Far From the Madding Crowd

~ Veröffentlichung von Craig Armstrong (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Opening
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Opening
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong4:40
2Jerusalem the Golden
The Dorset Singers & Yeovil Chamber Choir1:56
3Corn Exchange
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Corn Exchange
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong1:27
4The Great Misunderstanding
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
The Great Misunderstanding
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong2:25
5Spring Sheep Dip
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Spring Sheep Dip
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong2:19
6Oak Returns
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Oak Returns
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong2:18
7Let No Man Steal Your Thyme
Carey Mulligan & Michael Sheen2:05
8Never Been Kissed
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Never Been Kissed
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong3:01
9Hollow in the Ferns
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Hollow in the Ferns
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong3:39
10Bathsheba and Troy Wedding
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Bathsheba and Troy Wedding
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong3:06
11Dribbles of Brandy
The Eliza Carthy Band & Saul Rose1:10
12Swiss Boy
The Eliza Carthy Band & Saul Rose1:50
13Fanny and Troy
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Fanny and Troy
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong4:05
14Troy Swims Out
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Troy Swims Out
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong1:17
15O Come, O Come, Emmanuel
The Dorset Singers & Yeovil Chamber Choir2:47
16Boldwood Variation
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Boldwood Variation
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong2:32
17Michael Turner’s Waltz
The Eliza Carthy Band1:47
18Jenny Lind Polka
The Eliza Carthy Band & Saul Rose1:52
19Time Moves On
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Time Moves On
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong1:08
20Oak Leaves
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Oak Leaves
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong1:11
21Bathsheba and Oak Unite
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Bathsheba and Oak Unite
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong1:36
22End Credits
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
End Credits
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong2:08
23Let No Man Steal Your Thyme
Carey Mulligan2:33
24Far From the Madding Crowd Love Theme
recording engineer:
Rupert Coulson (sound engineer)
assistierende(r) Techniker(in):
Chris Parker (British engineer)
Produzent(in):
Craig Armstrong (Scottish score composer)
assistierende(r) Mix:
Aaron Butler
Mix:
Andy Bradfield
Editing:
Yann McCullough (engineer, composer)
conductor:
Cecilia Weston
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
Studio A in London (Greater London), England, Vereinigtes Königreich
recording of:
Far From the Madding Crowd Love Theme
Komponist(in) und arranger:
Craig Armstrong (Scottish score composer)
Craig Armstrong3:43