Country & Western

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Taking Off
Milton Brown2:46
2Bye and Bye
autoharp:
Sara Carter (of the Carter Family) (am 1935-05-06)
Gitarre:
Mother Maybelle Carter (am 1935-05-06)
vocals:
A.P. Carter (am 1935-05-06), Mother Maybelle Carter (am 1935-05-06) und Sara Carter (of the Carter Family) (am 1935-05-06)
aufgenommen bei:
American Record Corporation Studios in New York, New York, Vereinigte Staaten (am 1935-05-06)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 15)
recording of:
Can the Circle Be Unbroken (By and By) (am 1935-05-06)
publisher:
Charles M. Alexander, Chicago, Illinois (gospel) (am 1907-04-30)
Texter:
Ada Ruth Habershon (in 1907)
zusätzlicher Texter und zusätzliche(r) Komponist(in):
A.P. Carter
Komponist(in):
Charles Hutchinson Gabriel (in 1907)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (am 1935-06-22)
Version von:
Will the Circle Be Unbroken?
The Carter Family3:07
3Tumbling Tumbleweeds
recording of:
Tumbling Tumbleweeds
publisher:
Music of the West
Texter und Komponist(in):
Bob Nolan (Western songwriter)
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (am 1934-07-12)
Gene Autry1:06
4Don't Grieve After Me
recorded in:
Bristol, Tennessee, Vereinigte Staaten (am 1927-07-26)
Produzent(in):
Ralph Peer (am 1927-07-26)
Geige / Violine:
Ernest Phipps (am 1927-07-26)
recording of:
Don't Grieve After Me (am 1927-07-26)
Verfasser(in):
Ernest Phipps
Ernest Phipps53:07
5Mama Don't Allow It
Milton Brown2:47
6I'll Go Ridin' Down
Gene Autry2:58
7What's the Matter With the Mill
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1936-09-29)
Banjo:
Johnnie Lee Wills (am 1936-09-29)
Fiddle:
Jesse Ashlock (American violin player and songwriter) (am 1936-09-29) und Bob Wills (Texan Western swing musician, songwriter, and bandleader) (am 1936-09-29)
Gitarre:
Herman Arnspiger (am 1936-09-29) und Sleepy Johnson (am 1936-09-29)
Klavier:
Al Stricklin (am 1936-09-29)
Kontrabass:
Joe Ferguson (US bassist) (am 1936-09-29)
Rohrblattinstrumente:
Ray DeGeer (am 1936-09-29)
Saxophon:
Zeb McNally (am 1936-09-29)
Schlagzeug:
Smokey Dacus (am 1936-09-29)
Steel-Gitarre:
Leon McAuliffe (am 1936-09-29)
Trompete:
Everett Stover (played trumpet for Bob Wills & His Texas Playboys) (am 1936-09-29)
vocals:
Tommy Duncan (Western swing vocalist, songwriter and pianist) (am 1936-09-29) und Bob Wills (Texan Western swing musician, songwriter, and bandleader) (am 1936-09-29)
recording of:
What's the Matter With the Mill (Bob Wills & Tommy Duncan version) (am 1936-09-29)
Texter und Komponist(in):
Tommy Duncan (Western swing vocalist, songwriter and pianist), Minnie McCoy und Bob Wills (Texan Western swing musician, songwriter, and bandleader)
Version von:
What's the Matter With the Mill
Bob Wills2:52
8Great Speckled Bird
recording of:
The Great Speckled Bird (am 1936-10-20)
Texter:
Guy Smith (Reverend)
Komponist(in):
Roy Carter (country songwriter)
publisher:
Duchess Music Corporation (BMI-affiliated)
Roy Acuff2:53
9Guns and Guitars
recording of:
Guns and Guitars
Texter und Komponist(in):
Gene Autry (“The Singing Cowboy”) und Oliver Drake
Gene Autry1:50
10All the Good Times
The Monroe Brothers2:41
11Dissatisfied
Riverside Ramblers2:31
12Cowboy Night Herd Song
Roy Rogers2:58
13I Want to Be a Cowboy's Sweetheart
recorded in:
New York, New York, Vereinigte Staaten (am 1935-08-16)
Bass:
Jack Taylor (bassist) (am 1935-08-16)
Geige / Violine:
Shelby David "Tex" Atchison (am 1935-08-16)
Gitarre:
Salty Holmes (am 1935-08-16)
Mandola:
Chick Hurt (am 1935-08-16)
vocals:
Rubye Blevins (am 1935-08-16)
Orchester:
The Prairie Ramblers (am 1935-08-16)
recording of:
I Want to Be a Cowboy’s Sweetheart (am 1935-08-16)
Texter und Komponist(in):
Patsy Montana
Patsy Montana43:06
14Honky Tonk Blues
recording of:
Honky Tonk Blues (am 1936-11-28)
publisher:
James B. Paris und Albert Poindexter (am 1937-02-26)
Texter und Komponist(in):
Albert Poindexter und James B. Paris
Al Dexter2:35
15Everybody's Rockin'
The Modern Mountaineers2:28
16Take Me Back
Gene Autry1:50
17Shine on Me
recorded in:
Bristol, Tennessee, Vereinigte Staaten (am 1928-11-29)
Banjo:
Eula Johnson (am 1928-10-29)
Banjo, Fiddle, Gitarre und Klavier:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1928-11-29)
Geige / Violine:
Roland Johnson (1920s country violin player) (am 1928-10-29) und Ernest Phipps (am 1928-10-29)
Gitarre:
Shirley Jones (active 1928) (am 1928-10-29)
Klavier:
Ethel Baker (am 1928-10-29)
Mandoline:
Ancil McVay (1920s country mandolin player) (am 1928-10-29)
vocals:
A. G. Baker (am 1928-10-29), Nora Byrley (am 1928-10-29), Alfred G. Karnes (am 1928-10-29), Minnie Phipps (am 1928-10-29), [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1928-11-29) und Ernest Phipps (am 1928-11-29)
chorus master:
Ernest Phipps (am 1928-10-29)
recording of:
Shine on Me (am 1928-10-29)
Komponist(in):
Ernest Phipps
Ernest Phipps53:03
18Liza Pull Down the Shades
recording of:
Liza Pull Down the Shades (am 1938-11-29)
Texter und Komponist(in):
Bob Wills (Texan Western swing musician, songwriter, and bandleader)
Bob Wills42:16
19It Makes No Difference Now
Fiddle:
Cliff Bruner
Klavier:
Moon Mullican
vocals:
Dickie McBride
aufgenommen bei:
Gunter Hotel in San Antonio, Texas, Vereinigte Staaten
recording of:
It Makes No Difference Now (am 1938-09-13)
publisher:
Floyd Tillman (am 1938-05-25)
Texter und Komponist(in):
Jimmie Davis (American politician, singer and songwriter) und Floyd Tillman
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (am 1939-01-02)
Cliff Bruner2:46
20Running Around
Joe Werner2:56
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Veröffentlichung

ASIN:DE: B000AAP7G2 [Info]