100 Hits Legends: Frank Sinatra

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-13)
Rohrblattinstrumente:
Plas Johnson (am 1955-09-13)
Trompete:
Harry “Sweets” Edison (am 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-09-13)
Orchester:
The Nelson Riddle Orchestra (am 1955-09-13)
conductor:
Nelson Riddle (am 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (am 1955-09-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und Maraville Music Corp.
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
23:00
2Anything Goes
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
cover recording of:
Anything Goes (am 1956-01-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
32:42
3I’ve Got the World on a String
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-04-30)
Bass:
Philip Stephens (bass and tuba player) (am 1953-04-30)
Gitarre:
Al Hendrickson (am 1953-04-30)
Klavier:
Bill Miller (pianist) (am 1953-04-30)
Posaune:
Milt Bernhart (am 1953-04-30), Francis Howard (trombone) (am 1953-04-30), Jimmy Priddy (am 1953-04-30) und Si Zentner (am 1953-04-30)
Rohrblattinstrumente:
Jack Dumont (am 1953-04-30), Skeets Herfurt (am 1953-04-30), Plas Johnson (am 1953-04-30), Joe Koch (am 1953-04-30), Ernest Romersa (am 1953-04-30) und Theodore Nash (40s-80s US swing reedman, uncle of the other) (am 1953-04-30)
Schlagzeug:
Alvin Stoller (am 1953-04-30)
Trompete:
Harry “Sweets” Edison (am 1953-04-30), Conrad Gozzo (am 1953-04-30), Vito "Mickey" Mangano (am 1953-04-30) und Rubin "Zeke" Zarchy (am 1953-04-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-04-30)
Orchester:
The Nelson Riddle Orchestra (am 1953-04-30)
conductor:
Nelson Riddle (am 1953-04-30)
arranger:
Nelson Riddle
recording of:
I’ve Got the World on a String (am 1953-04-30)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3.752:11
4I Thought About You
recording of:
I Thought About You
Texter:
Johnny Mercer
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
2:29
5They Can’t Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
1:56
6Last Night When We Were Young
recording of:
Last Night When We Were Young
Texter:
Yip Harburg
Komponist(in):
Harold Arlen
publisher:
Bourne Co. (not for release label use, this is a music publisher) und S.A. Music Co.
3:14
7I Get Along Without You Very Well
recording of:
I Get Along Without You Very Well
Texter:
Jane Brown Thompson
Komponist(in):
Hoagy Carmichael (in 1939)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:40
8Love Is Here to Stay
recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
2:40
9Makin’ Whoopee
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
recording of:
Makin’ Whoopee! (am 1956-01-16)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
2.53:05
10Jeepers Creepers
recording of:
Jeepers Creepers
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
2:22
11The Gal That Got Away
recording of:
The Man That Got Away (A Star Is Born)
Texter:
Ira Gershwin (in 1953)
Komponist(in):
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 2)
3:10
12Don’t Worry ’bout Me
recording of:
Don’t Worry ’Bout Me
Texter:
Ted Koehler (in 1939)
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. und Redwood Music Ltd. (Carlin)
3:10
13How About You?
recording of:
How About You?
Texter:
Ralph Freed
Komponist(in):
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
2:47
14Pennies From Heaven
recording of:
Pennies From Heaven
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
2:43
15Violets for Your Furs
recording of:
Violets for Your Furs
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:05
16The Girl Next Door
recording of:
The Girl Next Door
Komponist(in):
Ralph Blane und Hugh Martin
publisher:
EMI Feist Catalog Inc. und EMI United Partnership Ltd.
2:38
17From Here to Eternity
recording of:
From Here to Eternity
Texter:
Robert Wells (songwriter)
Komponist(in):
Freddie Karger (Frederick Maxwell Karger, Jr)
publisher:
Barton Music Corp.
2:59
18Someone to Watch
2:57
19You Brought a New Kind of Love to Me
recording of:
You Brought a New Kind of Love to Me
Texter:
Irving Kahal (in 1930)
Komponist(in):
Pierre Norman Connor (in 1930) und Sammy Fain (in 1930)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Sony/ATV Harmony (in 1930)
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:48
20When You’re Smiling (The Whole World Smiles With You)
recording of:
When You’re Smiling (the Whole World Smiles With You)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
2:29
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Veröffentlichungsgruppe

Teil von:100 Hits Legends (Nummer: 4) (Reihenfolge: 4)