Ready Steady Go! The Number One Sixties Album, Volume II

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Yester‐Me, Yester‐You, Yesterday
produttore:
Johnny Bristol e Harvey Fuqua
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrazione di:
Yester‐Me, Yester‐You, Yesterday
autore:
Ron Miller (Motown songwriter Ronald Norman Miller) e Bryan Wells
editore:
Jobete Music (appears also as: Jobete Msc.)
Stevie Wonder53:03
2Because
registrazione di:
Because
paroliere e compositore:
Dave Clark (UK drummer for the Dave Clark Five)
editore:
Campbell Connelly Inc. (ASCAP affiliated) e Ivy Music Ltd.
The Dave Clark Five52:23
3Alfie
registrazione cover di:
Alfie
paroliere:
Hal David (nel 1965)
compositore:
Burt Bacharach (nel 1965)
editore:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell e Sony/ATV Harmony
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 39th Academy Award for Best Original Song (numero: 2)
Dionne Warwick2:43
4Let It Be Me
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione cover di:
Let It Be Me (il 1959-12-15)
paroliere:
Pierre Delanoë
compositore:
Gilbert Bécaud
traduttore:
Mann Curtis
editore:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) e Universal Music Corp. (USA, affiliated with ASCAP)
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione tradotta di:
Je t’appartiens
The Everly Brothers2:38
5Raining in My Heart
registrazione di:
Raining in My Heart
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC e Sony/ATV Music Publishing (UK) Ltd.
Buddy Holly2:47
6When the Girl in Your Arms Is the Girl in Your Heart
registrazione di:
When the Girl in Your Arms Is the Girl in Your Heart
autore:
Roy C. Bennett (US songwriter) e Sid Tepper
editore:
Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
Cliff Richard2:23
7Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
8Halfway to Paradise
registrazione cover di:
Halfway to Paradise
paroliere:
Gerry Goffin
compositore:
Carole King
Billy Fury2:26
9Let the Heartaches Begin
registrazione di:
Let the Heartaches Begin
compositore:
Tony Macaulay e John MacLeod (producer & songwriter, partner of Tony Macaulay)
Long John Baldry3:16
10Green Green Grass of Home
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1966)
registrazione cover di:
Green, Green Grass of Home
paroliere e compositore:
Claude “Curly” Putman, Jr.
editore:
Burlington Music, Burlington Music Ltd. e Tree Music
versione tradotta di:
Ik ben weer in m’n dorpje
Tom Jones43:04
11When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:51
12Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
13(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:42
14My Girl
registrazione di:
My Girl
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations2:56
15Losing You
Dusty Springfield3:00
16Make It Easy on Yourself
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Make It Easy on Yourself
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e MCA Music Ltd.
The Walker Brothers53:11
17Je t’aime… moi non plus
produttore:
Jean-Claude Desmarty
voce:
Jane Birkin (nel 1968-11) e Serge Gainsbourg (nel 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (nel 1968-11)
direttore d'orchestra:
Arthur Greenslade (nel 1968-11)
arrangiatore:
Arthur Greenslade
registrazione di:
Je t’aime… Moi non plus (nel 1968-11)
paroliere e compositore:
Serge Gainsbourg
editore:
Heath Levy Music Co. Ltd. e Shapiro Bernstein & Co. Ltd.
Jane Birkin & Serge Gainsbourg44:22
18Albatross
produttore:
Mike Vernon
basso elettrico :
John McVie (il 1968-10-06)
batteria :
Mick Fleetwood (il 1968-10-06)
chitarra :
Peter Green (former member of Fleetwood Mac) (il 1968-10-06) e Danny Kirwan (Fleetwood Mac) (il 1968-10-06)
diritti fonografici (℗) detenuti da:
Blue Horizon Records (nel 1968) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1968)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 52)
registrazione di:
Albatross (il 1968-10-06)
compositore:
Peter Green (former member of Fleetwood Mac)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited e Palan Music Publishing Ltd.
Fleetwood Mac43:05
19Love Is All Around
diritti fonografici (℗) detenuti da:
Mercury Ltd (London) (for copyrights use only) (nel 1967)
registrazione di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Troggs4.52:58
20True Love Ways
registrazione cover di:
True Love Ways
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Peter & Gordon52:38
21Bring It On Home to Me
registrazione di:
Bring It On Home to Me
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
The Animals2:43
22As Usual
registrazione di:
As Usual
autore:
Alex Zanetis
editore:
Jack O Diamonds Publications Inc
Brenda Lee2:34
23I’m Gonna Be Strong
registrazione di:
I’m Gonna Be Strong
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Gene Pitney2:12
24What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e Project 3 Records Inc. (nel 1988)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3.952:17
25First of May
produttore:
Bee Gees e Robert Stigwood
direttore d'orchestra:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arrangiatore:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1969), Maurice Gibb (nel 1969) e Robin Gibb (nel 1969)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1969), PolyGram International Music B.V. (not for release label use!) (nel 1969), Robert Stigwood Organisation Ltd. (nel 1969) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1969)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1968-08)
registrazione di:
First of May (nel 1968-08)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Casserole Music, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. e Universal Music Publishing International MGB Ltd.
si basa su:
迷惘
Bee Gees2.352:47

Accreditamenti

Pubblicazione

ASIN:UK: B00000JA7R [info]