The 50 Greatest Tracks

~ Release by Plácido Domingo (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Rigoletto: "La donna è mobile"
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:52
2Il barbiere di Siviglia: "Largo al factotum"
tenor vocals:
Plácido Domingo (tenor) (in 1992-02)
tenor vocals [Figaro]:
Plácido Domingo (tenor) (in 1992)
orchestra:
Chamber Orchestra of Europe (in 1992, in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992, in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1992)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:52
3Tosca: "Recondita armonia"
tenor vocals:
Plácido Domingo (tenor) (in 1990-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1990-05)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:01
4La traviata: "Un dì felice, eterea"
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:14
5Martha: "Ach, so fromm"
tenor vocals:
Plácido Domingo (tenor) (in 1981-05)
orchestra:
Los Angeles Philharmonic Orchestra (in 1981-05)
conductor:
Carlo Maria Giulini (conductor) (in 1981-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (in 1981-05)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel) (in 1981-05)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
partial recording of:
Martha
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1847-11-25)
Friedrich von Flotow3:07
6Lohengrin: "In fernem Land, unnahbar euren Schritten"
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
executive producer:
Christopher Raeburn (producer)
producer:
Michael Haas (classical music producer)
bass vocals [Heinrich der Vogler, deutscher König]:
Hans Sotin (operatic bass) (from 1985-11 until 1986-06)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1985-11 until 1986-06)
soprano vocals [Elsa von Brabant]:
Jessye Norman (soprano) (from 1985-11 until 1986-06)
tenor vocals [Lohengrin]:
Plácido Domingo (tenor) (from 1985-11 until 1986-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1985-11 until 1986-06)
conductor:
Sir Georg Solti (conductor) (from 1985-11 until 1986-06)
chorus master:
Walter Hagen-Groll (chorus master) (from 1985-11 until 1986-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1985-11 until 1986-06)
partial recording of:
Lohengrin, WWV 75: Akt III, Scene III. “Heil, König Heinrich!” (from 1985-11 until 1986-06)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner6:34
7Werther: "Toute mom âme est là! Pourquoi me réveiller ô souffle du pritemps?"
tenor vocals:
Plácido Domingo (tenor) (in 1979-02)
orchestra:
Kölner Rundfunk-Sinfonie-Orchester (in 1979-02)
conductor:
Riccardo Chailly (conductor) (in 1979-02)
recorded at:
Forumhalle Leverkusen (Leverkusen) in Leverkusen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1979-02)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (in 1979-02)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet2:42
8Les Contes d'Hoffmann: "Il était une fois à la cour d'Eisenach"
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
James Mallinson (producer)
choir vocals:
Chœur de Radio France (in 1986-06)
tenor vocals:
Plácido Domingo (tenor) (in 1986-06) and Robin Leggate (operatic tenor) (in 1986-06)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1986-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-06)
chorus master:
Jacques Jouineau (chorus master) (in 1986-06)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Studio 104, Radio France in Paris, Île-de-France, France (in 1986-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Chanson « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël) (Va pour Kleinzach: La Chanson de Kleinzach) (in 1986-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach5:04
9Rigoletto: "Questa o quella"
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (in 1979-09) and Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:57
10Pagliacci: "Vesti la giubba"
tenor vocals [Canio]:
Plácido Domingo (tenor) (in 1982)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982)
conductor:
Georges Prêtre (French conductor) (in 1982)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1982)
partial recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (in 1982)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:47
11Otello: "Esultate!"
choir vocals:
Maîtrise des Hauts-de-Seine (aka Chœur d’enfants officiel de l’Opéra national de Paris since 1995) (in 1993-05) and Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994) (in 1993-05)
tenor vocals [Otello]:
Plácido Domingo (tenor) (in 1993-05)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1993-05)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1993-05)
recorded at:
Opéra Bastille: Salle Gounod in Paris, Île-de-France, France (in 1993-05)
recording of:
Otello: Atto I, scena 1. “Esultate!” (Otello, Ciprioti) (in 1993-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:18
12L'Africaine: "Pays merveilleux ... Ô paradis"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (in 1980-11)
recording of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis" (in 1980-11)
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
part of:
L’Africaine : Acte IV
Giacomo Meyerbeer3:39
13Carmen: "La fleur que tu m'avais jetée"
mezzo-soprano vocals [Carmen]:
Tatiana Troyanos (mezzo-soprano) (from 1975-07 until 1975-12)
tenor vocals [Don José]:
Plácido Domingo (tenor) (from 1975-07 until 1975-12)
vocals:
The John Alldis Choir (from 1975-07 until 1975-12), Plácido Domingo (tenor) (from 1975-07 until 1975-12) and Tatiana Troyanos (mezzo-soprano) (from 1975-07 until 1975-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1975-07 until 1975-12)
conductor:
Sir Georg Solti (conductor) (from 1975-07 until 1975-12)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07 until 1975-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1975-07 until 1975-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1975-07 until 1975-12)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:59
14El gato montés: "Senó, q'e no me farte er való"
tenor vocals:
Plácido Domingo (tenor) (in 1991-12)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1991-12)
conductor:
Miguel Roa (conductor) (in 1991-12)
recorded at:
Teatro Bulevar in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain (in 1991-12)
partial recording of:
El gato montés (in 1991-12)
composer and librettist:
Manuel Penella Moreno (the son, prominent zarzuela and opera composer)
Manuel Penella Moreno1:28
15Die Meistersinger: "Am stillen Herd"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1976-04) and Roland Hermann (baritone) (in 1976-04)
bass vocals:
Gerd Feldhoff (operatic baritone) (in 1976-04)
tenor vocals:
Roberto Bañuelas (operatic baritone) (in 1976-04), Plácido Domingo (tenor) (in 1976-04) and Peter Maus (German operatic tenor) (in 1976-04)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1976-04)
conductor:
Eugen Jochum (conductor) (in 1976-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1976-04)
partial recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt I, Scene III. "Seid meiner Treue wohl versehen" (in 1976-04)
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt I
Richard Wagner2:12
16Die Meistersinger: "Morgenlich leuchtend"
bass vocals:
Gerd Feldhoff (operatic baritone) (in 1976-04) and Peter Lagger (operatic bass singer) (in 1976-04)
tenor vocals:
Roberto Bañuelas (operatic baritone) (in 1976-04), Plácido Domingo (tenor) (in 1976-04) and Peter Maus (German operatic tenor) (in 1976-04)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1976-04)
conductor:
Eugen Jochum (conductor) (in 1976-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1976-04)
recording of:
Excerpt from Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Morgenlich leuchtend" (Preislied) (in 1976-04)
composer:
Richard Wagner (composer)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"
Richard Wagner4:16
17Edgar: "Orgia, chimera dall'occhio vitreo"
tenor vocals:
Plácido Domingo (tenor) (in 2005-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 2005-06)
conductor:
Alberto Veronesi (in 2005-06)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto II. “Orgia chimera dall’occhio vitreo” (Edgar) (in 2005-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto II
Giacomo Puccini3:14
18Manon Lescaut: "Donna non vidi mai"
tenor vocals:
Plácido Domingo (tenor) (in 1984-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1984-01)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:20
19Samson et Dalila: "Arrêtez, ô mes frères!"
choir vocals:
Chœur de l'Orchestre de Paris (in 1978-07)
tenor vocals:
Plácido Domingo (tenor) (in 1978-07)
orchestra:
Orchestre de Paris (in 1978-07)
conductor:
Daniel Barenboim (pianist and conductor) (in 1978-07)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1978-07)
recording of:
Samson et Dalila : Acte I, scène 1. « Arrêtez, ô mes frères » (Samson, les Hébreux) (in 1978-07)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns6:20
20Les Contes d'Hoffman: "Ils se sont éloignés enfin!"
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
soprano vocals:
Joan Sutherland (soprano) (in 1972-06)
tenor vocals:
Plácido Domingo (tenor) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte II. No 9 Récit et romance « Ils se sont éloignés enfin » (Hoffmann, Olympia) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:43
21Il trovatore: "Di quella pira"
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1984-01)
tenor vocals:
Plácido Domingo (tenor) (in 1984-01)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984-01)
conductor:
Carlo Maria Giulini (conductor) (in 1984-01)
recorded at:
Auditorio di Via della Conciliazione in Roma (Rome), Roma, Lazio, Italy (in 1984-01)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1984-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:19
22La traviata: "Libiamo ne' lieti calici" (Brindisi)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06-26)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06-26)
bass vocals:
Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06-26)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06-26)
other vocals:
Bayerischer Staatsopernchor (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
tenor vocals [Gastone]:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06-26)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:03
23Nabucco: "Che si vuol?" / "Il maledetto non ha fratelli"
recording engineer:
Wolfgang Stengel
executive producer:
Prof. Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Renate Kupfer (artistic director), Hanno Rinke and Wolfgang Stengel (in 1982-05)
editor:
Christopher Alder (editor/engineer/producer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05)
tenor vocals [Ismaele]:
Plácido Domingo (tenor) (in 1982-05)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05)
chorus master:
Walter Hagen-Groll (chorus master) (in 1982-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi2:41
24Tosca: "E lucevan le stelle"
recording engineer:
James Lock (James Locke, engineer) (on 1990-07-07), John Pellowe (audio engineer) (on 1990-07-07) and Philip Siney (sound engineer) (on 1990-07-07)
producer:
Christopher Raeburn (producer)
editor:
Nigel Gayler
tenor vocals:
Plácido Domingo (tenor) (on 1990-07-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1990-07-07) and Orchestra del Teatro dell’Opera di Roma (on 1990-07-07)
conductor:
Zubin Mehta (conductor) (on 1990-07-07)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1990)
recorded at:
Terme di Caracalla in Roma (Rome), Roma, Lazio, Italy (on 1990-07-07)
live recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1990-07-07)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:41
25Turandot: "Nessun Dorma"
recording engineer:
James Lock (James Locke, engineer) (on 1990-07-07), John Pellowe (audio engineer) (on 1990-07-07) and Philip Siney (sound engineer) (on 1990-07-07)
producer:
Christopher Raeburn (producer)
editor:
Nigel Gayler
tenor vocals:
José Carreras (Spanish tenor) (on 1990-07-07), Plácido Domingo (tenor) (on 1990-07-07) and Luciano Pavarotti (tenor) (on 1990-07-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1990-07-07) and Orchestra del Teatro dell’Opera di Roma (on 1990-07-07)
conductor:
Zubin Mehta (conductor) (on 1990-07-07)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1990)
recorded at:
Terme di Caracalla in Roma (Rome), Roma, Lazio, Italy (on 1990-07-07)
live recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (on 1990-07-07)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:31
2▶CD

Credits

Release

photography:Sheila Rock (UK photographer)
miscellaneous support:David Butchart (task: project manager)
compiler:Tony Shaw (associated with Decca)
illustration and design:Fred Münzmaier
booklet editor:Jens Schünemeyer (liner note editor for DG)