| # | Title | Artist | Rating | Length |
|---|
| 1 | The Hill- assistant recording engineer:
- Joel McKenney and Michael Walter (strings)
- recording engineer:
- Joe Baldridge and Steve Marcantonio (strings)
- programming:
- Jesse Frasure and Justin Niebank
- producer:
- Jesse Frasure and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar and guitar [gut string guitar]:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- cello:
- Kevin Bate and Austin Hoke
- drums (drum set):
- Shannon Forrest
- electric guitar:
- Derek Wells
- steel guitar:
- Paul Franklin
- synthesizer:
- Charles Judge
- viola:
- Monisa Angell and Betsy Lamb
- violin:
- David Angell , Jenny Bifano, David Davidson , Alicia Enstrom , Jun Iwasaki and Karen Winkelmann
- background vocals:
- Josh Reedy
- strings arranger:
- Kristin Wilkinson
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Sound Stage Studios in Nashville, Tennessee, United States and Starstruck Studios in Nashville, Tennessee, United States (strings)
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- commentary:
- The Hill (commentary) by Thomas Rhett
- recording of:
- The Hill
- writer:
- Lori McKenna , Jordan Reynolds and Emily Weisband
- publisher:
- BMCMD Songs (from 2022 to present), Buckeye26 (from 2022 to present), Concord Copyrights (from 2022 to present), Creative Pulse Music (from 2022 to present), Ireynmusic (from 2022 to present), Sony Music Publishing (from 2022 to present), WC Music Corp. (from 2022 to present) and Weistribe Publishing (from 2022 to present)
| Thomas Rhett | 2 | 2:47 |
| 2 | Church Boots- assistant recording engineer:
- Joel McKenney
- recording engineer:
- Joe Baldridge
- programming:
- Jesse Frasure, David Huff and Justin Niebank
- producer:
- Jesse Frasure and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar and resonator guitar [dobro]:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- bass synthesizer [synth bass]:
- Jesse Frasure
- drums (drum set):
- Chris Kimmerer
- electric guitar:
- Jesse Frasure, Dann Huff and Derek Wells
- Hammond organ [B-3 organ] and piano:
- Charles Judge
- solo electric guitar:
- Dann Huff
- background vocals:
- Stevie Frasure, Josh Reedy and Thomas Rhett
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Sound Stage Studios in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- commentary:
- Church Boots (commentary) by Thomas Rhett
- recording of:
- Church Boots
- writer:
- Ernest Keith Smith , Jesse Frasure, Ashley Gorley and Thomas Rhett
- publisher:
- Be a Light Publishing (from 2022 to present), Big Loud Mountain Music LLC (from 2022 to present), Caleb’s College Fund (from 2022 to present), ERN Dog Music (from 2022 to present), Round Hill Songs II (from 2022 to present), Songs of Roc Nation Music (from 2022 to present), Songs of Universal, Inc. (from 2022 to present), Telemitry Rhythm House Music (from 2022 to present) and Warner–Tamerlane Publishing Corp. (from 2022 to present)
| Thomas Rhett | 2 | 2:58 |
| 3 | Bass Pro Hat- assistant recording engineer:
- Josh Ditty
- recording engineer:
- Joe Baldridge, Drew Bollman and Matt Dragstrem
- programming:
- Matt Dragstrem, David Huff and Justin Niebank
- producer:
- Matt Dragstrem and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- Scott Cooke
- acoustic guitar, banjo [ganjo], mandolin and resonator guitar [dobro]:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- drums (drum set):
- Chris Kimmerer
- electric guitar:
- Derek Wells
- fiddle:
- Stuart Duncan
- Hammond organ [B-3 organ] and piano:
- Charles Judge
- solo electric guitar:
- Dann Huff
- steel guitar:
- Paul Franklin
- background vocals:
- Josh Reedy and Thomas Rhett
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Blackbird Studio in Nashville, Tennessee, United States, House of Drag in Nashville, Tennessee, United States and Sound Stage Studios in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- recording of:
- Bass Pro Hat
- writer:
- Matt Dragstrem, Joshua Miller, Thomas Rhett and Josh Thompson
- publisher:
- Big Loud Proud Songs (from 2022 to present), Big Music Machine (from 2022 to present), Cricket on the Line (from 2022 to present), EMI Blackwood Music Inc. (from 2022 to present), Jack 10 Publishing (from 2022 to present), Red Bandana Publishing (from 2022 to present), Round Hill Songs BLS JV (from 2022 to present), Super Big Music (from 2022 to present) and Warner–Tamerlane Publishing Corp. (from 2022 to present)
| Thomas Rhett | 2 | 2:56 |
| 4 | Anything Cold- assistant recording engineer:
- Josh Ditty
- recording engineer:
- Joe Baldridge
- producer:
- Jesse Frasure and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar and ukulele:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- drums (drum set) and percussion:
- Chris Kimmerer
- electric guitar:
- Dann Huff and Derek Wells
- Hammond organ [B-3 organ] and Wurlitzer electric piano [Wurlitzer]:
- Charles Judge
- piano and synthesizer:
- Jesse Frasure
- solo electric guitar:
- Dann Huff
- whistle:
- Thomas Rhett
- background vocals:
- Jesse Frasure, Josh Reedy and Thomas Rhett
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Sound Stage Studios in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- commentary:
- Anything Cold (commentary) by Thomas Rhett
- recording of:
- Anything Cold
- writer:
- Jesse Frasure, Ashley Gorley, Shane McAnally and Thomas Rhett
- publisher:
- Caleb’s College Fund (from 2022 to present), Cricket on the Line (from 2022 to present), EMI Blackwood Music Inc. (from 2022 to present), Round Hill Songs II (from 2022 to present), Smackwood Music (from 2022 to present), Songs of Roc Nation Music (from 2022 to present), Telemitry Rhythm House Music (from 2022 to present), Tempo Music Investments, LLC (from 2022 to present), Warner Geo‐Met‐Ric Music (from 2022 to present) and Warner–Tamerlane Publishing Corp. (from 2022 to present)
| Thomas Rhett | 2 | 2:47 |
| 5 | Angels- additional recording engineer:
- Mark Zellmer
- assistant recording engineer:
- Sean Badum
- recording engineer:
- Buckley Miller
- programming:
- David Huff
- producer:
- Julian Bunetta and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar:
- Julian Bunetta and Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- drums (drum set):
- Jerry Roe
- electric guitar:
- Tom Bukovac and Dann Huff
- Hammond organ [B-3 organ]:
- Charles Judge
- steel guitar:
- Paul Franklin
- background vocals:
- Teddy Swims
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Blackbird Studio in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- commentary:
- Angels (commentary) by Thomas Rhett
- recording of:
- Angels
- writer:
- Julian Bunetta, Jaten Dimsdale , Thomas Rhett and Josh Thompson
- publisher:
- Be a Light Publishing (from 2022 to present), Dragon Bunny Music (from 2022 to present), Music of Big Family (from 2022 to present), MV2 Music (from 2022 to present), Red Bandana Publishing (from 2022 to present), Teddy Swims LLC (from 2022 to present) and Warner–Tamerlane Publishing Corp. (from 2022 to present)
| Thomas Rhett | 2 | 3:34 |
| 6 | Half of Me- assistant recording engineer:
- Joel McKenney
- recording engineer:
- Joe Baldridge
- programming:
- Jesse Frasure and Justin Niebank
- producer:
- Jesse Frasure and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- drums (drum set):
- Shannon Forrest
- electric guitar:
- Dann Huff and Derek Wells
- Hammond organ [B-3 organ] and piano:
- Charles Judge
- mandolin and solo electric guitar:
- Dann Huff
- steel guitar:
- Paul Franklin
- background vocals:
- Josh Reedy
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Sound Stage Studios in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- recording of:
- Half of Me
- writer:
- Rhett Akins , Will Bundy , Thomas Rhett and Josh Thompson
- publisher:
- Big Music Machine (from 2022 to present), Cricket on the Line (from 2022 to present), EMI Blackwood Music Inc. (from 2022 to present), MV2 Music (from 2022 to present), Ritten by Rhettro (from 2022 to present), Warner–Tamerlane Publishing Corp. (from 2022 to present) and WC Music Corp. (from 2022 to present)
| Thomas Rhett featuring Riley Green | 4 | 3:03 |
| 7 | Bring the Bar- assistant recording engineer:
- Josh Ditty
- recording engineer:
- Joe Baldridge
- programming:
- Jesse Frasure, David Huff and Justin Niebank
- producer:
- Jesse Frasure and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- bass synthesizer [synth bass]:
- Jesse Frasure
- drums (drum set):
- Chris Kimmerer
- electric guitar:
- Dann Huff
- Hammond organ [B-3 organ] and piano:
- Charles Judge
- slide guitar [slide electric guitar]:
- Derek Wells
- steel guitar:
- Paul Franklin
- background vocals:
- Josh Reedy and Thomas Rhett
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Sound Stage Studios in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- commentary:
- Bring the Bar (commentary) by Thomas Rhett
- recording of:
- Bring the Bar
- writer:
- Rhett Akins , Jesse Frasure, Ashley Gorley, Thomas Rhett and Parker Welling
- publisher:
- Caleb’s College Fund (from 2022 to present), Cricket on the Line (from 2022 to present), EMI Blackwood Music Inc. (from 2022 to present), Ritten by Rhettro (from 2022 to present), Round Hill Songs II (from 2022 to present), Songs of Home Team Music (from 2022 to present), Songs of Roc Nation Music (from 2022 to present), Telemitry Rhythm House Music (from 2022 to present), Tunes by TrailerParker (from 2022 to present) and Warner–Tamerlane Publishing Corp. (from 2022 to present)
| Thomas Rhett | 1 | 3:29 |
| 8 | Paradise- assistant recording engineer:
- Joel McKenney
- recording engineer:
- Joe Baldridge
- programming:
- Jesse Frasure, David Huff and Justin Niebank
- producer:
- Jesse Frasure and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- bass synthesizer [synth bass]:
- Jesse Frasure
- drums (drum set):
- Chris Kimmerer
- electric guitar:
- Dann Huff and Derek Wells
- Rhodes piano and synthesizer:
- Charles Judge
- sitar, slide guitar [slide electric guitar] and synthesizer [synth flute]:
- Dann Huff
- steel guitar:
- Paul Franklin
- whistle:
- Thomas Rhett
- background vocals:
- Matt Dragstrem, Josh Reedy and Thomas Rhett
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Sound Stage Studios in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- recording of:
- Paradise
- writer:
- Matt Dragstrem, Ernest Keith Smith , Thomas Rhett and Josh Thompson
- publisher:
- Be a Light Publishing (from 2022 to present), Big Loud Mountain Music LLC (from 2022 to present), ERN Dog Music (from 2022 to present), M Drag Songs (from 2022 to present), MV2 Music (from 2022 to present), Red Bandana Publishing (from 2022 to present), Songs of Universal, Inc. (from 2022 to present), Super Big Music (from 2022 to present) and Warner–Tamerlane Publishing Corp. (from 2022 to present)
| Thomas Rhett | 1 | 3:08 |
| 9 | Death Row- assistant recording engineer:
- Josh Ditty
- recording engineer:
- Joe Baldridge
- programming:
- Jesse Frasure, Dann Huff, David Huff and Justin Niebank
- producer:
- Jesse Frasure and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- drums (drum set):
- Chris Kimmerer
- electric guitar:
- Derek Wells
- Hammond organ [B-3 organ] and synthesizer:
- Charles Judge
- solo electric guitar:
- Dann Huff
- steel guitar:
- Paul Franklin
- background vocals:
- Josh Reedy and Thomas Rhett
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Sound Stage Studios in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- commentary:
- Death Row (commentary) by Thomas Rhett
- recording of:
- Death Row
- writer:
- Zach Crowell, Ashley Gorley and Thomas Rhett
- publisher:
- Caleb’s College Fund (from 2022 to present), Cricket on the Line (from 2022 to present), EMI Blackwood Music Inc. (from 2022 to present), Kyler's Kindo Night (from 2022 to present), Miller Crow Music (from 2022 to present), Round Hill Songs II (from 2022 to present), Spirit Two Nashville (from 2022 to present) and Warner–Tamerlane Publishing Corp. (from 2022 to present)
| Thomas Rhett featuring Tyler Hubbard & Russell Dickerson | 2 | 3:51 |
| 10 | Mama’s Front Door- assistant recording engineer:
- Josh Ditty
- recording engineer:
- Joe Baldridge
- programming:
- Jesse Frasure, Dann Huff, David Huff and Justin Niebank
- producer:
- Jesse Frasure and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- bass synthesizer [synth bass] and solo electric guitar:
- Dann Huff
- drums (drum set):
- Chris Kimmerer
- electric guitar:
- Dann Huff and Derek Wells
- Hammond organ [B-3 organ] and synthesizer:
- Charles Judge
- steel guitar:
- Paul Franklin
- background vocals:
- Josh Reedy
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Blackbird Studio in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- recording of:
- Mama’s Front Door
- writer:
- Matt Dragstrem, Ashley Gorley, Chase McGill and Thomas Rhett
- publisher:
- Be a Light Publishing (from 2022 to present), Drag Drag Music (from 2022 to present), Family Farm Songs (from 2022 to present), Songs of Universal, Inc. (from 2022 to present), Super Big Music (from 2022 to present) and Warner–Tamerlane Publishing Corp. (from 2022 to present)
| Thomas Rhett | 1 | 2:43 |
| 11 | Slow Down Summer- assistant recording engineer:
- Kam Luchterhand and Jory Roberts
- recording engineer:
- Joe Baldridge
- miscellaneous support:
- David Angell (task: contractor) and Stephen Lamb (task: copyist)
- programming:
- Jesse Frasure, David Huff and Justin Niebank
- producer:
- Jesse Frasure and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- bass synthesizer [synth bass] and string synthesizer [synth strings]:
- Jesse Frasure
- cello:
- Kevin Bate and Sari Reist
- drums (drum set):
- Chris Kimmerer
- electric guitar:
- Dann Huff and Derek Wells
- mandolin:
- Dann Huff and Ilya Toshinsky
- piano:
- Charles Judge
- sitar and slide guitar [slide electric guitar]:
- Dann Huff
- steel guitar:
- Paul Franklin
- viola:
- Monisa Angell and Chris Farrell
- violin:
- David Angell , David Davidson , Conni Ellisor and Jun Iwasaki
- background vocals:
- Stevie Frasure, Josh Reedy and Thomas Rhett
- strings arranger:
- Kristin Wilkinson
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Blackbird Studio in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- recording of:
- Slow Down Summer
- writer:
- Rhett Akins , Sean Douglas , Jesse Frasure, Ashley Gorley and Thomas Rhett
- publisher:
- Caleb’s College Fund (from 2022 to present), Cricket on the Line (from 2022 to present), Eastman Pond Publishing (from 2022 to present), EMI Blackwood Music Inc. (from 2022 to present), Ritten by Rhettro (from 2022 to present), Round Hill Songs II (from 2022 to present), Songs of Roc Nation Music (from 2022 to present), Telemitry Rhythm House Music (from 2022 to present) and Warner–Tamerlane Publishing Corp. (from 2022 to present)
| Thomas Rhett | 2 | 3:38 |
| 12 | Simple as a Song- assistant recording engineer:
- Jory Roberts
- recording engineer:
- Joe Baldridge
- miscellaneous support:
- David Angell (task: contractor) and Stephen Lamb (task: copyist)
- programming:
- Jesse Frasure, David Huff , Luke Laird and Justin Niebank
- producer:
- Jesse Frasure and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar and ukulele:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- bass synthesizer [synth bass]:
- Luke Laird
- cello:
- Kevin Bate and Sari Reist
- drums (drum set) and percussion:
- Chris Kimmerer
- electric guitar:
- Dann Huff and Derek Wells
- piano and Wurlitzer electric piano [Wurlitzer]:
- Charles Judge
- sitar:
- Dann Huff
- string synthesizer [synth strings]:
- Jesse Frasure
- synthesizer:
- Charles Judge and Luke Laird
- viola:
- Monisa Angell and Chris Farrell
- violin:
- David Angell , David Davidson , Conni Ellisor and Jun Iwasaki
- background vocals:
- Josh Reedy and Thomas Rhett
- strings arranger:
- Kristin Wilkinson
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Sound Stage Studios in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- recording of:
- Simple as a Song
- writer:
- Jimmie Crane, Al Jacobs, Jimmy Brewster, Luke Laird , Thomas Rhett and Josh Thompson
- publisher:
- Cricket on the Line (from 2022 to present), Deb‐Mi Publishing Co. (from 2022 to present), EMI Blackwood Music Inc. (from 2022 to present), EMI Miller Catalog, Inc. (from 2022 to present), MV2 Music (from 2022 to present), Red Bandana Publishing (from 2022 to present), Sony Music Publishing LLC (from 2022 to present), Suzanne James Songs (from 2022 to present), Warner–Tamerlane Publishing Corp. (from 2022 to present) and We Are Creative Nation (from 2022 to present)
- is based on:
- If I Give My Heart to You
| Thomas Rhett | 1 | 3:22 |
| 13 | Us Someday- assistant recording engineer:
- Josh Ditty and Michael Walter (strings)
- recording engineer:
- Joe Baldridge and Steve Marcantonio (strings)
- programming:
- Jesse Frasure, David Huff and Justin Niebank
- producer:
- Jesse Frasure and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar and banjo:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- cello:
- Kevin Bate and Austin Hoke
- drums (drum set):
- Chris Kimmerer
- electric guitar:
- Derek Wells
- steel guitar:
- Paul Franklin
- string synthesizer [synth strings]:
- Jesse Frasure
- synthesizer:
- Charles Judge
- viola:
- Monisa Angell and Betsy Lamb
- violin:
- David Angell , Jenny Bifano, David Davidson , Alicia Enstrom , Jun Iwasaki and Karen Winkelmann
- background vocals:
- Stevie Frasure, Josh Reedy and Thomas Rhett
- strings arranger:
- Kristin Wilkinson
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Blackbird Studio in Nashville, Tennessee, United States and Starstruck Studios in Nashville, Tennessee, United States (strings)
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- commentary:
- Us Someday (commentary) by Thomas Rhett
- recording of:
- Us Someday
- writer:
- Rhett Akins , Jesse Frasure, Thomas Rhett and Amy Wadge
- publisher:
- Cookie Jar Music LLP (from 2022 to present), Cricket on the Line (from 2022 to present), EMI Blackwood Music Inc. (from 2022 to present), Ritten by Rhettro (from 2022 to present), Songs of Roc Nation Music (from 2022 to present), Telemitry Rhythm House Music (from 2022 to present), Warner Chappell Music Ltd. (from 2022 to present), Warner–Tamerlane Publishing Corp. (from 2022 to present) and WC Music Corp. (from 2022 to present)
| Thomas Rhett | 2 | 2:24 |
| 14 | Somebody Like Me- assistant recording engineer:
- Jory Roberts
- recording engineer:
- Joe Baldridge
- programming:
- Matt Dragstrem, Jesse Frasure and David Huff
- producer:
- Jesse Frasure and Dann Huff
- additional mixer:
- Drew Bollman
- mixer:
- Justin Niebank
- editor:
- David Huff and Chris Small
- acoustic guitar:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- bass synthesizer [synth bass]:
- Jesse Frasure
- drums (drum set):
- Chris Kimmerer
- electric guitar:
- Matt Dragstrem and Derek Wells
- Hammond organ [B-3 organ] and Rhodes piano:
- Charles Judge
- piano:
- Matt Dragstrem and Charles Judge
- solo electric guitar:
- Derek Wells
- synthesizer:
- Matt Dragstrem
- background vocals:
- Matt Dragstrem, Josh Reedy and Thomas Rhett
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Sound Stage Studios in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States and Hound’s Ear Studio in Franklin, Tennessee, United States
- commentary:
- Somebody Like Me (commentary) by Thomas Rhett
- recording of:
- Somebody Like Me
- writer:
- Rhett Akins , Matt Dragstrem, Thomas Rhett and Josh Thompson
- publisher:
- Big Loud Proud Songs (from 2022 to present), Cricket on the Line (from 2022 to present), EMI Blackwood Music Inc. (from 2022 to present), MV2 Music (from 2022 to present), Red Bandana Publishing (from 2022 to present), Ritten by Rhettro (from 2022 to present), Round Hill Songs BLS JV (from 2022 to present), Super Big Music (from 2022 to present) and Warner–Tamerlane Publishing Corp. (from 2022 to present)
| Thomas Rhett | 2 | 2:50 |
| 15 | Where We Started- assistant recording engineer:
- Josh Ditty
- recording engineer:
- Joe Baldridge
- miscellaneous support:
- David Angell (task: contractor) and Stephen Lamb (task: copyist)
- programming and producer:
- Jesse Frasure and Dann Huff
- engineer:
- Bryce Bordone
- mixer:
- Serban Ghenea
- editor:
- David Huff and Chris Small
- acoustic guitar:
- Ilya Toshinsky
- bass guitar:
- Jimmie Lee Sloas
- bass synthesizer [synth bass] and synthesizer:
- Jesse Frasure
- cello:
- Kevin Bate and Sari Reist
- electric guitar:
- Derek Wells
- Hammond organ [B-3 organ]:
- Charles Judge
- percussion:
- Chris Kimmerer
- steel guitar:
- Paul Franklin
- viola:
- Monisa Angell and Chris Farrell
- violin:
- David Angell , David Davidson , Conni Ellisor and Jun Iwasaki
- background vocals:
- Jon Bellion
- strings arranger:
- Kristin Wilkinson
- phonographic copyright (℗) by:
- Big Machine Label Group, LLC (in 2022)
- recorded at:
- Sound Stage Studios in Nashville, Tennessee, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- commentary:
- Where We Started (commentary) by Thomas Rhett
- recording of:
- Where We Started
- writer:
- Jon Bellion, Jesse Frasure, Ashley Gorley and Thomas Rhett
- publisher:
- Art for Art's Sake Music (from 2022 to present), BMG Gold Songs (from 2022 to present), Caleb’s College Fund (from 2022 to present), Cricket on the Line (from 2022 to present), EMI Blackwood Music Inc. (from 2022 to present), Round Hill Songs II (from 2022 to present), Songs of Roc Nation Music (from 2022 to present), Telemitry Rhythm House Music (from 2022 to present), Universal Music Corp. (from 2022 to present) and Warner–Tamerlane Publishing Corp. (from 2022 to present)
| Thomas Rhett + Katy Perry | 4 | 3:04 |
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