The Riverside Collection 1958-1960

~ Release by Chet Baker (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Fair Weather
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (in 1958-09)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1958-09)
piano:
Al Haig (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1958-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1958-09)
recording of:
Fair Weather (in 1958-09)
composer:
Benny Golson (American jazz saxophonist and composer)
publisher:
Time Step Music (publisher for Benny Golson)
7:00
2Polka Dots and Moonbeams
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (in 1958-09)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1958-09)
piano:
Al Haig (in 1958-09)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1958-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1958-09)
instrumental recording of:
Polka Dots and Moonbeams (in 1958-09)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
7:59
3Hotel 49
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (in 1958-09)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1958-09)
piano:
Al Haig (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1958-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1958-09)
recording of:
Hotel 49 (in 1958-09)
composer:
Owen Eugene Marshall (American Jazz Composer and Musician)
publisher:
Orpheum Music
9:54
4Solar
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (in 1958-09)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1958-09)
piano:
Al Haig (in 1958-09)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1958-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1958-09)
recording of:
Solar (in 1958-09)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Prestige Music Co. (US, affiliated with BMI)
5:53
5Blue Thoughts
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (in 1958-09)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1958-09)
piano:
Al Haig (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1958-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1958-09)
recording of:
Blue Thoughts (in 1958-09)
composer:
Benny Golson (American jazz saxophonist and composer)
publisher:
Time Step Music (publisher for Benny Golson)
7:37
6When Lights Are Low
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (in 1958-09)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1958-09)
piano:
Al Haig (in 1958-09)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1958-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1958-09)
recording of:
When Lights Are Low (in 1958-09)
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
6:59
7All or Nothing at All
recorded in:
New York, New York, United States (on 1958-12-23)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Jimmie Burke (bass) (on 1958-12-23)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-23)
flute:
Herbie Mann (on 1958-12-23)
piano:
Joe Berle (on 1958-12-23)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-23)
vocals:
Johnny Pace (on 1958-12-23)
3:22
8Crazy She Calls Me
recorded in:
New York, New York, United States (on 1958-12-23)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Jimmie Burke (bass) (on 1958-12-23)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-23)
flute:
Herbie Mann (on 1958-12-23)
piano:
Joe Berle (on 1958-12-23)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-23)
vocals:
Johnny Pace (on 1958-12-23)
recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:14
9The Way You Look Tonight
recorded in:
New York, New York, United States (on 1958-12-29)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Jimmie Burke (bass) (on 1958-12-29)
drums (drum set):
Ed Thigpen (on 1958-12-29)
flute:
Herbie Mann (on 1958-12-29)
piano:
Joe Berle (on 1958-12-29)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-29)
vocals:
Johnny Pace (on 1958-12-29)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
3:15
10This is Always
recorded in:
New York, New York, United States (on 1958-12-30)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Jimmie Burke (bass) (on 1958-12-30)
drums (drum set):
Ed Thigpen (on 1958-12-30)
flute:
Herbie Mann (on 1958-12-30)
piano:
Joe Berle (on 1958-12-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-30)
vocals:
Johnny Pace (on 1958-12-30)
recording of:
This Is Always
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
3:39
11When the Sun Comes Out
recorded in:
New York, New York, United States (on 1958-12-29)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Jimmie Burke (bass) (on 1958-12-29)
drums (drum set):
Ed Thigpen (on 1958-12-29)
flute:
Herbie Mann (on 1958-12-29)
piano:
Joe Berle (on 1958-12-29)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-29)
vocals:
Johnny Pace (on 1958-12-29)
4:04
12What is There to Say
recorded in:
New York, New York, United States (on 1958-12-29)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Jimmie Burke (bass) (on 1958-12-29)
drums (drum set):
Ed Thigpen (on 1958-12-29)
flute:
Herbie Mann (on 1958-12-29)
piano:
Joe Berle (on 1958-12-29)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-29)
vocals:
Johnny Pace (on 1958-12-29)
recording of:
What Is There to Say?
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
3:41
13Everything I Got Belongs to You
recorded in:
New York, New York, United States (on 1958-12-29)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Jimmie Burke (bass) (on 1958-12-29)
drums (drum set):
Ed Thigpen (on 1958-12-29)
flute:
Herbie Mann (on 1958-12-29)
piano:
Joe Berle (on 1958-12-29)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-29)
vocals:
Johnny Pace (on 1958-12-29)
2:44
14We Could Make Such Beautiful Music
recorded in:
New York, New York, United States (on 1958-12-30)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Jimmie Burke (bass) (on 1958-12-30)
drums (drum set):
Ed Thigpen (on 1958-12-30)
flute:
Herbie Mann (on 1958-12-30)
piano:
Joe Berle (on 1958-12-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-30)
vocals:
Johnny Pace (on 1958-12-30)
3:16
15It Might as Well Be Spring
recorded in:
New York, New York, United States (on 1958-12-23)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Jimmie Burke (bass) (on 1958-12-23)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-23)
flute:
Herbie Mann (on 1958-12-23)
piano:
Joe Berle (on 1958-12-23)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-23)
vocals:
Johnny Pace (on 1958-12-23)
3:54
16Yesterdays
recorded in:
New York, New York, United States (on 1958-12-30)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Jimmie Burke (bass) (on 1958-12-30)
drums (drum set):
Ed Thigpen (on 1958-12-30)
flute:
Herbie Mann (on 1958-12-30)
piano:
Joe Berle (on 1958-12-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1958-12-30)
vocals:
Johnny Pace (on 1958-12-30)
recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
5:01
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