Songs

~ Release by Roger Quilter; John Mark Ainsley, Malcolm Martineau (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Three Shakespeare Songs, op. 6: Come Away, Death
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Come Away Death, op. 6 no. 1 (from 1996-02-18 until 1996-02-20)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (British composer) (in 1905)
part of:
Three Shakespeare Songs, op. 6
Roger Quilter2:35
2Three Shakespeare Songs, op. 6: O Mistress Mine
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Oh Mistress Mine, op. 6 no. 2 (from 1996-02-18 until 1996-02-20)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (British composer) (in 1905)
part of:
Three Shakespeare Songs, op. 6
Roger Quilter1:15
3Three Shakespeare Songs, op. 6: Blow, Blow, Thou Winter Wind
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Blow, Blow Thou Winter Wind, op. 6 no. 3 (from 1996-02-18 until 1996-02-20)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (British composer) (in 1905)
part of:
Three Shakespeare Songs, op. 6
Roger Quilter2:13
4Four Songs of Mirza Schaffy, op. 2: Neig’ schön’ Knospe dich zu mir
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Four Songs of Mirza Schaffy, op. 2: No. 1. Neig’ schön’ Knospe dich zu mir (from 1996-02-18 until 1996-02-20)
lyricist:
Mirza Shafi Vazeh
composer:
Roger Quilter (British composer)
part of:
Four Songs of Mirza Schaffy, op. 2
Roger Quilter1:23
5Four Songs of Mirza Schaffy, op. 2: Und was die Sonne glüht
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Four Songs of Mirza Schaffy, op. 2: No. 2. Und was die Sonne glüht (from 1996-02-18 until 1996-02-20)
lyricist:
Mirza Shafi Vazeh
composer:
Roger Quilter (British composer)
part of:
Four Songs of Mirza Schaffy, op. 2
Roger Quilter0:53
6Four Songs of Mirza Schaffy, op. 2: Ich fühle Deinen Odem
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Four Songs of Mirza Schaffy, op. 2: No. 3. Ich fühle Deinen Odem (from 1996-02-18 until 1996-02-20)
lyricist:
Mirza Shafi Vazeh
composer:
Roger Quilter (British composer)
part of:
Four Songs of Mirza Schaffy, op. 2
Roger Quilter1:40
7Four Songs of Mirza Schaffy, op. 2: Die helle Sonne leuchtet
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Four Songs of Mirza Schaffy, op. 2: No. 4. Die helle Sonne leuchtet (from 1996-02-18 until 1996-02-20)
lyricist:
Mirza Shafi Vazeh
composer:
Roger Quilter (British composer)
part of:
Four Songs of Mirza Schaffy, op. 2
Roger Quilter0:54
8Autumn Evening, op. 14 no. 1
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Autumn Evening, op. 14 no. 1 (from 1996-02-18 until 1996-02-20)
lyricist:
Arthur Maquarie (Australian poet)
composer:
Roger Quilter (British composer)
Roger Quilter2:50
9June
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
June (from 1996-02-18 until 1996-02-20)
lyricist:
Nora Hopper (poet)
composer:
Roger Quilter (British composer)
Roger Quilter1:49
10Two September Songs, op. 18: No 5. Through the Sunny Garden
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Through the Sunny Garden, op. 18 no. 5 (from 1996-02-18 until 1996-02-20)
lyricist:
Mary Elizabeth Coleridge
composer:
Roger Quilter (British composer)
part of:
Six Songs, op. 18
Roger Quilter1:57
11Two September Songs, op. 18: No 6. The Valley and the Hill
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
The Valley and the Hill, op. 18 no. 6 (from 1996-02-18 until 1996-02-20)
lyricist:
Mary Elizabeth Coleridge
composer:
Roger Quilter (British composer)
part of:
Six Songs, op. 18
Roger Quilter1:12
12Arab Love Song, op. 25 no. 4
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Arab Love Song, op. 25 no. 4 (from 1996-02-18 until 1996-02-20)
lyricist:
Percy Bysshe Shelley
composer:
Roger Quilter (British composer)
part of:
6 Songs, op. 25
Roger Quilter1:19
13Music, When Soft Voices Die, op. 25 no. 5
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Music, When Soft Voices Die, op. 25 no. 5 (from 1996-02-18 until 1996-02-20)
lyricist:
Percy Bysshe Shelley
composer:
Roger Quilter (British composer)
part of:
6 Songs, op. 25
Roger Quilter1:26
14Love’s Philosophy, op. 3 no. 1
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Love’s Philosophy, op. 3 no. 1 (from 1996-02-18 until 1996-02-20)
lyricist:
Percy Bysshe Shelley
composer:
Roger Quilter (British composer)
part of:
3 Songs, op. 3
Roger Quilter1:18
15Five Shakespeare Songs, op. 23: Fear No More the Heat o’ the Sun
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Fear no more the heat o' the sun, op. 23 no. 1 (from 1996-02-18 until 1996-02-20)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (British composer)
part of:
Five Shakespeare Songs, op. 23
Roger Quilter3:09
16Five Shakespeare Songs, op. 23: Under the Greenwood Tree
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Under the greenwood tree, op. 23 no. 2 (from 1996-02-18 until 1996-02-20)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (British composer)
part of:
Five Shakespeare Songs, op. 23
Roger Quilter1:00
17Five Shakespeare Songs, op. 23: It Was a Lover and His Lass
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
It was a lover and his lass, op. 23 no. 3 (from 1996-02-18 until 1996-02-20)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (British composer)
is based on:
A Lover and His Lass (original poem)
part of:
Five Shakespeare Songs, op. 23
Roger Quilter2:18
18Five Shakespeare Songs, op. 23: Take, o Take Those Lips Away
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Take, O take those lips away, op. 23 no. 4 (from 1996-02-18 until 1996-02-20)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (British composer)
part of:
Five Shakespeare Songs, op. 23
Roger Quilter1:24
19Five Shakespeare Songs, op. 23: Hey, Ho, the Wind and the Rain
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Hey, ho, the wind and the rain, op. 23 no. 5 (from 1996-02-18 until 1996-02-20)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (British composer)
part of:
Five Shakespeare Songs, op. 23
Roger Quilter1:30
20Now Sleeps the Crimson Petal, op. 3 no. 2
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Now Sleeps the Crimson Petal, op. 3 no. 2 (from 1996-02-18 until 1996-02-20)
lyricist:
Lord Alfred Tennyson
composer:
Roger Quilter (British composer) (from 1904 until 1905, in 1908)
is based on:
Now Sleeps the Crimson Petal
part of:
3 Songs, op. 3
Roger Quilter2:01
21Go, Lovely Rose, op. 24 no. 3
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Go, Lovely Rose, op. 24 no. 3 (from 1996-02-18 until 1996-02-20)
lyricist:
Edmund Waller
composer:
Roger Quilter (British composer)
part of:
5 Songs, op. 24
Roger Quilter2:47
22A Last Year’s Rose, op. 14 no. 3
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
A Last Year’s Rose, op. 14 no. 3 (from 1996-02-18 until 1996-02-20)
lyricist:
William Ernest Henley
composer:
Roger Quilter (British composer)
part of:
Four Songs, op. 14
Roger Quilter2:28
23Four Child Songs, op. 5: A Good Child
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
A Good Child, op. 5 no. 1 (from 1996-02-18 until 1996-02-20)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Roger Quilter (British composer)
part of:
Four Child Songs, op. 5
Roger Quilter1:54
24Four Child Songs, op. 5: The Lamplighter
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
The Lamplighter, op. 5 no. 2 (from 1996-02-18 until 1996-02-20)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Roger Quilter (British composer)
part of:
Four Child Songs, op. 5
Roger Quilter1:49
25Four Child Songs, op. 5: Where Go the Boats?
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Where Go the Boats?, op. 5 no. 3 (from 1996-02-18 until 1996-02-20)
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Roger Quilter (British composer)
part of:
Four Child Songs, op. 5
Roger Quilter1:38
26Seven Elizabethan Lyrics, op. 12: Weep You No More
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Seven Elizabethan Lyrics, op. 12, no. 1: Weep You No More (from 1996-02-18 until 1996-02-20)
lyricist:
[anonymous] (special purpose artist)
composer:
Roger Quilter (British composer) (in 1908)
publisher:
Boosey & Hawkes Production Music
part of:
Seven Elizabethan Lyrics, op. 12
Roger Quilter2:16
27Seven Elizabethan Lyrics, op. 12: My Life’s Delight
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Seven Elizabethan Lyrics, op. 12, no. 2: My Life's Delight (from 1996-02-18 until 1996-02-20)
lyricist:
Thomas Campion (English composer, poet & physician, 1567–1620)
composer:
Roger Quilter (British composer) (in 1908)
publisher:
Boosey & Hawkes Production Music
part of:
Seven Elizabethan Lyrics, op. 12
Roger Quilter1:26
28Seven Elizabethan Lyrics, op. 12: Damask Roses
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Seven Elizabethan Lyrics, op. 12, no. 3: Damask Roses (from 1996-02-18 until 1996-02-20)
lyricist:
[anonymous] (special purpose artist)
composer:
Roger Quilter (British composer) (in 1908)
publisher:
Boosey & Hawkes Production Music
part of:
Seven Elizabethan Lyrics, op. 12
Roger Quilter1:12
29Seven Elizabethan Lyrics, op. 12: The Faithless Shepherdess
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Seven Elizabethan Lyrics, op. 12, no. 4: The Faithless Shepherdess (from 1996-02-18 until 1996-02-20)
lyricist:
[anonymous] (special purpose artist)
composer:
Roger Quilter (British composer) (in 1908)
publisher:
Boosey & Hawkes Production Music
part of:
Seven Elizabethan Lyrics, op. 12
Roger Quilter1:50
30Seven Elizabethan Lyrics, op. 12: Brown Is My Love
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Seven Elizabethan Lyrics, op. 12, no. 5: Brown Is My Love (from 1996-02-18 until 1996-02-20)
lyricist:
[anonymous] (special purpose artist)
composer:
Roger Quilter (British composer) (in 1908)
publisher:
Boosey & Hawkes Production Music
part of:
Seven Elizabethan Lyrics, op. 12
Roger Quilter1:15
31Seven Elizabethan Lyrics, op. 12: By a Fountainside
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Seven Elizabethan Lyrics, op. 12, no. 6: By a Fountainside (from 1996-02-18 until 1996-02-20)
lyricist:
Ben Jonson (English playwright & poet)
composer:
Roger Quilter (British composer) (in 1908)
publisher:
Boosey & Hawkes Production Music
part of:
Seven Elizabethan Lyrics, op. 12
Roger Quilter2:24
32Seven Elizabethan Lyrics, op. 12: Fair House of Joy
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Seven Elizabethan Lyrics, op. 12, no. 7: Fair House of Joy (from 1996-02-18 until 1996-02-20)
lyricist:
[anonymous] (special purpose artist)
composer:
Roger Quilter (British composer) (in 1908)
publisher:
Boosey & Hawkes Production Music
part of:
Seven Elizabethan Lyrics, op. 12
Roger Quilter1:49
33Drink to Me Only With Thine Eyes
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Drink to Me Only With Thine Eyes (Roger Quilter arrangement) (from 1996-02-18 until 1996-02-20)
lyricist:
Ben Johnson (English playwright & poet)
arranger:
Roger Quilter (British composer)
arrangement of:
Drink to Me Only With Thine Eyes
part of:
Arnold Book of Old Songs
Roger Quilter2:28
34Barbara Allen
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Barbara Allen (Roger Quilter arrangement) (from 1996-02-18 until 1996-02-20)
lyricist:
[traditional] (special purpose artist)
arranger:
Roger Quilter (British composer)
arrangement of:
Barbara Allen
part of:
Arnold Book of Old Songs
Roger Quilter3:14
35Over the Mountains
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Over the Mountains (Roger Quilter arrangement) (from 1996-02-18 until 1996-02-20)
arranger:
Roger Quilter (British composer)
part of:
Arnold Book of Old Songs
Roger Quilter1:49
36Four Shakespeare Songs, op. 30: Who Is Silvia?
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Who Is Sylvia?, op. 30 no. 1 (from 1996-02-18 until 1996-02-20)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (British composer)
part of:
Four Shakespeare Songs, op. 30
Roger Quilter1:50
37Four Shakespeare Songs, op. 30: When Daffodils Begin to Peer
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
When Daffodils Begin to Peer, op. 30 no. 2 (from 1996-02-18 until 1996-02-20)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (British composer)
part of:
Four Shakespeare Songs, op. 30
Roger Quilter0:57
38Four Shakespeare Songs, op. 30: How Should I Your True Love Know?
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
How Should I Your True Love Know?, op. 30 no. 3 (from 1996-02-18 until 1996-02-20)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (British composer)
part of:
Four Shakespeare Songs, op. 30
Roger Quilter2:02
39Four Shakespeare Songs, op. 30: Sigh No More, Ladies
recording engineer:
Antony Howell (engineer) and Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Malcolm Martineau (pianist) (from 1996-02-18 until 1996-02-20)
tenor vocals:
John Mark Ainsley (tenor) (from 1996-02-18 until 1996-02-20)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-18 until 1996-02-20)
recording of:
Sigh No More, Ladies, op. 30 no. 4 (from 1996-02-18 until 1996-02-20)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (British composer)
part of:
Four Shakespeare Songs, op. 30
Roger Quilter1:28

Credits

Release

liner notes:Michael Pilkington (liner notes author)
executive producer:Joanna Gamble (alto vocalist and producer)
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
design:Terry Shannon (designer)
ASIN:UK: B000002ZXZ [info]
discography entry:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA66878 [info]