NOW 100 Hits: Movies

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Digisleeve packaging

Annotazione modificata l'ultima volta il 2019-09-30 19:26 UTC.

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1This Is Me (The Greatest Showman)
tecnico:
Derik Lee (engineer)
produttore:
Adam Gubman (US songwriter, arranger & composer) e Greg Wells
voce:
Keala Settle
arrangiatore:
Rob Mathes
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2017) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2017)
registrazione di:
This Is Me
autore:
Benj Pasek e Justin Paul
parte di:
The 90th Academy Award for Best Original Song (numero: 2)
parte di:
The Greatest Showman (2017 musical film)
Keala Settle & The Greatest Showman Ensemble2.53:55
2Rocket Man (Rocketman)
diritti fonografici (℗) detenuti da:
Paramount Pictures (nel 2019)
registrazione cover di:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal–Songs of PolyGram International, Inc.
Taron Egerton34:30
3Take My Breath Away (love theme from Top Gun)
tecnico:
Dave Concors, Michael Rosen (US metal producer/engineer) e Tom Whitlock
produttore:
Jerry Bruckheimer, Giorgio Moroder e Don Simpson (American film producer, screenwriter, and actor)
tecnico di missaggio:
Giorgio Moroder e Brian Reeves
batteria :
Rob Brill
chitarra elettrica :
Ric Olsen
sintetizzatore :
Arthur Barrow e John Crawford (Berlin bassist)
voce principale:
Terri Nunn (Berlin singer)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Take My Breath Away di Berlin (US new wave/synthpop)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 62) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 490)
registrazione di:
Take My Breath Away (song from the 1986 film Top Gun)
paroliere:
Tom Whitlock
compositore:
Giorgio Moroder
editore:
Famous Music Publishing Germany GmbH & Co. KG (conclusa), Jastian Music Inc. (conclusa), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986), GMPC (nel 1986) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (conclusa), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 59th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1986 winner)
Berlin3.654:09
4Don’t You (Forget About Me) (The Breakfast Club)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
5Ghostbusters (from “Ghostbusters” soundtrack)
produttore:
Ray Parker Jr.
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2016 a oggi)
parte di:
Billboard Hot 100: 2025-11-15 (numero: 22)
registrazione di:
Ghostbusters
paroliere e compositore:
Ray Parker Jr.
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (nel 1984) e Raydiola Music (nel 1984)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
si basa su:
I Want a New Drug
Ray Parker Jr.3.93:59
6The Power of Love (Back to the Future)
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Huey Lewis and the News43:54
7Happy (Despicable Me 2)
assistente tecnico di registrazione:
Matthew Desrameaux
tecnico di registrazione:
Mike Larson (recording engineer)
produttore:
Pharrell Williams
tecnico di missaggio:
Leslie Brathwaite
editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated) e Mike Larson (recording engineer)
voce di accompagnamento:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray e Terrence Rolle
arrangiatore:
Andrew Coleman (recording/mix engineer, Neptunes-associated) e Mike Larson (recording engineer)
registrata presso:
Circle House Studios in North Miami, Florida, Stati Uniti
mixata presso:
Music Box Studios (Atlanta) in Atlanta, Georgia, Stati Uniti
video musicali:
Happy di Pharrell Williams e Happy (from Despicable Me 2) (ballroom version) di Pharrell Williams
parte di:
Billboard Year-End Hot 100 singles of 2014 (numero: 1), Billboard Decade End Chart: Streaming Songs (2010s) (numero: 20) e Billboard: Greatest of All Time Hot 100 Songs (numero: 88)
registrazione di:
Happy
paroliere e compositore:
Pharrell Williams
editore:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. e Universal Pictures Music
parte di:
The 86th Academy Award for Best Original Song (numero: 2)
Pharrell Williams4.23:53
8CAN’T STOP THE FEELING! (original song from Dreamworks Animation’s “TROLLS”)
tecnico di registrazione e editor:
Mattias Bylund (corno)
programmazione:
Max Martin (Swedish record producer) e Shellback
tecnico:
John Hanes (audio engineer, mixer) e Noah "Mailbox" Passovoy
produttore:
Max Martin (Swedish record producer), Shellback e Justin Timberlake
tecnico di missaggio:
Serban Ghenea
basso e batteria :
Shellback
chitarra :
Elliott Ives (songwriter/guitarist)
corno :
Mattias Bylund
percussione :
Shellback e Justin Timberlake
sassofono :
Wojtek Goral
tastiera e voce di accompagnamento:
Max Martin (Swedish record producer) e Shellback
tromba :
Janne Bierger
trombone :
Peter "Noos" Johansson
arrangiatore corno :
Mattias Bylund e Wojtek Goral
diritti fonografici (℗) detenuti da:
DreamWorks Animation LLC (nel 2016) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2016)
è stato produttore per:
MXM Productions
registrata presso e editing effettuato presso:
Studio Willow-Valley in Gothenburg, Västra Götaland (Västra Götaland county), Svezia (corno)
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
lavorazione tecnica effettuata presso:
Conway Studios in Hollywood, Los Angeles, California, Stati Uniti, MXM Studios in Stockholm, Stockholms län (Stockholm county), Svezia e MXM Studios in Los Angeles, California, Stati Uniti
parte di:
iHeartRadio Music Awards: Song of the Year nominees (numero: 2017 winner), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 7), Billboard Year-End Hot 100 singles of 2016 (numero: 9) e Billboard Year-End Hot 100 singles of 2017 (numero: 49)
registrazione di:
Can’t Stop the Feeling!
autore:
Max Martin (Swedish record producer), Shellback e Justin Timberlake
editore:
Tennman Tunes
parte di:
Prix de l’œuvre internationale de l’année (numero: 2017) e The 89th Academy Award for Best Original Song (numero: 2)
Justin Timberlake3.83:57
9Axel F (Beverly Hills Cop)
produttore:
Harold Faltermeyer
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) e Geffen Records (nel 1984)
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 70)
registrazione di:
Axel F (Beverly Hills Cop)
compositore:
Harold Faltermeyer
Harold Faltermeyer4.153:02
10You Sexy Thing (The Full Monty)
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:01
11The Pink Panther Theme (from the Mirisch‐G & E Production the Pink Panther)
tecnico di registrazione:
Jim Malloy
produttore:
Joe Reisman
sassofono tenore :
Plas Johnson (il 1963-09-16)
orchestra:
The Henry Mancini Orchestra (il 1963-09-16)
direttore d'orchestra:
Henry Mancini (US composer, conductor & arranger) (il 1963-09-16)
arrangiatore:
Henry Mancini (US composer, conductor & arranger)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (il 1963-09-16)
registrazione di:
The Pink Panther Theme (il 1963-09-16)
orchestratore e compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
EMI United Partnership Ltd., Northridge Music, Inc. e 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
Classic 100: Piano (2025) (numero: 61)
Henry Mancini & His Orchestra4.12:38
12Goldfinger (Goldfinger)
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:50
13My Heart Will Go On (love theme from Titanic)
tecnico di registrazione:
Humberto Gatica e David Gleeson
supporto a vario titolo:
Emilie Charlap (incarico: orchestratra contractor) e Dan Shea (incarico: sound design)
programmazione:
Dan Shea
programmazione degli strumenti:
Walter Afanasieff
programmazione degli strumenti aggiuntiva:
Dan Shea
assistente tecnico:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer e Greg Thompson (engineer, mixer)
tecnico:
Humberto Gatica (voce principale) e Dan Shea
co-produttore:
James Horner (American score composer)
produttore:
Walter Afanasieff
tecnico di missaggio:
Humberto Gatica
chitarra :
Dann Huff
organo Hammond [Hammond B-3 organ] , sintetizzatore basso [synth bass] e tastiera :
Walter Afanasieff
tastiera aggiunto:
Dan Shea
tin whistle [pennywhistle/whistles] :
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
violino folk [Irish fiddle] :
Paul Peabody (violinist)
voce di accompagnamento:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens e Jeanie Tracy
direttore d'orchestra:
William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
Walter Afanasieff
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e Wallyworld in San Rafael, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicali:
My Heart Will Go On (love theme from Titanic) di Céline Dion
versioni a cappella:
The music from that movie about the boat di David Thorne (designer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 279)
registrazione di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
Céline Dion4.354:40
14I Will Always Love You (The Bodyguard)
tecnico:
David Reitzas, Bill Schnee e Peter Yianilos
produttore:
David Foster (Canadian music producer, arranger and composer)
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive) e Whitney Houston
tecnico di missaggio:
David Reitzas
direzione creativa:
Rickey Minor (bass player, music director, composer, music producer)
sassofono solista :
Kirk Whalum
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore voci:
Whitney Houston
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
mixata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 60), New York Post: 100 Greatest Covers (2007) (numero: 59), Billboard: Greatest of All Time Hot 100 Songs (numero: 60) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 94)
registrazione cover di:
I Will Always Love You
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. e Velvet Apple Music
Whitney Houston4.54:24
15Up Where We Belong (An Officer and a Gentleman)
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.553:53
16Show Me Heaven (Days of Thunder)
diritti fonografici (℗) detenuti da:
MCA (1967–2003; name as in imprint during 1972–1990) (nel 1990) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1990)
registrazione di:
Show Me Heaven
autore:
Eric Rackin (Production music composer), Maria McKee e Jay Rifkin
editore:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:53
17Love Is All Around (Four Weddings and a Funeral)
co-produttore:
Graeme Duffin
direttore d'orchestra:
Fiachra Trench
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1994) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1994)
video musicali:
Love Is All Around di Wet Wet Wet
registrazione cover di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:59
18Love Me Like You Do (Fifty Shades of Grey)
registrazione di:
Love Me Like You Do
autore:
Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami e Tove Lo
editore:
BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB e Wolf Cousins
Ellie Goulding43:59
19Now We Are Free (Gladiator soundtrack)
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 2000), Dreamworks Productions LLC (nel 2000) e Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Now We Are Free (Gladiator)
paroliere:
Lisa Gerrard
compositore:
Klaus Badelt (German score composer), Lisa Gerrard e Hans Zimmer (German score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs e Universal‐MCA Music Publishing (US)
parte di:
Gladiator
medley che comprende una registrazione cover di:
Now We Are Free (Gladiator)
paroliere:
Niloofar Rafiei
si basa su:
Now We Are Free (Gladiator)
medley di:
Now We Are Free (Gladiator)
The Lyndhurst Orchestra54:16
20Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
orchestra:
The City of Prague Philharmonic Orchestra
direttore d'orchestra:
Nic Raine
arrangiatore:
Adam Saunders (production music)
registrazione cover di:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
compositore:
John Williams (American score composer and conductor)
editore:
Warner–Barham Music LLC
parte di:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
The City of Prague Philharmonic Orchestra conducted by Nic Raine4:50
2▶CD
3▶CD
4▶CD
5▶CD

Accreditamenti

Gruppo di pubblicazioni

parte di:Now 100 Hits ("Now That's What I Call Music!" series spin-off, UK) (ordine: 7)