Best of So Far

~ Parution par Post Malone (afficher toutes les versions de cette parution, 1 proposée)

Liste de pistes

1Support numérique
noTitreÉvaluationDurée
1Hollywood’s Bleeding
ingénieur du son :
Louis Bell (American producer, engineer, and songwriter)
programmation et producteur :
Louis Bell (American producer, engineer, and songwriter) et Brian Lee (Korean American songwriter)
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent, Chris Galland et Jeremie Inhaber
instruments :
Louis Bell (American producer, engineer, and songwriter) et Brian Lee (Korean American songwriter)
voix :
Post Malone
enregistré à :
Electric Feel Studios dans Hollywood, Los Angeles, California (Californie), États-Unis
mixé à :
Larrabee Studios (present day location in North Hollywood, since 1991) dans North Hollywood, Los Angeles, California (Californie), États-Unis
recording of :
Hollywood’s Bleeding
éditeur :
Billy Walsh (American songwriter)
auteur :
Austin Post, Louis Bell (American producer, engineer, and songwriter), Carter Lang, Brian Lee (Korean American songwriter) et Billy Walsh (American songwriter)
éditeur :
Dong Hoe Music, Posty Co LLC, Songs of Universal, Inc. (BMI), Sony/ATV, UMPG, Warner Chappell (Warner/Chappell Music, Inc.) et WMMW Publishing (ASCAP affiliated)
3.62:36
2White Iverson
programmation :
Rex Kudo (producer, composer, lyricist, engineer, keyboardist, programming) et Post Malone
co-producteur :
Rex Kudo (producer, composer, lyricist, engineer, keyboardist, programming)
producteur :
Post Malone
mixeur :
Idan Kalai et Rex Kudo (producer, composer, lyricist, engineer, keyboardist, programming)
instruments :
Rex Kudo (producer, composer, lyricist, engineer, keyboardist, programming) et Post Malone
enregistré à et mixé à :
The Gold House Studio
partie de :
Billboard Year-End Hot 100 singles of 2016 (numéro : 65)
recording of :
White Iverson
auteur :
Post Malone et T. Markous Roberts (US rapper and producer)
3.24:17
3Circles
ingénieur du son :
Louis Bell (American producer, engineer, and songwriter)
programmation :
Austin Post, Louis Bell (American producer, engineer, and songwriter) et Frank Dukes (Canadian record producer, songwriter, musician)
producteur :
Louis Bell (American producer, engineer, and songwriter), Frank Dukes (Canadian record producer, songwriter, musician) et Post Malone
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent, Chris Galland et Jeremie Inhaber
guitare :
Austin Post et Kaan Gunesberk
voix :
Post Malone
droits phonographiques (℗) par :
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (le 2019)
enregistré à :
Electric Feel Studios dans Hollywood, Los Angeles, California (Californie), États-Unis
mixé à :
Larrabee Studios (present day location in North Hollywood, since 1991) dans North Hollywood, Los Angeles, California (Californie), États-Unis
partie de :
MTV Video Music Award for Song of the Year nominees (numéro : 2020), Billboard Year-End Hot 100 singles of 2020 (numéro : 2), Grammy Award: Record of the Year nominees (numéro : 2021), Billboard: Greatest of All Time Hot 100 Songs (numéro : 19), Spotify: Top Hits of 2019 (numéro : 39), Billboard Year-End Hot 100 singles of 2019 (numéro : 62) et Billboard: The 500 Best Pop Songs (as of October 2023) (numéro : 197)
recording of :
Circles
éditeur :
Billy Walsh (American songwriter)
auteur :
Adam Feeney (Canadian record producer, songwriter, musician), Austin Post, Louis Bell (American producer, engineer, and songwriter), Kaan Gunesberk et Billy Walsh (American songwriter)
éditeur :
Kaan Gunesberk Publishing, Posty Co LLC, Sony/ATV, UMPG et WMMW Publishing (ASCAP affiliated)
partie de :
Grammy Award: Song of the Year nominees (numéro : 2021)
4.153:35
4Saint‐Tropez
ingénieur du son :
Louis Bell (American producer, engineer, and songwriter)
programmation et producteur :
Frank Dukes (Canadian record producer, songwriter, musician), Jahaan Akil Sweet (producer) et Wallis Lane
producteur supplémentaire :
Louis Bell (American producer, engineer, and songwriter)
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent, Chris Galland et Jeremie Inhaber
instruments :
Frank Dukes (Canadian record producer, songwriter, musician), Jahaan Akil Sweet (producer) et Wallis Lane
voix :
Post Malone
enregistré à :
Electric Feel Studios dans Hollywood, Los Angeles, California (Californie), États-Unis
mixé à :
Larrabee Studios (present day location in North Hollywood, since 1991) dans North Hollywood, Los Angeles, California (Californie), États-Unis
recording of :
Saint‐Tropez
éditeur :
Billy Walsh (American songwriter)
auteur :
Adam Feeney (Canadian record producer, songwriter, musician), Austin Post, Louis Bell (American producer, engineer, and songwriter), Jahaan Akil Sweet (producer), Nima Jahanbin, Paimon Jahanbin et Billy Walsh (American songwriter)
éditeur :
Posty Co LLC, Songs of Kobalt Music Publishing, Sony/ATV, The Sweet Life, LLC, UMPG, Wallis Lane Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) et WMMW Publishing (ASCAP affiliated)
3.352:31
5Spoil My Night
ingénieur du son :
Louis Bell (American producer, engineer, and songwriter)
producteur :
Louis Bell (American producer, engineer, and songwriter), Frank Dukes (Canadian record producer, songwriter, musician) et Teddy Walton (aka Travis Darelle Walton)
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent et Chris Galland
voix principale :
Post Malone
recording of :
Spoil My Night
auteur :
Adam Feeney (Canadian record producer, songwriter, musician), Austin Post, Louis Bell (American producer, engineer, and songwriter), Khalif Brown et Teddy Walton (aka Travis Darelle Walton)
3.153:15
6Cooped Up
droits phonographiques (℗) par :
Mercury Records (the holding company; for use as ℗&© credits only!) (le 2022) et Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (le 2022)
recording of :
Cooped Up
auteur :
Austin Post, Louis Bell (American producer, engineer, and songwriter), Rodrick Moore Jr. et Billy Walsh (American songwriter)
éditeur :
Bell Ear Publishing, Posty Publishing (GMR affiliated), Project Dreams Publishing, Ricch Millionaires Only Publishing, Universal Music Corp. (USA, affiliated with ASCAP) et WMMW Publishing (ASCAP affiliated)
33:06
7Congratulations
ingénieur du son :
Adam Feeney (Canadian record producer, songwriter, musician) et Louis Bell (American producer, engineer, and songwriter)
programmation :
Adam Feeney (Canadian record producer, songwriter, musician) et Leland Wayne (American record producer)
producteur :
Louis Bell (American producer, engineer, and songwriter) (voix principale), Frank Dukes (Canadian record producer, songwriter, musician) et Metro Boomin (American record producer)
mixeur :
Manny Marroquin
mixeur assistant :
Chris Galland et Jeff Jackson (American mixing engineer)
instruments :
Adam Feeney (Canadian record producer, songwriter, musician) et Leland Wayne (American record producer)
enregistré à :
Electric Feel Studios dans Hollywood, Los Angeles, California (Californie), États-Unis
mixé à :
Larrabee Sound Studios (present day location in North Hollywood, since 1991) dans North Hollywood, Los Angeles, California (Californie), États-Unis
partie de :
Billboard Year-End Hot 100 singles of 2017 (numéro : 10) et Billboard Decade End Chart: Streaming Songs (2010s) (numéro : 28)
recording of :
Congratulations
auteur :
Adam Feeney (Canadian record producer, songwriter, musician), Louis Bell (American producer, engineer, and songwriter), Leland Wayne (American record producer), Post Malone et Quavo (US rapper)
3.83:40
8Enemies
ingénieur du son, programmation et producteur :
Louis Bell (American producer, engineer, and songwriter)
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent, Chris Galland et Jeremie Inhaber
instruments :
Louis Bell (American producer, engineer, and songwriter)
voix :
DaBaby (US rapper Jonathan Lyndale Kirk) et Post Malone
enregistré à :
Electric Feel Studios dans Hollywood, Los Angeles, California (Californie), États-Unis
mixé à :
Larrabee Studios (present day location in North Hollywood, since 1991) dans North Hollywood, Los Angeles, California (Californie), États-Unis
recording of :
Enemies
éditeur :
Billy Walsh (American songwriter)
auteur :
Austin Post, Louis Bell (American producer, engineer, and songwriter), Jonathan Kirk et Billy Walsh (American songwriter)
éditeur :
Baby Jesus Publishing, Posty Co LLC, Sony/ATV, South Coast Music Group LLC (do not use as a release label! for copyrights use only), UMPG et WMMW Publishing (ASCAP affiliated)
2.83:17
9Rich & Sad
ingénieur du son :
Louis Bell (American producer, engineer, and songwriter)
producteur :
Louis Bell (American producer, engineer, and songwriter) et Frank Dukes (Canadian record producer, songwriter, musician)
voix principale :
Post Malone
recording of :
Rich & Sad
auteur :
Adam Feeney (Canadian record producer, songwriter, musician), Austin Post, Louis Bell (American producer, engineer, and songwriter) et Billy Walsh (American songwriter)
3.53:26
10I Fall Apart
ingénieur du son, programmation et producteur :
Carlo "Illangelo" Montagnese
ingénieur du son assistant :
Alex Pavone (engineer)
mixeur :
Manny Marroquin
mixeur assistant :
Chris Galland et Jeff Jackson (American mixing engineer)
instruments :
Carlo "Illangelo" Montagnese
enregistré à :
Serenity West Recording dans Los Angeles, California (Californie), États-Unis
mixé à :
Larrabee Sound Studios (present day location in North Hollywood, since 1991) dans North Hollywood, Los Angeles, California (Californie), États-Unis
partie de :
Billboard Year-End Hot 100 singles of 2018 (numéro : 39)
recording of :
I Fall Apart
auteur :
Austin Post, Carlo "Illangelo" Montagnese et William Walsh (American songwriter)
3.853:43
11Paranoid
3:42
12rockstar
ingénieur du son :
Louis Bell (American producer, engineer, and songwriter), Lorenzo Cardona et Ethan Stevens
programmation et producteur :
Louis Bell (American producer, engineer, and songwriter) et Tank God
ingénieur :
Louis Bell (American producer, engineer, and songwriter)
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent et Chris Galland
voix principale :
Post Malone
droits phonographiques (℗) par :
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (le 2017)
partie de :
Billboard Year-End Hot 100 singles of 2018 (numéro : 5), Spotify CLASSICS: The 100 Greatest Hip-Hop Songs of the Streaming Era (numéro : 27) et Billboard Year-End Hot 100 singles of 2017 (numéro : 56)
recording of :
rockstar
auteur :
Austin Post, Olufunmibi Awoshiley, Louis Bell (American producer, engineer, and songwriter), Carl Austin Rosen (songwriter), Jo-Vaughn Virginie (rapper) et Shayaa Bin Abraham-Joseph
3.33:38
13Psycho
ingénieur du son :
Louis Bell (American producer, engineer, and songwriter)
producteur :
Louis Bell (American producer, engineer, and songwriter) et Post Malone
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent et Chris Galland
voix principale :
Post Malone
droits phonographiques (℗) par :
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (le 2018)
partie de :
Billboard Year-End Hot 100 singles of 2018 (numéro : 6) et Billboard Decade End Chart: Streaming Songs (2010s) (numéro : 47)
recording of :
Psycho
auteur :
Austin Post, Louis Bell (American producer, engineer, and songwriter) et Tyrone Griffin Jr
3.83:41
14I Like You (A Happier Song)
droits phonographiques (℗) par :
Mercury Records (the holding company; for use as ℗&© credits only!) (le 2022) et Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (le 2022)
clips :
I Like You (A Happier Song) par Post Malone feat. Doja Cat
partie de :
Billboard Year-End Hot 100 singles of 2022 (numéro : 26), Grammy Award: Best Pop Duo/Group Performance nominees (numéro : 2023) et Billboard Year-End Hot 100 singles of 2023 (numéro : 75)
recording of :
I Like You (A Happier Song)
auteur :
Amala Dlamini, Austin Post, Louis Bell (American producer, engineer, and songwriter), Jasper Harris (producer, samplemaker) et William Walsh (American songwriter)
éditeur :
Bell Ear Publishing, Concord Copyrights (BMI), Doja Cat Music, Jasper Jams, Posty Publishing (GMR affiliated), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Works (GMR affiliated), Where da Kasz At et WMMW Publishing (ASCAP affiliated)
3.53:13
15Die for Me
ingénieur du son :
Louis Bell (American producer, engineer, and songwriter) et Paul LaMalfa
producteur :
Louis Bell (American producer, engineer, and songwriter), Happy Perez et Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent, Chris Galland et Jeremie Inhaber
instruments :
Louis Bell (American producer, engineer, and songwriter), Happy Perez et Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
voix :
Future (US rapper Nayvadius Cash), Halsey (US singer/songwriter Ashley Frangipane) et Post Malone
enregistré à :
Electric Feel Studios dans Hollywood, Los Angeles, California (Californie), États-Unis, Gold Tooth Music dans Beverly Hills, California (Californie), États-Unis et Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) dans Aldgate, Tower Hamlets, London (Londres, Greater London), England, Royaume-Uni
mixé à :
Larrabee Studios (present day location in North Hollywood, since 1991) dans North Hollywood, Los Angeles, California (Californie), États-Unis
recording of :
Die for Me
éditeur :
Billy Walsh (American songwriter)
auteur :
Ashley Frangipane (US singer/songwriter Ashley Frangipane), Austin Post, Louis Bell (American producer, engineer, and songwriter), Happy Perez, Nayvadius Wilburn (Future, US rapper Nayvadius Cash), Billy Walsh (American songwriter) et Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
éditeur :
17 Black Music, Andrew Watt Music, Irving Music Inc., Nayvadius Maximus Music, Polk St. Music, Posty Co LLC, Songs of Kobalt Music Publishing, Songs of Universal, Inc. (BMI), Sony/ATV, UMPG et WMMW Publishing (ASCAP affiliated)
3.654:05
16On the Road
ingénieur du son :
Louis Bell (American producer, engineer, and songwriter) et Anthony Cruz (engineer)
programmation et producteur :
Louis Bell (American producer, engineer, and songwriter) et Nick Mira (producer)
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent, Chris Galland et Jeremie Inhaber
instruments :
Louis Bell (American producer, engineer, and songwriter) et Nick Mira (producer)
voix :
Lil Baby, Meek Mill et Post Malone
enregistré à :
Electric Feel Studios dans Hollywood, Los Angeles, California (Californie), États-Unis et Jungle City Studios dans New York, New York, États-Unis
mixé à :
Larrabee Studios (present day location in North Hollywood, since 1991) dans North Hollywood, Los Angeles, California (Californie), États-Unis
recording of :
On the Road
éditeur :
Billy Walsh (American songwriter)
auteur :
Austin Post, Louis Bell (American producer, engineer, and songwriter), Dominique Jones, Nick Mira (producer), Robert Williams, Tavoris Hollins, Jr. (Tavoris Hollins, Jr.) et Billy Walsh (American songwriter)
éditeur :
Electric Feel, Forever Rich (ASCAP), Four Entertainment Music, Music and Dreams Publishing, Nick Mira Publishing, Posty Co LLC, Quality Control QC Pro, Songs of Universal, Inc. (BMI), Sony/ATV, Taoris Hollins Jr. Publishing Designee, UMPG, Universal Music Corporation (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WMMW Publishing (ASCAP affiliated) et Wolf Pack Global Music Publishing
3.13:38
17Take What You Want
ingénieur du son :
Louis Bell (American producer, engineer, and songwriter) et Paul LaMalfa
programmation :
Louis Bell (American producer, engineer, and songwriter), Kaan Gunesberk et Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
ingénieur assistant :
Scott Desmarais, Robin Florent, Chris Galland et Jeremie Inhaber
producteur :
Andrew Watt (producer, guitarist, singer, Earthlings, California Breed), Louis Bell (American producer, engineer, and songwriter) et Louis Bell (American producer, engineer, and songwriter) (voix principale [vocal])
mixeur :
Manny Marroquin
instruments :
Louis Bell (American producer, engineer, and songwriter) et Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
voix :
Ozzy Osbourne, Post Malone et Travis Scott (US rapper)
droits phonographiques (℗) par :
Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
enregistré à :
Electric Feel Studios dans Hollywood, Los Angeles, California (Californie), États-Unis, Gold Tooth Music dans Beverly Hills, California (Californie), États-Unis et Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) dans Aldgate, Tower Hamlets, London (Londres, Greater London), England, Royaume-Uni
mixé à :
Larrabee Studios (present day location in North Hollywood, since 1991) dans North Hollywood, Los Angeles, California (Californie), États-Unis
recording of :
Take What You Want
éditeur :
Billy Walsh (American songwriter)
auteur :
Austin Post, Louis Bell (American producer, engineer, and songwriter), Jacques Webster (US rapper), John Osbourne (Ozzy Osbourne), Billy Walsh (American songwriter) et Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
éditeur :
Andrew Watt Music, Blizzard Music Limited, BMG Gold Songs, EMI April Music Inc., Essex Music Int. Inc., Lubalz Publishing, Monowise Ltd., Nyankingmusic, Onward Music Ltd, Posty Co LLC, Posty Publishing (GMR affiliated), Songs of Kobalt Music Publishing, Songs of Universal, Inc. (BMI), Sony/ATV, Travis Scott Music, UMPG et WMMW Publishing (ASCAP affiliated)
3.253:50
18Ball for Me
ingénieur du son et producteur :
Louis Bell (American producer, engineer, and songwriter)
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent et Chris Galland
voix principale :
Post Malone
recording of :
Ball for Me
auteur :
Austin Post, Louis Bell (American producer, engineer, and songwriter) et Onika Maraj (Nicki Minaj)
3.53:26
19Motley Crew
43:01
20Sunflower (Spider‐Man: Into the Spider‐Verse)
ingénieur du son :
Louis Bell (American producer, engineer, and songwriter)
programmation et producteur :
Louis Bell (American producer, engineer, and songwriter) et Carter Lang
ingénieur :
DJ Mike D (DJ, remixer, and producer/engineer; Michael Adachi)
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent, Chris Galland et Jeremie Inhaber
instruments :
Louis Bell (American producer, engineer, and songwriter) et Carter Lang
voix :
Swae Lee et Post Malone
droits phonographiques (℗) par :
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (le 2018)
enregistré à :
Electric Feel Studios dans Hollywood, Los Angeles, California (Californie), États-Unis et Jungle City Studios dans New York, New York, États-Unis
mixé à :
Larrabee Studios (present day location in North Hollywood, since 1991) dans North Hollywood, Los Angeles, California (Californie), États-Unis
partie de :
Billboard Year-End Hot 100 singles of 2019 (numéro : 2), Spotify: Top Hits of 2019 (numéro : 5), Grammy Award: Record of the Year nominees (numéro : 2020), Billboard Decade End Chart: Streaming Songs (2010s) (numéro : 12), Grammy Award: Best Pop Duo/Group Performance nominees (numéro : 2020), Billboard: Greatest of All Time Hot 100 Songs (numéro : 75) et Top Songs of 2024: Global (numéro : 76)
recording of :
Sunflower
éditeur :
Billy Walsh (American songwriter)
auteur :
Austin Post, Louis Bell (American producer, engineer, and songwriter), Carl Rosen (songwriter), Khalif Malikibnsham Brown, Carter Lang et Billy Walsh (American songwriter)
éditeur :
Posty Co LLC (terminé), Eardrummers Entertainment LLC (publisher; do NOT use as release label), EMI April Music Inc., HiFi Music IP Issuer, L.P., KMR Music Royalties II SCSp, Nyan King Music, Posty Publishing (GMR affiliated), Songs of Universal, Inc. (BMI), Twenty Fifteen Boulevard Music, Inc., Universal Music Works (GMR affiliated), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WMMW Publishing (ASCAP affiliated) et Zuma Tuna LLC
sous-éditeur :
EMI Music Publishing Germany GmbH (2008–today), Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Publishing (Germany) GmbH et Universal/MCA Music Publishing GmbH
4.12:38
21One Right Now
droits phonographiques (℗) par :
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (le 2021) et Mercury Records (the holding company; for use as ℗&© credits only!) (le 2022)
partie de :
Billboard Hot 100: 2022-02-05 (numéro : 23) et Billboard Year-End Hot 100 singles of 2022 (numéro : 30)
recording of :
One Right Now
auteur :
Abel Tesfaye (Canadian R&B singer), Austin Post, Louis Bell (American producer, engineer, and songwriter), Andrew Bolooki, Dre London, Brian Lee (Korean American songwriter) et Billy Walsh (American songwriter)
éditeur :
Bell Ear Publishing, Bolooki Music, Dong Hoe Music, Dre Vision Publishing, HiFi Music IP Issuer, L.P., Posty Publishing (GMR affiliated), Songs of Universal, Inc. (BMI), Sony/ATV Tunes LLC (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Works (GMR affiliated), WMMW Publishing (ASCAP affiliated) et XO Music Publishing LLC
43:13
22Same Bitches
ingénieur du son :
Jonathan Whitfield (Jonathan Whitfield)
producteur :
Louis Bell (American producer, engineer, and songwriter) et Swish (Jonathan Whitfield)
producteur supplémentaire :
Cashio
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent et Chris Galland
voix principale :
Post Malone
recording of :
Same Bitches
auteur :
Rod Argent, Austin Post, Louis Bell (American producer, engineer, and songwriter), Gerald Gillum, Jonathan Whitfield (Jonathan Whitfield), Idan Kalai, Keenon Jackson (US rapper) et Billy Walsh (American songwriter)
3.153:32
23Goodbyes
ingénieur du son :
A. Bainz (Bainz), Louis Bell (American producer, engineer, and songwriter) et Shaan Singh (Drax Project)
programmation et producteur :
Louis Bell (American producer, engineer, and songwriter) et Brian Lee (Korean American songwriter)
mixeur assistant :
Scott Desmarais, Robin Florent, Chris Galland et Jeremie Inhaber
instruments :
Louis Bell (American producer, engineer, and songwriter) et Brian Lee (Korean American songwriter)
voix :
Post Malone et Young Thug (US rapper)
enregistré à :
Crosby Recording Studio dans Burbank, California (Californie), États-Unis et Electric Feel Studios dans Hollywood, Los Angeles, California (Californie), États-Unis
partie de :
Billboard Year-End Hot 100 singles of 2019 (numéro : 30) et Spotify: Top Hits of 2019 (numéro : 62)
recording of :
Goodbyes
éditeur :
Jessie Lauryn Foutz et Billy Walsh (American songwriter)
auteur :
Austin Post, Louis Bell (American producer, engineer, and songwriter), Jessie Lauryn Foutz, Jeffery Williams (US rapper), Brian Lee (Korean American songwriter), Val Blavatnik et Billy Walsh (American songwriter)
éditeur :
Dong Hoe Music, Posty Co LLC, Songs of Universal, Inc. (BMI), Songs of YSL Music Publishing, Sony/ATV, UMPG, Val Blavatnik Pub Designee, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) et WMMW Publishing (ASCAP affiliated)
3.952:55
24Wow.
ingénieur du son :
Louis Bell (American producer, engineer, and songwriter)
programmation et producteur :
Louis Bell (American producer, engineer, and songwriter) et Frank Dukes (Canadian record producer, songwriter, musician)
mixeur :
Manny Marroquin
mixeur assistant :
Scott Desmarais, Robin Florent, Chris Galland et Jeremie Inhaber
instruments :
Louis Bell (American producer, engineer, and songwriter) et Frank Dukes (Canadian record producer, songwriter, musician)
voix :
Post Malone
voix d’accompagnement :
Anthoine Walters
droits phonographiques (℗) par :
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (le 2018)
enregistré à :
Electric Feel Studios dans Hollywood, Los Angeles, California (Californie), États-Unis
mixé à :
Larrabee Studios (present day location in North Hollywood, since 1991) dans North Hollywood, Los Angeles, California (Californie), États-Unis
clips :
Wow. par Post Malone
partie de :
Billboard Year-End Hot 100 singles of 2019 (numéro : 5) et Spotify: Top Hits of 2019 (numéro : 71)
recording of :
Wow.
éditeur :
Billy Walsh (American songwriter)
auteur :
Adam Feeny (Canadian record producer, songwriter, musician), Austin Post, Louis Bell (American producer, engineer, and songwriter) et Billy Walsh (American songwriter)
éditeur :
Posty Co LLC, Sony/ATV, UMPG et WMMW Publishing (ASCAP affiliated)
3.752:30
25Stay
3:24