Latham (incarico: assistant) e Gabe Veltri (incarico: assistant)
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
basso :
David Hungate e Michael Porcaro
batteria :
Jeffrey Porcaro (nel 1978-08)
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
David Hungate (nel 1978-08)
chitarra elettrica :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08)
percussione :
Jeffrey Porcaro e Lenny Castro (nel 1978-08)
pianoforte :
David Paich (nel 1978-08)
tastiera :
David Paich (nel 1978-08) e Steve Porcaro (nel 1978-08)
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Bobby Kimball (nel 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08) e David Paich (nel 1978-08)
voce principale:
Jean-Michel Byron e Bobby Kimball (nel 1978-08)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
BILLIONS CLUB
registrazione di:
Hold the Line (nel 1978-08)
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:57
4Locomotive Breath
tecnico:
John Burns (engineer/producer for Genesis)
produttore:
Ian Anderson (of Jethro Tull) e Terry Ellis (UK producer & band manager)
produttore esecutivo:
Terry Ellis (UK producer & band manager)
batteria e percussione :
Clive Bunker (il 1971-02-12)
chitarra acustica e flauto e voce principale:
Ian Anderson (of Jethro Tull) (il 1971-02-12)
chitarra basso e flauto dolce contralto :
Jeffrey Hammond Hammond (il 1971-02-12)
chitarra elettrica e flauto dolce soprano :
Martin Barre (il 1971-02-12)
mellotron, organo e pianoforte e organo Hammond, pianoforte, fisarmonica a piano e sintetizzatore :
John Evan (il 1971-02-12)
direttore d'orchestra:
Dee Palmer (aka David Palmer, of Jethro Tull) (il 1971-02-12)
remixer:
Robin Black (engineer)
orchestratore:
Dee Palmer (aka David Palmer, of Jethro Tull)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (il 1971-02-12)
remixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Locomotive Breath (il 1971-02-12)
paroliere e compositore:
Ian Anderson (of Jethro Tull)
Jethro Tull4.34:29
5Too Rolling Stoned
registrazione di:
Too Rolling Stoned
paroliere e compositore:
Robin Trower
Robin Trower3:53
6(Don’t Fear) The Reaper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976, nel 1978)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 397) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 449)
registrazione di:
(Don’t Fear) The Reaper
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:49
7Ebony Eyes
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 96)
registrazione di:
Ebony Eyes
paroliere e compositore:
Bob Welch (early member of Fleetwood Mac)
editore:
Cigar Music, EMI Music Publishing Australia Pty Ltd (not for release label use!) e Glenwood Music Corp.
Bob Welch3:33
8Lunatic Fringe
produttore:
Richard Landis
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 78) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 82)
registrazione di:
Lunatic Fringe
paroliere e compositore:
Tom Cochrane (of Red Rider)
Red Rider54:21
9Every Rose Has Its Thorn
tecnico:
Duane Baron
produttore:
Tom Werman
tecnico di missaggio:
Duane Baron, John Purdell e Tom Werman
batteria :
Rikki Rockett
chitarra :
C.C. DeVille
chitarra basso :
Bobby Dall
voce principale:
Bret Michaels
esecutore:
Poison (US glam metal band)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1988), Enigma (1980s US rock & alternative) (nel 1988) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1996)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 34)
registrazione di:
Every Rose Has Its Thorn
autore:
Bobby Dall, C.C. DeVille, Bret Michaels e Rikki Rockett
compositore:
Siddhartha Khosla (American singer and score composer)
editore:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Songs Inc.
Poison44:20
10Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
11Hit Me With Your Best Shot
tecnico:
Chris Minto (engineer) e Keith Olsen (US producer and engineer)
produttore:
Keith Olsen (US producer and engineer)
basso :
Roger Capps
batteria :
Myron Grombacher
chitarra :
Scott St. Clair Sheets
chitarra e tastiera :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
voce di accompagnamento:
Roger Capps e Neil Giraldo (multi-instrumentalist, songwriter, producer)
voce di accompagnamento e voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1980, nel 2002), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980) e Chrysalis Records, Inc. (not for release label use!) (nel 1981)
registrazione di:
Hit Me With Your Best Shot
paroliere e compositore:
Eddie Schwartz
editore:
ATV Music Publishing of Canada Ltd., Round Hill Songs e Sony Music Publishing (Germany) GmbH
Pat Benatar4.152:51
12Ballroom Blitz
tecnico:
Peter Coleman (British engineer & producer)
produttore:
Phil Wainman
arrangiatore:
Sweet (UK glam rock band)
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1974, nel 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso e lavorazione tecnica effettuata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
The Ballroom Blitz
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing Ltd. e Universal Music Publishing MGB Australia
Sweet4.64:02
13Everybody Wants You
assistente tecnico di registrazione:
Garry Rindfuss
tecnico di registrazione:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Billy e Mack (German rock producer/engineer Reinhold Mack)
assistente tecnico di missaggio:
Jim Ball (engineer)
tecnico di missaggio:
Billy e David Thoener
registrata in aggiunta presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
registrata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
mixata presso:
Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
Everybody Wants You
paroliere e compositore:
Billy Squier
Billy Squier4.53:47
14Bad to the Bone
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1982), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
Bad to the Bone
paroliere e compositore:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
editore:
Del Sound Music
George Thorogood & the Destroyers3:38
15Once Bitten Twice Shy
registrazione cover di:
Once Bitten Twice Shy
paroliere e compositore:
Ian Hunter (Mott the Hoople)
editore:
April (publisher), EMI April Music Inc. e Ian Hunter Music Inc.
Great White3:59
16Rebel Yell
tecnico:
Michael Frondelli
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Dave Wittman
basso, chitarra e tastiera :
Steve Stevens (US guitarist and songwriter) (nel 1983)
batteria :
Thommy Price (nel 1983)
chitarra basso :
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (nel 1983)
tastiera :
Judi Dozier (nel 1983)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1983)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1999) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1986)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (nel 1983)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Rebel Yell di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 79)
registrazione di:
Rebel Yell (nel 1983)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) e WC Music Corp.
Billy Idol4.54:46
17I’ve Done Everything for You
registrazione di:
I've Done Everything for You
autore:
Sammy Hagar
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sammy Hagar3:03
18Jane
registrazione di:
Jane (Jefferson Starship song)
paroliere:
David Freiberg e Jim McPherson (singer/songwriter)
compositore:
Craig Chaquico, David Freiberg, Paul Kantner e Jim McPherson (singer/songwriter)
editore:
Carlin Music Corp.
Jefferson Starship3.754:10
19The Doctor
co-produttore:
Rodney Mills
produttore:
Charlie Midnight e Eddie Schwartz
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
registrazione di:
The Doctor
autore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Charlie Midnight e Eddie Schwartz
editore:
EMI Songs Ltd., High Frontier Music, Janiceps Music, Round Hill Works, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Windecor Publishing
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 大洋音楽 (Taiyō Music) e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:45
20Juke Box Hero
assistente tecnico:
Edwin Hobgood (engineer) e Michael Sauvage
tecnico:
Tony Platt (UK engineer and producer), Brad Samuelsohn e Dave Wittman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Robert John “Mutt” Lange (Robert John Lange)
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica [lead guitar] e tastiera :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
sintetizzatore :
Thomas Dolby e Larry Fast (American synthesizer player and composer)
voce di accompagnamento:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981, nel 2002) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Juke Box Hero
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3.64:22