Une anthologie 1949/1955

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Yes Sir, That’s My Baby
bongos and congas:
Jack Costanzo (on 1949-03-29)
double bass:
Joe Comfort (on 1949-03-29)
guitar:
Irving Ashby (on 1949-03-29)
piano:
Nat King Cole (on 1949-03-29)
vocals:
Nat King Cole (on 1949-03-29)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-29)
recording of:
Yes Sir, That’s My Baby (on 1949-03-29)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Bourne Co. (not for release label use, this is a music publisher), Donaldson Publishing Co., EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem) and J. Albert & Son P/L
2:33
2Portrait of Jennie
recorded in:
New York, New York, United States (on 1949-01-14)
double bass:
Joe Comfort (on 1949-01-14)
guitar:
Irving Ashby (on 1949-01-14)
piano:
Nat King Cole (on 1949-01-14)
vocals:
Nat King Cole (on 1949-01-14)
conductor:
Carlyle Hall (on 1949-01-14)
strings arranger:
Carlyle Hall
cover recording of:
Portrait of Jennie (on 1949-01-14)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
3:09
3Exactly Like You
recorded in:
Los Angeles, California, United States (on 1949-07-26)
bongos and congas and membranophone:
Jack Costanzo (on 1949-07-26)
double bass:
Joe Comfort (on 1949-07-26)
guitar:
Irving Ashby (on 1949-07-26)
instruments:
The Nat King Cole Trio (in 1949)
piano:
Nat King Cole (on 1949-07-26)
vocals:
Nat King Cole (on 1949-07-26)
recording of:
Exactly Like You (on 1949-07-26)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
2:44
4For All We Know
double bass:
Joe Comfort (on 1949-03-22)
guitar:
Irving Ashby (on 1949-03-22)
piano:
Nat King Cole (on 1949-03-22)
vocals:
Nat King Cole (on 1949-03-22)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-22)
cover recording of:
For All We Know (1934 song) (on 1949-03-22)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
3:05
5I Used to Love You
bongos and congas:
Jack Costanzo (on 1949-03-29)
double bass:
Joe Comfort (on 1949-03-29)
guitar:
Irving Ashby (on 1949-03-29)
piano:
Nat King Cole (on 1949-03-29)
vocals:
Nat King Cole (on 1949-03-29)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-29)
cover recording of:
I Used to Love You but It’s All Over Now (on 1949-03-29)
lyricist:
Lew Brown
composer:
Albert Von Tilzer
publisher:
Broadway Music Corp.
3:02
6Lush Life
bongos and congas:
Jack Costanzo (on 1949-03-29)
double bass:
Joe Comfort (on 1949-03-29)
guitar:
Irving Ashby (on 1949-03-29)
piano:
Nat King Cole (on 1949-03-29)
vocals:
Nat King Cole (on 1949-03-29)
orchestra:
Pete Rugolo and His Orchestra (on 1949-03-29)
conductor:
Pete Rugolo (on 1949-03-29)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-29)
recording of:
Lush Life (on 1949-03-29)
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, volume I)
3:19
7Calypso Blues
bongos and congas and membranophone:
Jack Costanzo (on 1949-09-09)
piano:
Nat King Cole (on 1949-09-09)
vocals:
Nat King Cole (on 1949-09-09)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1949-09-09)
recording of:
Calypso Blues (on 1949-09-09)
lyricist:
Don George (US songwriter/composer, 1909–1987)
composer:
Nat King Cole
3:05
8’Tis Autumn
double bass:
Joe Comfort (on 1949-03-29)
guitar:
Irving Ashby (on 1949-03-29)
piano:
Nat King Cole (on 1949-03-29)
vocals:
Nat King Cole (on 1949-03-29)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-29)
cover recording of:
’Tis Autumn (on 1949-03-29)
lyricist and composer:
Henry Nemo
3:10
9My Baby Just Cares for Me
recorded in:
New York, New York, United States (on 1949-11-07)
bongos and congas and membranophone:
Jack Costanzo (on 1949-11-07)
double bass:
Joe Comfort (on 1949-11-07)
guitar:
Irving Ashby (on 1949-11-07)
piano:
Nat King Cole (on 1949-11-07)
vocals:
Nat King Cole (on 1949-11-07) and Woody Herman (on 1949-11-07)
performer:
The Nat King Cole Trio (on 1949-11-07)
cover recording of:
My Baby Just Cares for Me (on 1949-11-07)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
2:52
10Can I Come in for a Second
double bass:
Joe Comfort (on 1950-01-05)
drums (drum set):
Earl Hyde (drummer) (on 1950-01-05)
guitar:
Irving Ashby (on 1950-01-05)
piano:
Nat King Cole (on 1950-01-05)
tenor saxophone:
Charlie Barnet (saxophonist, bandleader) (on 1950-01-05)
trumpet:
Ernie Royal (on 1950-01-05)
vocals:
Nat King Cole (on 1950-01-05) and Nellie Lutcher (on 1950-01-05)
orchestra:
Nat King Cole Combo (on 1950-01-05)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1950-01-05)
recording of:
Can I Come In for a Second? (on 1950-01-05)
lyricist and composer:
Sammy Cahn
2:55
11Hey, Not Now (I’ll Tell You When)
recorded in:
New York, New York, United States (on 1950-05-11)
double bass:
Joe Comfort (on 1950-05-11)
guitar:
Irving Ashby (on 1950-05-11)
piano:
Nat King Cole (on 1950-05-11)
vocals:
Maria Cole (on 1950-05-11) and Nat King Cole (on 1950-05-11)
orchestra:
Pete Rugolo and His Orchestra (on 1950-05-11)
arranger:
Pete Rugolo
cover recording of:
Hey, Not Now! (I'll Tell You When) (on 1950-05-11)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer)
3:05
12Orange Colored Sky
bass and double bass:
Joe Comfort (on 1950-08-16)
bongos and congas:
Jack Costanzo (on 1950-08-16)
guitar:
Irving Ashby (on 1950-08-16)
piano:
Nat King Cole (on 1950-08-16)
vocals:
Nat King Cole (on 1950-08-16)
orchestra:
Stan Kenton and His Orchestra (on 1950-08-16)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1950-08-16)
recording of:
Orange Colored Sky (on 1950-08-16)
writer:
Milton DeLugg and William Stein
publisher:
Amy Dee Music Corp.
3.52:36
13Destination Moon
recorded in:
New York, New York, United States (on 1950-12-11)
bongos and congas:
Jack Costanzo (on 1950-12-11)
double bass:
Joe Comfort (on 1950-12-11)
guitar:
Irving Ashby (on 1950-12-11)
piano:
Nat King Cole (on 1950-12-11)
vocals:
Nat King Cole (on 1950-12-11)
conductor:
Neal Hefti (on 1950-12-11)
arranger:
Neal Hefti
recording of:
Destination Moon (on 1950-12-11)
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
composer:
Mark Fisher (early 20th century songwriter)
2:44
14That’s My Girl
double bass:
Joe Comfort (on 1951-02-01)
guitar:
Irving Ashby (on 1951-02-01)
piano:
Nat King Cole (on 1951-02-01)
vocals:
Nat King Cole (on 1951-02-01)
conductor:
Pete Rugolo (on 1951-02-01)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-02-01)
cover recording of:
That's My Girl (on 1951-02-01)
writer:
Ray Ellington and Barbara Tobias
2:23
15Unforgettable
celesta and piano:
Buddy Cole (on 1951-08-17)
cello:
Cy Bernard (on 1951-08-17) and Eleanor Slatkin (US cellist, b. Aller) (on 1951-08-17)
congas:
Joe Costanzo (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
drums (drum set):
Nick Fatool (on 1951-08-17)
guitar:
Bob Bain (guitarist) (on 1951-08-17)
harp:
Ann Mason Stockton (American harpist) (on 1951-08-17)
viola:
Paul Robyn (on 1951-08-17) and Dave Sterkin (on 1951-08-17)
violin:
Alex Beller (on 1951-08-17), Harry Bluestone (on 1951-08-17), Walter Edelstein (on 1951-08-17), Henry Hill (Violin player) (on 1951-08-17), Dan Lube (on 1951-08-17), Erno Neufeld (on 1951-08-17), Mischa Russell (violinist) (on 1951-08-17) and Marshall Sosson (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra:
Nelson Riddle and His Orchestra (on 1951-08-17)
conductor:
Nelson Riddle (on 1951-08-17)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
43:14
16Walkin’ My Baby Back Home
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (bass and tuba player) (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (jazz trumpeter) (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-09-04)
cover recording of:
Walkin’ My Baby Back Home (on 1951-09-04)
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:43
17What Does It Take
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (bass and tuba player) (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (jazz trumpeter) (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
orchestra:
Billy May & His Orchestra (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-09-04)
recording of:
What Does It Take (on 1951-09-04)
lyricist:
Jimmy Van Heusen
writer:
Johnny Burke (American lyricist, 1908–1964)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
2:50
18Walkin’
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (bass and tuba player) (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (jazz trumpeter) (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-09-04)
recording of:
Walkin'
lyricist and composer:
Mary Lou Williams (American jazz pianist and composer) (in 1951)
2:52
19I’m Hurtin’
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (bass and tuba player) (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (jazz trumpeter) (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-09-04)
recording of:
I’m Hurtin’
writer:
Skeets McDonald
2:52
20Penthouse Serenade
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Penthouse Serenade (on 1952-07-18)
writer:
Val Burton (Isadore Harry Burns) and Will Jason
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Jerry Leiber Music, Range Road Music Inc. and Silver Seahorse Music LLC
3:09
21Rose Room
bongos:
Jack Costanzo (on 1952-07-18)
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Rose Room (on 1952-07-18)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
2:48
22Laura
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set) and membranophone:
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Laura (1945 song) (on 1952-07-18)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
2:46
23Somebody Loves Me
bongos:
Jack Costanzo (on 1952-07-18)
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Somebody Loves Me (on 1952-07-18)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
3:04
2▶CD