This Is Clarence Carter / The Dynamic Clarence Carter

~ Release by Clarence Carter (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Do What You Gotta Do
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Clarence Carter (in 1968)
organ:
Barry Beckett (in 1968)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (in 1968), Andrew Love (in 1968) and Aaron Varnell (in 1968)
trumpet:
Gene Miller (American trumpeter) (in 1968) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1968)
vocals:
Clarence Carter (in 1968)
cover recording of:
Do What You Gotta Do (in 1968)
lyricist and composer:
Hazel O’Connor and Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) and Sosahamu Music Inc. (publisher; do NOT use as release label)
2:31
2Looking for a Fox
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1967-11-10)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-11-10)
guitar:
Clarence Carter (on 1967-11-10)
organ:
Barry Beckett (on 1967-11-10)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-11-10), Andrew Love (on 1967-11-10) and Aaron Varnell (on 1967-11-10)
trumpet:
Gene Miller (American trumpeter) (on 1967-11-10) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1967-11-10)
vocals:
Clarence Carter (on 1967-11-10)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-11-10)
recording of:
Looking for a Fox
writer:
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Wilbur Terrell
2:15
3Slippin’ Around
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
cover recording of:
Slippin’ Around
writer:
Linden Oldham and Dan Penn (songwriter, soul singer)
52:32
4I’m Qualified
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
cover recording of:
I’m Qualified (on 1968-04-08)
writer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Quin Ivy
2:20
5I Can’t See Myself
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1967-11-10)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-11-10)
guitar:
Clarence Carter (on 1967-11-10)
organ:
Barry Beckett (on 1967-11-10)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-11-10), Andrew Love (on 1967-11-10) and Aaron Varnell (on 1967-11-10)
trumpet:
Gene Miller (American trumpeter) (on 1967-11-10) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1967-11-10)
vocals:
Clarence Carter (on 1967-11-10)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-11-10)
recording of:
I Can’t See Myself
writer:
Clarence Carter
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:26
6Wind It Up
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1967-11-10)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-11-10)
guitar:
Clarence Carter (on 1967-11-10)
organ:
Barry Beckett (on 1967-11-10)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-11-10), Andrew Love (on 1967-11-10) and Aaron Varnell (on 1967-11-10)
trumpet:
Gene Miller (American trumpeter) (on 1967-11-10) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1967-11-10)
vocals:
Clarence Carter (on 1967-11-10)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-11-10)
recording of:
Wind It Up
lyricist and composer:
Clarence Carter
2:36
7Part Time Love
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Clarence Carter (in 1968)
organ:
Barry Beckett (in 1968)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (in 1968), Andrew Love (in 1968) and Aaron Varnell (in 1968)
trumpet:
Gene Miller (American trumpeter) (in 1968) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1968)
vocals:
Clarence Carter (in 1968)
cover recording of:
Part Time Love (in 1968)
lyricist and composer:
Clay Hammond
publisher:
Cherio Corp., Jondora Music, Parker Music and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
2:38
8Thread the Needle
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
recording of:
Thread the Needle
writer:
Clarence Carter
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:31
9Slip Away
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
recording of:
Slip Away (on 1968-04-08)
writer:
William Armstrong, Marcus Daniel and Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4.52:31
10Funky Fever
recorded in:
New York, New York, United States (on 1968-04-03)
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-03)
guitar:
Clarence Carter (on 1968-04-03)
organ:
Barry Beckett (on 1968-04-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-03), Andrew Love (on 1968-04-03) and Aaron Varnell (on 1968-04-03)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-03) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-03)
vocals:
Clarence Carter (on 1968-04-03)
recording of:
Funky Fever
writer:
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Joe Wilson (Southern soul singer - songwriter)
publisher:
Beaik Publishing Company and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:51
11She Ain’t Gonna Do Right
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1968-04-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
cover recording of:
She Ain’t Gonna Do Right (on 1968-04-08)
writer and composer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:29
12Set Me Free
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Clarence Carter (in 1968)
organ:
Barry Beckett (in 1968)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (in 1968), Andrew Love (in 1968) and Aaron Varnell (in 1968)
trumpet:
Gene Miller (American trumpeter) (in 1968) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1968)
vocals:
Clarence Carter (in 1968)
cover recording of:
Set Me Free (in 1968)
writer and composer:
Claude “Curly” Putman, Jr.
3:06
13I’d Rather Go Blind
guitar:
Clarence Carter (in 1968)
vocals:
Clarence Carter (in 1968)
cover recording of:
I’d Rather Go Blind (in 1968)
lyricist:
Billy Foster (American singer, member of The Medallions and songwriter)
composer:
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
3:01
14Think About It
guitar:
Clarence Carter (in 1968)
vocals:
Clarence Carter (in 1968)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (in 1968)
cover recording of:
Think About It
writer:
Don Covay and Otis Redding
2:44
15The Road of Love
engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
baritone saxophone:
James Mitchell (US saxophonist/arranger) (from 1967-07-26 until 1968-11-12) and Floyd Newman (from 1967-07-26 until 1968-11-12)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-07-26 until 1968-11-12)
guitar:
Clarence Carter (from 1967-07-26 until 1968-11-12), Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-07-26 until 1968-11-12) and Albert Lowe Jr. (American guitarist, bassist, and songwriter) (from 1967-07-26 until 1968-11-12)
organ:
Marvell Thomas (from 1967-07-26 until 1968-11-12)
piano:
Barry Beckett (from 1967-07-26 until 1968-11-12)
slide guitar:
Duane Allman (from 1967-07-26 until 1968-11-12)
tenor saxophone:
Joe Arnold (from 1967-07-26 until 1968-11-12) and Aaron Varnell (from 1967-07-26 until 1968-11-12)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-26 until 1968-11-12)
vocals:
Clarence Carter (from 1967-07-26 until 1968-11-12)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-07-26) and FAME Studios in Muscle Shoals, Alabama, United States (on 1968-11-12)
recording of:
The Road of Love (from 1967-07-26 until 1968-11-12)
writer:
Clarence Carter
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:56
16You’ve Been a Long Time Coming
guitar:
Clarence Carter (in 1968)
vocals:
Clarence Carter (in 1968)
2:48
17Light My Fire
guitar:
Clarence Carter (in 1968)
vocals:
Clarence Carter (in 1968)
cover recording of:
Light My Fire (in 1968)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:51
18That Old Time Feeling
guitar:
Clarence Carter (in 1968)
vocals:
Clarence Carter (in 1968)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (in 1968)
recording of:
That Old Time Feeling
writer:
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Candi Staton
2:35
19Steal Away
guitar:
Clarence Carter (on 1968-10-03)
vocals:
Clarence Carter (on 1968-10-03)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-10-03)
cover recording of:
Steal Away (on 1968-10-03)
lyricist and composer:
Jimmy Hughes (60s US funk/soul vocalist)
2:41
20Let Me Comfort You
guitar:
Clarence Carter (in 1968)
vocals:
Clarence Carter (in 1968)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (in 1968)
recording of:
Let Me Comfort You
lyricist and composer:
Osbie Burnett McClinton
2:17
21Look What I Got
guitar:
Clarence Carter (in 1968)
vocals:
Clarence Carter (in 1968)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (in 1968)
recording of:
Look What I Got
writer:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) and Donna Rhodes
3:02
22Too Weak to Fight
guitar:
Clarence Carter (in 1968)
vocals:
Clarence Carter (in 1968)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (in 1968)
recording of:
Too Weak to Fight
writer:
Clarence Carter, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”), George Jackson (US soul songwriter/vocalist) and Johnny Keyes (songwriter)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:18
23Harper Valley PTA
guitar:
Clarence Carter (in 1968)
vocals:
Clarence Carter (in 1968)
cover recording of:
Harper Valley PTA (in 1968)
lyricist and composer:
Tom T. Hall
publisher:
Unichappell Music, Inc.
3:37
24Weekend Love
guitar:
Clarence Carter (in 1968)
vocals:
Clarence Carter (in 1968)
2:37
25I’m Happy‐Go‐Lucky
2:21
26She Ain’t Gonna Do Right
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-28)
cover recording of:
She Ain’t Gonna Do Right (on 1967-01-28)
writer and composer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:40
27Take Me, Use Me
2:24
28There Won’t Be Another Sunset
2:45
29I’ll Be Over After a While
2:17