| # | Title | Artist | Rating | Length |
|---|
| 1 | Night Fever (from “Saturday Night Fever” soundtrack)- producer:
- Bee Gees, Albhy Galuten and Karl Richardson
- bass:
- Maurice Gibb (in 1977)
- drums (drum set):
- Dennis Bryon (in 1977)
- electric guitar:
- Alan Kendall (in 1977)
- guitar [rhythm guitar] and lead vocals:
- Barry Gibb (in 1977)
- keyboard, piano and synthesizer:
- Blue Weaver (in 1977)
- percussion:
- Dennis Bryon (in 1977) and Joe Lala (in 1977)
- background vocals and other vocals [harmony vocals]:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (in 1977), PolyGram Records, Inc. (in 1977) and RSO Records, Inc. (in 1977)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 2) and Billboard: Greatest of All Time Hot 100 Songs (number: 47)
- recording of:
- Night Fever (in 1977)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music and R.S.O. Publishing Ltd.
| Bee Gees | 3.9 | 3:33 |
| 2 | Walking on Sunshine- recorded in:
- England, United Kingdom
- assistant engineer:
- Jon Goldberger
- engineer and mixer:
- Scott Litt
- additional producer:
- Scott Litt
- producer:
- Pat Collier and Katrina and the Waves
- bass guitar:
- Vince de la Cruz
- drums (drum set) and percussion:
- Alex Cooper
- guest brass [Rumour Brass Section]:
- Ray Beavis, Dick Hanson and John "Irish" Earl
- guest organ:
- Nick Glennie‐Smith
- guitar [lead guitar]:
- Kimberley Rew
- guitar [rhythm guitar] and lead vocals:
- Katrina Leskanich
- background vocals:
- Alex Cooper , Vince de la Cruz and Kimberley Rew
- brass arranger:
- Eamon Fitzpatrick
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1985)
- recorded at:
- Alaska Studios in London , England, United Kingdom and Greenhouse Studio in London , England, United Kingdom
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 91) and Billboard: The 500 Best Pop Songs (number: 378)
- recording of:
- Walking on Sunshine
- lyricist:
- Kimberley Rew (in 1983)
- composer:
- Kimberley Rew
- publisher:
- EMI Music Publishing , Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc.
| Katrina & the Waves | 3.95 | 3:57 |
| 3 | Every Breath You Take- engineer:
- Hugh Padgham
- producer:
- Hugh Padgham and The Police
- drums (drum set):
- Stewart Copeland (in 1983)
- electric bass guitar and lead vocals:
- Sting (in 1983)
- electric guitar:
- Andy Summers (in 1983)
- phonographic copyright (℗) by:
- A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (in 1983) and A&M Records, Inc. (in 1997)
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom (in 1983) and Le Studio in Morin‐Heights, Québec , Canada (in 1983)
- music videos:
- Every Breath You Take by The Police
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 35), VH1: 100 Greatest Songs of the 80’s (number: 46), Rolling Stone: 500 Greatest Songs of All Time (number: 84), Billboard: The 500 Best Pop Songs (number: 287) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 305)
- recording of:
- Every Breath You Take (in 1983)
- lyricist and composer:
- Sting
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd , GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. and Virgin Music (Publishers) Ltd.
- sub-publisher:
- Universal Music Publishing France , シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Police | 4 | 4:14 |
| 4 | Tainted Love- engineer:
- Paul Hardiman
- producer:
- Mike Thorne
- mixer:
- Harvey Goldberg
- electronic instruments and other instruments:
- Dave Ball
- saxophone:
- David Tofani
- background vocals:
- Vicious Pink
- vocals:
- Marc Almond
- phonographic copyright (℗) by:
- Mercury Records Ltd. (London) (in 1981)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- music videos:
- Tainted Love by Soft Cell
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (number: 33) and Billboard: The 500 Best Pop Songs (number: 46)
- cover recording of:
- Tainted Love
- lyricist and composer:
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. and Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 3.95 | 2:40 |
| 5 | Stayin Alive- producer:
- Bee Gees, Albhy Galuten and Karl Richardson
- bass:
- Maurice Gibb (in 1977)
- drums (drum set):
- Dennis Bryon (in 1977)
- electric guitar:
- Alan Kendall (in 1977)
- guitar [rhythm guitar] and lead vocals:
- Barry Gibb (in 1977)
- keyboard, piano and synthesizer:
- Blue Weaver (in 1977)
- percussion:
- Dennis Bryon (in 1977) and Joe Lala (in 1977)
- background vocals and other vocals [harmony vocals]:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- performer:
- Bee Gees (in 1977)
- phonographic copyright (℗) by:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (in 1977), PolyGram Records, Inc. (in 1977) and RSO Records, Inc. (in 1977)
- part of:
- Q50 – December 2005 (number: 3), Billboard Year-End Hot 100 singles of 1978 (number: 4), Billboard: The 500 Best Pop Songs (number: 32), Billboard: Greatest of All Time Hot 100 Songs (number: 66), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 99), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 189) and BILLIONS CLUB
- recording of:
- Stayin’ Alive (in 1977)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music, R.S.O. Publishing Ltd., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
| Bee Gees | 3.85 | 4:45 |
| 6 | Tarzan Boy | Baltimora | 4 | 3:24 |
| 7 | Gloria | Umberto Tozzi | 4 | 5:06 |
| 8 | Come On Eileen | Dexys Midnight Runners | | 4:47 |
| 9 | Everybody Wants to Rule the World | Tears for Fears | 3.95 | 4:13 |
| 10 | The Lady in Red | Chris de Burgh | 3.35 | 4:16 |
| 11 | Don’t You Want Me | The Human League | 3.85 | 3:57 |
| 12 | All Night Long (All Night) | Lionel Richie | 4.15 | 6:23 |
| 13 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
- part of:
- Back to the Future: the Musical
- recording of:
- The Power of Love
- writer:
- Peter Gill , Holly Johnson, Brian Nash and Mark O’Toole
- publisher:
- Perfect Songs Ltd. and Rubet Music Publishing, Inc.
| Huey Lewis and the News | 4 | 3:54 |
| 14 | Figli delle stelle | Alan Sorrenti | | 4:35 |
| 15 | Cosa resterà degli anni 80 | Raf | | 5:12 |
| 16 | Tu | Umberto Tozzi | 4 | 4:11 |
| 17 | Centro di gravità permanente | Franco Battiato | | 3:59 |
| 18 | Bomba o non bomba | Antonello Venditti | 4 | 5:08 |
| 19 | (I Just) Died in Your Arms | Cutting Crew | 4 | 4:29 |
| 20 | Endless Love (from “The Endless Love” soundtrack) | Lionel Richie & Diana Ross | 3.5 | 4:26 |
| 21 | Alone | Heart | 3.65 | 3:39 |
| 22 | Per Elisa | Alice | | 3:37 |
| 23 | Tu sei l’unica donna per me | Alan Sorrenti | | 3:51 |
| 24 | Settembre | Alberto Fortis | | 4:17 |
| 25 | The Winner Takes It All- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- bass guitar:
- Mike Watson (on 1980-06-06)
- cello:
- Olle Gustafsson (on 1980-06-16) and Åke Olofsson (on 1980-06-16)
- drums (drum set):
- Ola Brunkert (on 1980-06-06)
- guitar:
- Lasse Wellander (on 1980-06-06)
- keyboard and synthesizer:
- Benny Andersson (on 1980-06-06)
- percussion:
- Åke Sundqvist (on 1980-06-06)
- viola:
- Nils Heie (on 1980-06-16), Håkan Roos (on 1980-06-16) and Bo Söderström (on 1980-06-16)
- violin:
- Martin Bylund (on 1980-06-16), Anders Dahl (on 1980-06-16), Lars Stegenberg (on 1980-06-16), Gunnar Michols (on 1980-06-16), Bernt Nylund (on 1980-06-16), Bertil Orsin (on 1980-06-16), Sixten Strömvall (on 1980-06-16) and Harry Teike (on 1980-06-16)
- background vocals:
- Frida (on 1980-06-06)
- lead vocals:
- Agnetha Fältskog (on 1980-06-06)
- cello, viola and violin arranger:
- Rutger Gunnarsson (in 1980)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1980)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-06-06, on 1980-06-16)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-06-18)
- part of:
- The Downloader’s Music Source Book (number: 66)
- recording of:
- The Winner Takes It All (in 1980-06)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- EMI Music Publishing (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), Bocu Music, EMI Waterford Music, Union Songs AB , Universal PolyGram International Publishing, Inc. , Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
- part of:
- Mamma Mia!
| ABBA | 3.9 | 4:55 |
| 26 | Super Freak- recording engineer and mixer:
- Tom "Super" Flye
- assistant engineer:
- Rick "Port Hole" Sanchez
- engineer:
- Bobby Brooks , Rick "Port Hole" Sanchez and Tom "Super" Flye
- executive producer:
- Alonzo Miller
- producer:
- Rick James
- bass:
- Oscar Alston
- drums (drum set):
- Lanise Hughes
- electric piano and synthesizer [Crumar]:
- Levi Ruffin, Jr.
- guitar:
- Tom McDermott
- handclaps and percussion:
- Oscar Alston, Rick James and Tom McDermott
- other instruments [flexatone] and vibraslap:
- Rick James
- tenor saxophone:
- Daniel LeMelle
- background vocals:
- Dennis Edwards , Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams
- horn arranger:
- Daniel LeMelle and Rick James
- arranger:
- Rick James
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (background vocals) and The Plant Studios in Sausalito, California, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (number: 477)
- recording of:
- Super Freak
- lyricist and composer:
- Alonzo Miller and Rick James
- publisher:
- Jobete Music Co., Inc. and Stone Diamond Music Corporation
| Rick James | 4.15 | 3:25 |
| 27 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981), EMI–Manhattan Records (in 1981) and Capitol Records, LLC (in 1997)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:46 |
| 28 | Don’t Worry Be Happy | Bobby McFerrin | 4.4 | 4:49 |
| 29 | Fiore di Maggio | Fabio Concato | | 3:53 |
| 30 | Sara | Antonello Venditti | | 4:28 |
| 31 | Domenica bestiale | Fabio Concato | | 4:03 |
| 32 | Dimmelo tu perchè | Fiordaliso | | 4:37 |
| 33 | Sogna, ragazzo, sogna | Roberto Vecchioni | | 4:41 |
| 34 | Lay All Your Love on Me- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- bass guitar:
- Rutger Gunnarsson (on 1980-09-09)
- drums (drum set):
- Ola Brunkert (on 1980-09-09)
- guitar:
- Lasse Wellander (on 1980-09-09)
- keyboard and synthesizer:
- Benny Andersson (on 1980-09-09)
- background vocals:
- Frida (on 1980-09-09)
- lead vocals:
- Agnetha Fältskog (on 1980-09-09)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1980)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-09-09)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-10-10)
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 49)
- recording of:
- Lay All Your Love on Me (on 1980-09-09)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd., EMI Music Publishing , Union Songs Music, Universal Music Publishing Group, Universal/Union Songs Musikförlag AB, Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
- part of:
- Mamma Mia!
| ABBA | 3.9 | 4:33 |
| 35 | Rebel Yell- engineer:
- Michael Frondelli
- producer:
- Keith Forsey
- mixer:
- Dave Wittman
- bass guitar:
- Steve Webster (in 1983)
- bass, guitar and keyboard:
- Steve Stevens (in 1983)
- drums (drum set):
- Thommy Price (in 1983)
- keyboard:
- Judi Dozier (in 1983)
- lead vocals:
- Billy Idol (in 1983)
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1983), Capitol Records, LLC (in 1983), Chrysalis Records, Inc. (in 1983, in 1999) and Chrysalis Records Ltd. (in 1986)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Rebel Yell by Billy Idol
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 79)
- recording of:
- Rebel Yell (in 1983)
- lyricist and composer:
- Billy Idol and Steve Stevens
- publisher:
- BMG Monarch, Boneidol Music, Chrysalis Music , Chrysalis Music Holdings GmbH , Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. , Neue Welt Musikverlag GmbH & Co. KG , Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. , Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. and WC Music Corp.
| Billy Idol | 4.5 | 4:49 |
| 36 | Centerfold- engineer:
- Dave Thoener
- producer:
- Seth Justman
- arranger:
- Seth Justman
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1981), Capitol Records, LLC (in 1981), EMI Records USA (in 1981) and EMI Catalog (in 2006)
- recorded at:
- Long View Farm in North Brookfield, Massachusetts, United States
- mixed at:
- Mix Room, Record Plant in New York, New York, United States
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (number: 314)
- recording of:
- Centerfold
- lyricist and composer:
- Seth Justman
- publisher:
- Center City Music, Copyright Control , Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. and Warner/Chappell Music Ltd.
| The J. Geils Band | 4 | 3:37 |
| 37 | Stuck on You | Lionel Richie | 4 | 3:11 |
| 38 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:33 |
| 39 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989), The David Geffen Company (in 1989), Union Square Music Ltd. (in 2018) and Universal Music Operations Limited (in 2018)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.75 | 3:57 |
| 40 | Shout | Tears for Fears | 4.4 | 6:34 |
| 41 | Say You, Say Me | Lionel Richie | 4.15 | 4:03 |
| 42 | Super Trouper- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- acoustic guitar:
- Björn Ulvaeus (on 1980-10-03)
- bass guitar:
- Mike Watson (on 1980-10-03)
- drums (drum set):
- Per Lindvall (on 1980-10-03)
- guitar:
- Janne Schaffer (on 1980-10-03)
- keyboard and synthesizer:
- Benny Andersson (on 1980-10-03)
- percussion:
- Åke Sundqvist (on 1980-10-03)
- background vocals:
- Agnetha Fältskog (in 1980)
- lead vocals:
- Frida (on 1980-10-03)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1980)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-10-03, on 1980-10-14)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (in 1980-10)
- recording of:
- Super Trouper (in 1980-10)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing , Union Songs Music, Universal Music Publishing Group, Universal–Songs of PolyGram International, Inc., Artwork Music Co., Inc. (from 1980 to ????), Countless Songs, Ltd. (from 1980 to ????), EMI Waterford Music (from 1980 to present), Universal PolyGram International Publishing, Inc. (from 1980 to present), Universal/Union Songs Musikförlag AB (from 1980 to present) and Union Songs AB (in 1980)
- part of:
- Mamma Mia!
| ABBA | 3.55 | 4:12 |
| 43 | Relax | Frankie Goes to Hollywood | 4.05 | 3:57 |
| 44 | Missing You- engineer and mixer:
- David Thoener
- drums (drum set):
- Curly Smith
- electric bass guitar [bass]:
- Donnie Nossov
- guitar:
- Gary Myrick
- keyboard:
- Bruce Brody
- percussion:
- Steve Scales
- lead vocals:
- John Waite
- phonographic copyright (℗) by:
- EMI Records (in 1984), EMI Records Ltd. (in 1984) and EMI Records USA (in 1984)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3.75 | 4:26 |
| 45 | Hit Me With Your Best Shot | Pat Benatar | 4.15 | 2:52 |
| 46 | Hello | Lionel Richie | 3.85 | 4:08 |
| 47 | Solo tu | Matia Bazar | | 3:28 |
| 48 | Amore disperato | Nada | | 4:02 |
| 49 | Se mi innamoro | Ricchi e Poveri | | 3:54 |
| 50 | La prima cosa bella | Ricchi e Poveri | | 4:15 |
| 51 | Sally | Vasco Rossi | | 4:43 |
| 52 | Io vagabondo (Che non sono altro) | Nomadi | | 3:14 |
| 53 | Io camminerò | Umberto Tozzi | | 4:43 |
| 54 | Do I Need Your Love | Raf | | 5:01 |
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