A Bach Festival (BMG club edition)

~ Release by Johann Sebastian Bach; Empire Brass, Douglas Major (see all versions of this release, 2 available)

Annotation

The Great Organ of the Washington National Cathedral accompanied the Empire Brass in this recording.

Annotation last modified on 2020-04-21 21:53 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Christmas Oratorio, BWV 248: "Jauchzet, frohlocket!"
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. "Jauchzet, frohlocket" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“
Johann Sebastian Bach6:20
2Cantata, BWV 146 "Wir müssen durch viel Trübsal": "Wie will ich mich freuen"
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VII. "Wie will ich mich freuen" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VII. Aria (Duetto Tenor, Bass) "Wie will ich mich freuen"
Johann Sebastian Bach5:25
3Cantata, BWV 140 "Wachet auf, ruft uns die Stimme": "Sleepers, Wake!"
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral “Zion hört die Wächter singen” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Johann Sebastian Bach4:30
4Cantata, BWV 142 "Uns ist ein Kind geboren": Concerto and Alleluja
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Kantate, BWV 142 "Uns ist ein Kind geboren": I. Sinfonia (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 142 "Uns ist ein Kind geboren": I. Sinfonia
recording of:
Kantate, BWV 142 "Uns ist ein Kind geboren": VIII. "Alleluia" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 142 "Uns ist ein Kind geboren": VIII. Coro "Alleluia"
Johann Sebastian Bach2:25
5Three Chorales: "Nun lob', mein Seel', den Herrn" / "Wie schön leuchtet der Morgenstern" / "In dulci jubilo"
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Choralsatz, BWV 368 "In dulci jubilo" (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Choralsatz, BWV 368 "In dulci jubilo"
recording of:
Choralsatz, BWV 390 "Nun lob, mein Seel, den Herren"
lyricist:
Johann Gramann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 270) and Bach-Werke-Verzeichnis (number: BWV 390)
is based on:
Nun lob, mein Seel, den Herren (german hymn, lyrics after Psalm 103, with the melody of "Weiß mir ein Blümlein blaue", 16th century)
recording of:
Choralsatz, BWV 436 "Wie schön leuchtet der Morgenstern"
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 436) and Breitkopf 389 Choralgesänge (number: 375)
Johann Sebastian Bach3:42
6In dulci jubilo, BWV 729
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
In dulci jubilo, BWV 729
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 729)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
Johann Sebastian Bach2:31
7Cantata, BWV 79 "Gott, der Herr ist Sonn' und Schild": "Nun danket Alle Gott"
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'"
Johann Sebastian Bach2:01
8Cantata, BWV 29 "Wir danken dir, Gott, wir danken dir": Sinfonia
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia
Johann Sebastian Bach4:19
9Cantata, BWV 147 "Herz und Mund und Tat und Leben": "Jesu, Joy of Man's Desiring"
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach4:19
10Easter Oratorio, BWV 249: Sinfonia
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Oster-Oratorium, BWV 249: I. Sinfonia
Johann Sebastian Bach3:40
11Allein Gott in der Höh' sei Ehr', BWV 664
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Choralvorspiele für Orgel in A-Dur, BWV 664 "Trio super: Allein Gott in der Höh' sei Ehr"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 14), Bach Compendium (number: BC K 87) and Bach-Werke-Verzeichnis (number: BWV 664)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach5:12
12Three Chorales: "Allein Gott in der Höh' sei Ehr'" / "Christ lag in Todesbanden" / "O Haupt voll Blut und Wunden"
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Choral, BWV 260 "Allein Gott in der Höh sei Ehr" (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Choral, BWV 260 "Allein Gott in der Höh sei Ehr"
recording of:
Choralsatz, BWV 278 "Christ lag in Todesbanden"
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 39) and Bach-Werke-Verzeichnis (number: BWV 278)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden"
Johann Sebastian Bach3:40
13Cantata, BWV 78 "Jesu, der du meine Seele": "Wir eilen mit schwachen, doch emsigen Schritten"
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. "Wir eilen mit schwachen, doch emsigen Schritten" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten"
Johann Sebastian Bach4:26
14Cantata, BWV 208 "Was mir behagt": "Sheep May Safely Graze"
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:54
15Wir glauben all' an einen Gott, BWV 680
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Choralbearbeitung, BWV 680 "Wir glauben all' an einen Gott"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 12), Bach Compendium (number: BC K 12) and Bach-Werke-Verzeichnis (number: BWV 680)
Johann Sebastian Bach3:52
16Cantata, BWV 80 "Ein feste Burg ist unser Gott": "A Mighty Fortress Is Our God"
recording engineer:
Robert Norberg (recording engineer)
engineer:
Kenny Higgins and Ed Kelly (engineer)
producer:
Patti Laursen
organ:
Douglas Major (organist/conductor)
performer:
Empire Brass (US / Boston brass quintet)
recorded at:
Washington Cathedral (Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington) in Washington, D.C., United States
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn"
Johann Sebastian Bach5:57