Madrigals for a Tudor King

~ Veröffentlichung von Philippe Verdelot; Alamire, David Skinner (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Italia mia bench' el parlar'
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone) und Timothy Scott Whiteley (UK baritone vocalist)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
Steven Harrold (tenor) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Il primo libro di madrigali: Italia mia
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot3:33
2Con l'angelico riso
Mezzosoprangesang:
Clare Wilkinson (alto)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Con l'angelico riso
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot1:36
3Quanto sia lieto il giorno
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Quanto sia lieto il giorno
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot1:42
4Lasso, che se creduto
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Lasso, che se creduto
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:08
5O dolce nocte
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
O dolce nocte
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:01
6Madonna qual certeca
Mezzosoprangesang:
Clare Wilkinson (alto)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Il primo libro di madrigali: Madonna, qual certezza
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:22
7Afflicti spiriti mei
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Afflicti spiriti mei
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:07
8Dentr' al mio cor'
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Dentr' al mio cor'
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:09
9Quando nascesti, Amore?
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone) und Timothy Scott Whiteley (UK baritone vocalist)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
Steven Harrold (tenor), William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Quando nascesti, Amore?
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:45
10Piove da li occhi
Mezzosoprangesang:
Clare Wilkinson (alto)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Piove da li occhi
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot1:14
11Pur troppo, donna
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
Steven Harrold (tenor), William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Pur troppo, donna
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:13
12I vostri acuti dardi
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
I vostri acuti dardi
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:11
13Chi non fa prove, amore
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Chi non fa prove, amore
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot1:54
14Liet' è madonna et io pur
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Liet' è madonna et io pur
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:01
15Con lacrim' et sospir' negando porge
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Con lacrim' et sospir' negando porge
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot1:33
16Donna, se fera stella
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
Steven Harrold (tenor), William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Donna, se fera stella
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:37
17Ognun si duol' d'amore
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Ognun si duol' d'amore
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot1:50
18Altro non è el mio amor'
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
Steven Harrold (tenor), William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Altro non è el mio amor'
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:26
19Madonna io v' amo e taccio
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone) und Timothy Scott Whiteley (UK baritone vocalist)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
Steven Harrold (tenor) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Madonna io v' amo e taccio
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:26
20Sì suave è l'inghanno
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Sì suave è l'inghanno
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot1:50
21Se ben' li occhi
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Se ben' li occhi
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot1:58
22Cortese alma gentile
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Cortese alma gentile
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:22
23Quanta dolceca amore
Tenor-Gesang:
Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Quanta dolceca amore
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot1:39
24Donna che sete fra le donne belle
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Donna che sete fra le donne belle
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:15
25La bella donna
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
La bella donna
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot5:04
26Deh, quan't è dolc' amor
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Deh, quan't è dolc' amor
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot2:28
27Donna leggiadr' ete bella
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Donna leggiadr' ete bella
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot1:23
28Madonna, per voi ardo
Mezzosoprangesang:
Clare Wilkinson (alto)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Madonna per voi ardo
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot1:43
29Amor, Io Sento L'alma
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Amor, Io Sento L'alma
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot1:55
30Ultimi mei sospiri
Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone) und Timothy Scott Whiteley (UK baritone vocalist)
Mezzosoprangesang:
Clare Wilkinson (alto)
Tenor-Gesang:
Steven Harrold (tenor), William Unwin (tenor/photographer) und Christopher Watson (tenor)
vocals:
Alamire (English vocal ensemble, Renaissance music)
conductor:
David Skinner (musicologist and conductor)
aufgenommen bei:
St Michael's Church (Summertown) in Oxford, Oxfordshire, England, Vereinigtes Königreich
recording of:
Ultimi mei sospiri
Komponist(in):
Philippe Verdelot (French Renaissance composer)
Philippe Verdelot3:30

Nennungen

Veröffentlichung

Techniker(in) und Produzent(in):Martin Souter (English organist, pianist and harpsichordist)
Harfe [renaissance harp] und Laute:Lynda Sayce (UK lutenist & musicologist)
Übersetzer:Peter Hainsworth
illustration:Leonardo da Vinci (inventor, etc.)
ASIN:US: B000Z6Y4DI [Info]