Midnite Jazz & Blues Collection: Midnight Jazz Moods

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Mad About the Boy
registrata a:
Chicago, Illinois, Stati Uniti (il 1961-12-04)
pianoforte :
Jack Wilson (jazz pianist) (il 1961-12-04)
tromba :
Joe Newman (US jazz trumpeter) (il 1961-12-04)
trombone :
Billy Byers (il 1961-12-04)
voce:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (il 1961-12-04)
arrangiatore:
Quincy Jones (il 1961-12-04)
registrazione cover di:
Mad About the Boy (nel 1961)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington52:49
2My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.93:38
3I’ve Got You Under My Skin
registrazione cover di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Louis Prima & Keely Smith2:36
4Love Is a Many Splendoured Thing
registrazione di:
Love Is a Many‐Splendored Thing
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) e WC Music Corp.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1955 winner)
Nat King Cole2:37
5Close to You
registrazione di:
Close to You
autore:
Al Hoffman, Carl Lampl e Jerry Livingston (songwriter)
editore:
Barton Music Corp., Casa David e Feadbach Music (il 1970-10-29)
Dinah Washington with Lionel Hampton4:44
6I’ve Grown Accustomed to Her Face
produttore:
Teddy Reig
batteria :
Sonny Payne (nel 1959-01)
chitarra :
Freddie Green (nel 1959-01)
contrabbasso :
Eddie Jones (US jazz double bassist) (nel 1959-01)
pianoforte :
Count Basie (pianist) (nel 1959-01) e Ralph Sharon (nel 1959-01)
sassofono baritono :
Charlie Fowlkes (baritone saxophonist) (nel 1959-01)
sassofono contralto :
Marshall Royal (nel 1959-01) e Frank Wess (nel 1959-01)
sassofono tenore :
Frank Foster (saxophonist) (nel 1959-01) e Billy Mitchell (US jazz saxophonist) (nel 1959-01)
tromba :
Wendell Culley (jazz trumpeter) (nel 1959-01), Thad Jones (American jazz trumpeter) (nel 1959-01), Joe Newman (US jazz trumpeter) (nel 1959-01) e Snooky Young (nel 1959-01)
trombone :
Henry Coker (jazz trombonist) (nel 1959-01), Al Grey (trombone) (nel 1959-01) e Benny Powell (jazz trombonist) (nel 1959-01)
voce:
Tony Bennett (US jazz/standards vocalist) (nel 1959-01)
arrangiatore:
Ralph Sharon
registrazione cover di:
I’ve Grown Accustomed to Her Face (My Fair Lady) (nel 1959-01)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe (nel 1956)
editore:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
My Fair Lady (full musical)
Count Basie and Tony Bennett43:03
7September in the Rain
registrazione cover di:
September in the Rain
paroliere:
Al Dubin (nel 1937)
compositore:
Harry Warren (US composer and lyricist) (nel 1937)
editore:
Henrees Music co. (nel 1937) e Peermusic (UK) Limited (nel 1937)
Peggy Lee2:23
8More Than You Know
registrazione cover di:
More Than You Know
paroliere:
Edward Eliscu e Billy Rose (lyricist and Broadway producer)
compositore:
Vincent Youmans
editore:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
parte di:
Great Day!
parte di:
Hit the Deck (1955 movie)
Lena Horne3:06
9Carelessly
ance :
Harry Carney (il 1937-03-31)
batteria :
Cozy Cole (il 1937-03-31)
chitarra :
Allan Reuss (il 1937-03-31)
contrabbasso :
John Kirby (jazz bass/trombone/tuba player) (il 1937-03-31)
pianoforte :
Teddy Wilson (il 1937-03-31)
sassofono contralto :
Johnny Hodges (il 1937-03-31)
tromba :
Cootie Williams (il 1937-03-31)
voce:
Billie Holiday (il 1937-03-31)
registrazione di:
Carelessly (il 1937-03-31)
autore:
Norman Ellis (songwriter), Charles Kenny (songwriter, violinist) e Nick Kenny
Billie Holiday3:09
10Willow Weep for Me
registrazione cover di:
Willow Weep for Me
paroliere e compositore:
Ann Ronell (nel 1932)
editore:
Ann Ronell Music e Bourne Co. (not for release label use, this is a music publisher)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
Dinah Washington with Lionel Hampton5:06
11Summertime
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:11
12I Loves You Porgy
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2005)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
I Loves You, Porgy (use this for non-operatic performances) (nel 1957-12)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America e Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone34:11
13Smoke Gets in Your Eyes
registrazione cover di:
Smoke Gets in Your Eyes
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
Dinah Washington3:26
14A Kiss to Build a Dream On
tromba e voce principale:
Louis Armstrong (il 1951-07-24)
orchestra:
Sy Oliver and His Orchestra (il 1951-07-24)
direttore d'orchestra:
Sy Oliver (il 1951-07-24)
arrangiatore:
Sy Oliver
registrazione di:
A Kiss to Build a Dream On (il 1951-07-24)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1935) e Bert Kalmar (nel 1935)
compositore:
Harry Ruby (nel 1935)
editore:
EMI Miller Catalog, Inc.
parte di:
The 24th Academy Award for Best Original Song (numero: 2)
parte di:
Fallout 2: A Post Nuclear Role Playing Game
parte di:
The Strip (1951 film)
Louis Armstrong3:01
15Stompin’ at the Savoy
registrazione di:
Stompin’ at the Savoy
paroliere:
Andy Razaf
compositore:
Benny Goodman (clarinetist and bandleader), Edgar Sampson e Chick Webb
editore:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Benny Goodman3:09