CBC's After Hours, Volume 4: Jazz Vocalists of the Century

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: EMI Canada - Catalog #: 72435 26582 2 0

Annotation last modified on 2006-04-19 23:18 UTC.

Tracklist

1▼Medium
#TitleArtistRatingLength
1Strange Fruit
producer:
Milt Gabler
alto saxophone and saxophone:
Tab Smith (on 1939-04-20)
double bass:
John Williams (jazz bassist) (on 1939-04-20)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-04-20)
guitar:
Jimmy McLin (on 1939-04-20)
piano:
Sonny White (on 1939-04-20)
tenor saxophone:
Kenneth Hollon (on 1939-04-20) and Stan Payne (on 1939-04-20)
trumpet:
Frankie Newton (on 1939-04-20)
vocals:
Billie Holiday (on 1939-04-20)
recorded at:
Brunswick World Broadcasting Studio in New York, New York, United States (on 1939-04-20)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 1), CBC Music: 10 Songs That Have Changed the World, National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (number: 1939, inducted: 2002) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 21)
recording of:
Strange Fruit (on 1939-04-20)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday33:13
2The Frim Fram Sauce
recording of:
The Frim‐Fram Sauce
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Nat King Cole3:20
3Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald4:47
4Little Girl Blue
Johnny Hartman3:03
5Right Here, Right Now
recording engineer:
Ray Bardani (in 1997-12)
acoustic guitar:
Doug Wamble (in 1997-12)
double bass:
Lonnie Plaxico (in 1997-12)
drums (drum set):
Perry Wilson (in 1997-12)
marimba:
Cecilia Smith (in 1997-12)
percussion:
Jeffrey Haynes (US hip hop artist Jeffrey Haynes) (in 1997-12)
vocals:
Cassandra Wilson (in 1997-12)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1997-12)
recording of:
Right Here, Right Now
lyricist:
Cassandra Wilson
composer:
Marvin Sewell
Cassandra Wilson5:59
6Gone Fishing
recorded in:
Los Angeles, California, United States (on 1951-04-27)
double bass:
Phil Stephens (bass and tuba player) (on 1951-04-27)
drums (drum set):
Nick Fatool (on 1951-04-27)
guitar:
Perry Botkin (on 1951-04-27)
piano:
Buddy Cole (on 1951-04-27) and Mel Henke (on 1951-04-27)
saxophone:
Warren Baker (on 1951-04-27), Matty Matlock (on 1951-04-27), Irving “Babe” Russin (on 1951-04-27) and Philip Shuken (on 1951-04-27)
trombone:
Bill Atkinson (on 1951-04-27), Wendell Mayhew (on 1951-04-27) and Dick Taylor (jazz trombonist) (on 1951-04-27)
trumpet:
Ziggy Elman (on 1951-04-27), Bobby Guy (on 1951-04-27) and Red Nichols (on 1951-04-27)
lead vocals:
Louis Armstrong (on 1951-04-27) and Bing Crosby (on 1951-04-27)
orchestra and performer:
John Scott Trotter and His Orchestra (on 1951-04-27)
conductor:
John Scott Trotter (on 1951-04-27)
arranger:
John Scott Trotter (on 1951-04-27)
phonographic copyright (℗) by:
MCA Music Ltd. (in 1951)
recording of:
Gone Fishin’ (on 1951-04-27)
writer:
Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne Co. (not for release label use, this is a music publisher) and EMI Feist Catalog Inc.
Bing Crosby & Louis Armstrong42:33
7Why Don't You Do Right
vocals:
Peggy Lee (jazz vocalist) (on 1947-11-19)
conductor:
Dave Barbour (on 1947-11-19)
cover recording of:
Why Don’t You Do Right? (on 1947-11-19)
lyricist and composer:
Kansas Joe McCoy
publisher:
Edwin Morris Music and Morley Music Co
version of:
Weed Smoker’s Dream
recording of:
Why Don’t You Do Right?
lyricist and composer:
Kansas Joe McCoy
publisher:
Edwin Morris Music and Morley Music Co
version of:
Weed Smoker’s Dream
Peggy Lee42:29
8But Beautiful
cover recording of:
But Beautiful
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
Nancy Wilson4:06
9Mood Indigo
Dr. John6:56
10I Fall in Love Too Easily
recording of:
I Fall in Love Too Easily
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
Chet Baker3:22
11Jumpin' at the Woodside
recording of:
Jumpin’ at the Woodside (with lyrics by Jon Hendricks)
lyricist:
Jon Hendricks (in 1957)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
Jumpin’ at the Woodside (original instrumental)
Count Basie3:22
12She's a Lady
recording engineer:
Jim Anderson (engineer) (from 1998-01-06 until 1998-01-09)
assistant engineer:
Jeffrey Lane (assistant engineer) (from 1998-01-06 until 1998-01-09: task: recording)
producer:
Patricia Barber
assistant mixer:
Jeffrey Lane (assistant engineer) (on 1998-02-26)
mixer:
Jim Anderson (engineer) (on 1998-02-26)
bass:
Michael Arnopol
drums (drum set), other instruments [prepared drum kit] and percussion:
Mark Walker (Drummer)
guitar:
John McLean (guitar, UK)
other instruments [table knives on strings] and piano:
Patricia Barber
trumpet:
Dave Douglas (jazz trumpeter)
vocals:
Patricia Barber
phonographic copyright (℗) by:
Premonition Records (US label) (in 1998)
recorded at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (from 1998-01-06 until 1998-01-09)
mixed at:
Chicago Recording Company, Studio 5 in Chicago, Illinois, United States (on 1998-02-26)
cover recording of:
She’s a Lady
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. and Spanka Music Corp.
Patricia Barber2.14:15
13Charlie Parker Loves Me (radio edit)
Marc Jordan3:55
14Dat Dere
Sheila Jordan2:45
15Girl Talk
Betty Carter4:36
16Birdland
recording engineer:
Joe Bogan (Recording- and mixing engineer), Jay Graydon and Bill Thomas (engineer)
producer and mixer:
Jay Graydon
alto saxophone:
Richie Cole
drums (drum set):
Ralph Humphrey (American drummer and teacher) and Jeff Porcaro
piano:
Michael Omartian
synthesizer:
Michael Boddicker
percussion [rhythm] arranger:
Michael Omartian
vocals arranger:
Janis Siegel
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Downbreaker Studio in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Birdland (vocal)
lyricist:
Jon Hendricks
composer:
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Hendricks Music Inc., Mulatto Music and Songs of Universal, Inc. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
version of:
Birdland (instrumental)
The Manhattan Transfer6:03
17You Go to My Head (feat. Count Basie)
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-10)
drums (drum set):
Sonny Payne (on 1961-01-10)
guitar:
Freddie Green (on 1961-01-10)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-10)
reeds:
Marshall Royal (on 1961-01-10)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-10) and Billy Mitchell (US jazz saxophonist) (on 1961-01-10)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-10), Al Grey (trombone) (on 1961-01-10) and Benny Powell (jazz trombonist) (on 1961-01-10)
trumpet:
Sonny Cohn (on 1961-01-10), Thad Jones (American jazz trumpeter) (on 1961-01-10), Joe Newman (US jazz trumpeter) (on 1961-01-10) and Snooky Young (on 1961-01-10)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-10) and Frank Wess (on 1961-01-10)
vocals:
Sarah Vaughan (on 1961-01-10)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-10)
cover recording of:
You Go to My Head (on 1961-01-10)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Sarah Vaughan54:54
18Downtown
Holly Cole3:56