Sixties Top 100

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
3CD
4CD
Nr.TitelKünstlerBewertungLänge
1The House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.154:30
2With a Little Help From My Friends
Produzent(in):
Denny Cordell
Mix:
Tony Visconti
Bassgitarre:
Chris Stainton (keyboard player, session musician and songwriter)
Gitarre:
Jimmy Page
Orgel:
Tommy Eyre
Schlagzeug:
Barrie James Wilson
Hintergrundgesang:
Madeline Bell, Rosetta Hightower und Sunny Weetman
phonographisches Urheberrecht (℗) von:
Straight Ahead Productions Ltd. (in 1968)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 86)
cover recording of:
With a Little Help From My Friends
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP) (vom 1967 bis heute)
Joe Cocker3.85:03
3(Sittin' on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:42
4Hole in My Shoe
recording of:
Hole in My Shoe
Verfasser(in):
Dave Mason (co‐founder of Traffic)
Traffic2:53
5I'm a Man
recording of:
I’m a Man
Verfasser(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc) und Steve Winwood
Komponist(in):
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Spencer Davis Group2:52
6In the Year 2525
Produzent(in):
Zager & Evans
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
Texter und Komponist(in):
Rick Evans (US singer, songwriter and guitarist)
publisher:
ATV Music, Chelsea Music Publishing, Zelad Music und Zerlad Music Enterprises Ltd.
Zager & Evans43:18
7Why
recording of:
Why?
Texter und Komponist(in):
Arnold Mühren
The Cats3:55
8No Milk Today
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1966) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
No Milk Today (in 1966-10)
Texter und Komponist(in):
Graham Gouldman
publisher:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hournew Music Ltd.
Herman’s Hermits4.652:55
9The Pied Piper
recording of:
The Pied Piper
Verfasser(in):
Steve Duboff und Artie Kornfeld
Crispian St. Peters42:34
10Bend It
recording of:
Bend It (in 1966)
Texter:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Komponist(in):
Alan Blaikley
Dave Dee, Dozy, Beaky, Mick & Tich32:33
11Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas3.552:40
12Atlantis
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968-11)
Bass:
Bobby Ray (60s/70s US folk artist/bassist) (in 1968-11)
E-Gitarre:
Ricki (in 1968-11)
Keyboard:
Gabriel Mekler (in 1968-11)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (in 1968-11)
Hintergrundgesang:
Donovan's fans ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-11)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968-11)
arranger:
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1968)
aufgenommen bei:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1968-11)
recording of:
Atlantis (Donovan song) (in 1968-11)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag (Peermusic Musikverlag GesmbH), peermusic (“Peermusic—the global independent”) und Peer Southern Music (publisher, affiliated to BMI in the US) (in 1968)
Donovan3.755:06
13Crimson and Clover
recording of:
Crimson and Clover
Verfasser(in):
Tommy James (American musician, singer, songwriter and record producer) und Pete Lucia Jr.
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) und Big Seven Music Corp. (in 1987)
Tommy James & the Shondells3:21
14Only One Woman
recording of:
Only One Woman
Texter und Komponist(in):
Barry Gibb, Maurice Gibb und Robin Gibb
The Marbles2:42
15Thanks
J. Vincent Edwards3:04
16With a Girl Like You
recording of:
With a Girl Like You
Verfasser(in):
Reg Presley
The Troggs4.42:07
17Games People Play
vocals:
Joe South (in 1968)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Games People Play (in 1968)
Texter und Komponist(in):
Joe South
publisher:
Bike Music
sub-publisher:
Sweden Music (publisher, founded in 1960) (in 1988)
Joe South33:30
18You Keep Me Hangin' On
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Sologesang:
Diana Ross (von 1966-06-30 bis 1966-08-01)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1966-06-30 bis 1966-08-01)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 234) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 340)
recording of:
You Keep Me Hangin’ On (von 1966-06-30 bis 1966-08-01)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Supremes52:42
19Callow La Vita
recording of:
Callow la vita
Texter und Komponist(in):
Raymond Froggatt
Übersetzer:
Tineke de Nooij
übersetzte Version von:
Que Callow la Vita (Red Balloon)
Raymond Froggatt2:37
20I Can Hear the Grass Grow
recording of:
I Can Hear the Grass Grow
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Onward Music Ltd.
The Move2:59
21A World Without Love
recording of:
A World Without Love
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!) und Northern Songs Ltd.
Peter & Gordon32:41
22Here It Comes Again
recording of:
Here It Comes Again
Verfasser(in):
Barry Mason (English songwriter) und Les Reed
The Fortunes23:04
23Baby Won't You Leave Me Alone
recording of:
Leave Me Alone
Verfasser(in):
Raymond Cowie und Thomas Mensforth
The Web2:32
24From the Underworld
Interpret(in):
Peter Frampton
recording of:
From the Underworld
Texter und Komponist(in):
Alan Blaikley
The Herd43:17
25Black Is Black
recording of:
Black Is Black (in 1966)
Verfasser(in):
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) und Steve Wadey (UK songwriter, co-wrote “Black is Black”)
publisher:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:56

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2006)
Discogs:https://www.discogs.com/release/919764 [Info]