Dis Here

~ Veröffentlichung von Cannonball Adderley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: Spontaneous Combustion
Nr.TitelBewertungLänge
1Spontaneous Combustion
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-14)
Techniker(in):
Rudy van Gelder
Produzent(in):
Ozzie Cadena
alto saxophone:
Julian “Cannon Ball” Adderley (am 1955-07-14)
Klavier:
Hank Jones (piano) (am 1955-07-14)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-14)
Kornett:
Nat Adderley (am 1955-07-14)
Schlagzeug:
Kenny Clarke (am 1955-07-14)
phonographisches Urheberrecht (℗) von:
SLG, LLC (in 2002, in 2006)
recording of:
Spontaneous Combustion (am 1955-07-14)
Komponist(in):
Julian “Cannonball” Adderley
10:09
2Still Talkin’ to Ya
recording of:
Still Talkin’ to Ya
Komponist(in):
Julian “Cannonball” Adderley
8:58
3A Little Taste
recording of:
A Little Taste (am 1955-07-14)
Komponist(in):
Julian “Cannonball” Adderley
5:08
4Caribbean Cutie
recording of:
Caribbean Cutie (am 1955-07-14)
Komponist(in):
Julian “Cannonball” Adderley
7:02
5Flamingo
instrumental recording of:
Flamingo (am 1955-07-14)
Texter:
Edmund Anderson
Komponist(in):
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) und Grouya Publishing Int.
7:01
6The Song Is You
instrumental recording of:
The Song Is You (am 1955-07-21)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
4:12
7Cynthia’s in Love
instrumental recording of:
Cynthia’s in Love (am 1955-07-21)
Verfasser(in):
Billy Gish, Jack Owens (singer/songwriter "The Cruising Crooner") und Earl White (US songwriter)
3:04
8Cannonball
recording of:
Cannonball (am 1955-07-29)
Komponist(in):
Julian “Cannonball” Adderley
4:14
9You’d Be So Nice to Come Home To
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-07-29)
baritone saxophone:
Cecil Payne (am 1955-07-29)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-07-29)
Klavier:
John Williams (American jazz pianist) (am 1955-07-29)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-29)
Kornett:
Nat Adderley (am 1955-07-29)
Posaune:
J. Johnson (jazz/bop trombonist/session leader) (am 1955-07-29)
Schlagzeug:
Kenny Clarke (am 1955-07-29)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) und Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (am 1955-07-29)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
3:36
10Street of Dreams
instrumental recording of:
Street of Dreams (am 1955-10-27)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. und Miller Music Corp.
2:13
11Falling in Love With Love
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (am 1955-10-27)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:32
12You Are Too Beautiful
instrumental recording of:
You Are Too Beautiful (am 1955-10-27)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
2:54
13Polka Dots and Moonbeams
instrumental recording of:
Polka Dots and Moonbeams (am 1955-10-27)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:03
14The Masquerade Is Over
instrumental recording of:
The Masquerade Is Over (am 1955-10-28)
Verfasser(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Chappell & Co., Inc. (USA), Magidson Bernhardt Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:10
15I’ve Never Been in Love Before
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ve Never Been in Love Before (am 1955-10-28)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
2:19
16Little Girl Blue
alto saxophone:
Julian “Cannonball” Adderley (am 1956-06-08)
baritone saxophone:
Danny Bank (reeds) (am 1956-06-08)
flute und Tenorsaxophon:
Jerome Richardson (am 1956-06-08)
Klavier:
Junior Mance (am 1956-06-08)
Kontrabass:
Keeter Betts (am 1956-06-08)
Kornett:
Nat Adderley (am 1956-06-08)
Posaune:
Bobby Byrne (am 1956-06-08) und Jimmy Cleveland (US jazz trombonist) (am 1956-06-08)
Schlagzeug:
Specs Wright (am 1956-06-08)
Trompete:
Ernie Royal (am 1956-06-08)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) und Monaco Entertainment Corporation (in 2010)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1956-06-08)
instrumental cover recording of:
Little Girl Blue (am 1956-06-08)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
instrumental recording of:
Little Girl Blue
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
2:39
17I’m Glad There’s You
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (am 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (am 1956-06-18)
flute und Tenorsaxophon:
Jerome Richardson (am 1956-06-18)
Klavier:
Junior Mance (am 1956-06-18)
Kontrabass:
Keeter Betts (am 1956-06-18)
Kornett:
Nat Adderley (am 1956-06-18)
Posaune:
Bobby Byrne (am 1956-06-18) und Jimmy Cleveland (US jazz trombonist) (am 1956-06-18)
Schlagzeug:
Specs Wright (am 1956-06-18)
Trompete:
Ernie Royal (am 1956-06-18)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1956-06-18)
instrumental cover recording of:
I’m Glad There Is You (am 1956-06-18)
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
2:32
2▶CD: Jubilation
3▶CD: Blue Funk
4▶CD: Hi-Fly