Don Giovanni

~ Veröffentlichung von Mozart; Ghiaurov, Watson, Ludwig, Freni, Berry, Gedda, Crass, Montarsolo, New Philharmonia Orchestra and Chorus, Klemperer (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

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1Don Giovanni: Atto I. "Masetto, senti un po'!"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:24
2Don Giovanni: Atto I. "Batti, batti, o bei Masetto" … "Guarda un po'"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Soprangesang [Zerlina]:
Mirella Freni (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) und Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:44
3Don Giovanni: Atto I. "Presto, presto, pria ch'ei venga"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:07
4Don Giovanni: Atto I. "Tra quest'arbori celata"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:41
5Don Giovanni: Atto I. "Bisogna aver coraggio"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:32
6Don Giovanni: Atto I. "Protegga il giusto cielo"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:20
7Don Giovanni: Atto I. "Riposate, vezzose ragazze"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:25
8Don Giovanni: Atto I. "Venite pur avanti"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:47
9Don Giovanni: Atto I. "Ecco il birbo"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto I. “Ecco il birbo che t'ha offesa!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:37
10Don Giovanni: Atto I. "Trema, trema, o scellerato!"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto I. “Trema, trema, o scellerato!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:26
11Don Giovanni: Atto II. "Eh va, buffone"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
teilweise recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:14
12Don Giovanni: Atto II. "Leporello!" … "Signore"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:53
13Don Giovanni: Atto II. "Ah taci, ingiusto core!"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:24
14Don Giovanni: Atto II. "Amico, che ti par"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:57
15Don Giovanni: Atto II. "Deh vieni alla finestra" … "V'e gente alla finestra"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Bass-Gesang [Don Giovanni]:
Nicolaï Ghiaurov (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) und Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:15
16Don Giovanni: Atto II. "Meta di voi qua vadano"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:21
17Don Giovanni: Atto II. "Zitto, lascia ch'io senta!"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:03
18Don Giovanni: Atto II. "Vedrai, carino"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Soprangesang [Zerlina]:
Mirella Freni (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) und Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:46
19Don Giovanni: Atto II. "Di molte faci il lume" … "Sola, sola in buio loco"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:35
20Don Giovanni: Atto II. "Mille torbidi pensieri"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
teilweise recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:43
21Don Giovanni: Atto II. "Dunque quello sei tu" … "Ah, pietà" … "Ferma, perfido"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:17
22Don Giovanni: Atto II. "Il mio tesoro intanto"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Chorgesang:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:05
23Don Giovanni: Atto II. "In quali eccessi" … "Mi tradì, quell'alma ingrata"
Baritongesang:
Walter Berry (bass‐baritone)
Bass-Gesang:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) und Paolo Montarsolo (operatic bass)
Mezzosoprangesang:
Christa Ludwig (mezzo-soprano)
Soprangesang:
Mirella Freni (soprano) und Claire Watson (soprano)
Tenor-Gesang:
Nicolai Gedda (tenor)
Orchester:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-06-15 bis 1966-07-04)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
Teil von:
Don Giovanni: Recitative and Aria, K. 540c
teilweise recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
Teil von:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart6:06
3▶CD