It’s Louis Armstrong

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

10-CD set.

Anmerkung zuletzt geändert am 2014-07-03 19:08 UTC.

Titelliste

1▶CD
2▶CD
3▶CD
4▼CD
Nr.TitelBewertungLänge
1Love, You Funny Thing
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-02)
alto saxophone:
Lester Boone (am 1932-03-02) und George James (US jazz saxophonist) (am 1932-03-02)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-03-02)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-03-02)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-03-02)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-03-02)
Schlagzeug:
Tubby Hall (am 1932-03-02)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-03-02)
Trompete:
Louis Armstrong (am 1932-03-02) und Zilner Randolph (am 1932-03-02)
vocals:
Louis Armstrong (am 1932-03-02)
recording of:
Love, You Funny Thing (am 1932-03-02)
Verfasser(in):
Fred Ahlert und Roy Turk
3:47
2The New Tiger Rag
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-11)
alto saxophone:
Lester Boone (am 1932-03-11)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-03-11)
Klarinette:
George James (US jazz saxophonist) (am 1932-03-11)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-03-11)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-03-11)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-03-11)
Schlagzeug:
Tubby Hall (am 1932-03-11)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-03-11)
Trompete:
Louis Armstrong (am 1932-03-11) und Zilner Randolph (am 1932-03-11)
vocals:
Louis Armstrong (am 1932-03-11)
recording of:
Tiger Rag (original 1917 instrumental version) (am 1932-03-11)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
3:29
3Keepin’ Out of Mischief Now
cover recording of:
Keepin’ Out of Mischief Now
Texter:
Andy Razaf
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Razaf Music
3:37
4Lawd, You Made the Night Too Long
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-11)
alto saxophone:
Lester Boone und George James (US jazz saxophonist)
Gitarre:
Mike McKendrick (Jazz banjo and guitar)
Klavier:
Charlie Alexander (US jazz pianist)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton)
Posaune:
Preston Jackson (jazz trombonist)
Schlagzeug:
Tubby Hall
Tenorsaxophon:
Albert Washington (jazz tenor sax)
Trompete:
Louis Armstrong und Zilner Randolph
vocals:
Louis Armstrong
recording of:
Lord, You Made the Night Too Long (am 1932-03-11)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
3:30
5That’s My Home
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-08, am 1932-12-28)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08) und Edgar Sampson (am 1932-12-08)
Geige / Violine:
Edgar Sampson (am 1932-12-08)
Gitarre:
John Trueheart (am 1932-12-08)
Klarinette:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08)
Klavier:
Don Kirkpatrick (jazz pianist) (am 1932-12-08)
Kontrabass [bass] und Tuba:
Elmer James (am 1932-12-08)
Posaune:
Charlie Green (Trombonist) (am 1932-12-08)
Schlagzeug:
Chick Webb (am 1932-12-08)
Tenorsaxophon:
Elmer Williams (am 1932-12-08)
Trompete:
Louis Armstrong (am 1932-12-08, am 1932-12-28), Louis Bacon (am 1932-12-08), Billy Hicks (US jazz trumpeter) (am 1932-12-08) und Louis Hunt (am 1932-12-08)
vocals:
Louis Armstrong (am 1932-12-08, am 1932-12-28)
Orchester:
Louis Armstrong and His Orchestra (am 1932-12-28)
recording of:
That’s My Home (am 1932-12-08)
Komponist(in):
Ben Ellison, Leon René und Otis René
43:11
6Hobo, You Can’t Ride This Train
recording of:
Hobo, You Can’t Ride This Train
Verfasser(in):
Louis Armstrong
3:01
7I Hate to Leave You Know
3:11
8You’ll Wish You’d Never Been Born
recording of:
You’ll Wish You’d Never Been Born
Komponist(in):
Louis Armstrong
3:16
9Medley [When You’re Smiling/Saint James Infirmary/Dinah], Part II
4:32
10Medley [You Rascal You/When It’s Sleepy Time Down South/Nobody’s Sweetheart], Part I
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-21)
alto saxophone:
Arthur Davey (US jazz saxophonist) (am 1932-12-21) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1932-12-21)
Banjo, Gitarre und Posaune:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1932-12-21)
Klavier:
Wesley Robinson (US jazz pianist) (am 1932-12-21)
Schlagzeug:
Benny Hill (US jazz drummer, active 1930s) (am 1932-12-21)
Tenorsaxophon:
Ellsworth Blake (US jazz saxophonist) (am 1932-12-21)
Trompete:
Louis Armstrong (am 1932-12-21) und Charlie Gaines (US jazz trumpeter) (am 1932-12-21)
Tuba [brass bass]:
Ed Hayes (US jazz bassist/tuba player) (am 1932-12-21)
vocals:
Louis Armstrong (am 1932-12-21)
medley including a recording of:
I’ll Be Glad When You’re Dead, You Rascal You (am 1932-12-21)
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
Nobody’s Sweetheart (am 1932-12-21)
Texter:
Ernie Erdman (Songwriter/composer and pianist) und Gus Kahn
Komponist(in):
Billy Meyers (US jazz songwriter) und Elmer Schoebel
medley including a recording of:
When It’s Sleepy Time Down South (am 1932-12-21)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
4:20
11I’ve Got the World on a String
recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:15
12I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
3:02
13Hustlin’ and Bustlin’ for Baby
recording of:
Hustlin’ and Bustlin’ for Baby
Verfasser(in):
Harry M. Woods (American 1920/30s songwriter)
3:08
14Sittin’ in the Dark
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-26)
alto saxophone:
Scoville Browne (am 1933-01-26) und George Oldham (am 1933-01-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Klarinette:
Scoville Browne (am 1933-01-26), Budd Johnson (am 1933-01-26) und George Oldham (am 1933-01-26)
Klavier:
Teddy Wilson (am 1933-01-26)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-26)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-26)
Tenorsaxophon:
Budd Johnson (am 1933-01-26)
Trompete:
Louis Armstrong (am 1933-01-26), Zilner Randolph (am 1933-01-26) und Elmer Whitlock (US trumpet player) (am 1933-01-26)
vocals:
Louis Armstrong (am 1933-01-26)
recording of:
Sittin’ in the Dark (am 1933-01-26)
Verfasser(in):
Harold Adamson und Jesse Greer
3:00
15High Society
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-26)
alto saxophone:
Scoville Browne (am 1933-01-26) und George Oldham (am 1933-01-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Klarinette:
Scoville Browne (am 1933-01-26), Budd Johnson (am 1933-01-26) und George Oldham (am 1933-01-26)
Klavier:
Teddy Wilson (am 1933-01-26)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-26)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-26)
Tenorsaxophon:
Budd Johnson (am 1933-01-26)
Trompete:
Louis Armstrong (am 1933-01-26), Zilner Randolph (am 1933-01-26) und Elmer Whitlock (US trumpet player) (am 1933-01-26)
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally) (am 1933-01-26)
Texter:
Walter Melrose
Komponist(in):
Porter Steele (in 1901-04)
basiert auf:
High Society (march composed by Porter Steele in 1901)
3:25
16He’s a Son of the South
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-26)
alto saxophone:
Scoville Browne (am 1933-01-26) und George Oldham (am 1933-01-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Klarinette:
Scoville Browne (am 1933-01-26), Budd Johnson (am 1933-01-26) und George Oldham (am 1933-01-26)
Klavier:
Teddy Wilson (am 1933-01-26)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-26)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-26)
Tenorsaxophon:
Budd Johnson (am 1933-01-26)
Trompete:
Louis Armstrong (am 1933-01-26), Zilner Randolph (am 1933-01-26) und Elmer Whitlock (US trumpet player) (am 1933-01-26)
vocals:
Louis Armstrong (am 1933-01-26)
recording of:
He’s a Son of the South (am 1933-01-26)
Texter:
Joe Davis (US lyricist, producer, publisher & promoter)
Komponist(in):
Reginald Foresythe
2:38
17Some Sweet Day
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-27)
alto saxophone:
Scoville Browne (am 1933-01-27) und George Oldham (am 1933-01-27)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-27)
Klarinette:
Scoville Browne (am 1933-01-27), Budd Johnson (am 1933-01-27) und George Oldham (am 1933-01-27)
Klavier:
Teddy Wilson (am 1933-01-27)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-27)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-27)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-27)
Tenorsaxophon:
Budd Johnson (am 1933-01-27)
Trompete:
Louis Armstrong (am 1933-01-27), Zilner Randolph (am 1933-01-27) und Elmer Whitlock (US trumpet player) (am 1933-01-27)
vocals:
Louis Armstrong (am 1933-01-27)
recording of:
Some Sweet Day (am 1933-01-27)
Texter:
Ed Rose (lyricist)
Komponist(in):
Tony Jackson (New Orleans ragtime pianist) und Abe Olman
recording of:
Some Sweet Day (in 1933)
Texter:
Ed Rose (lyricist)
Komponist(in):
Tony Jackson (New Orleans ragtime pianist) und Abe Olman
3:01
18Basin Street Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-27)
alto saxophone:
Scoville Browne (am 1933-01-27) und George Oldham (am 1933-01-27)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-27)
Klarinette:
Scoville Browne (am 1933-01-27), Budd Johnson (am 1933-01-27) und George Oldham (am 1933-01-27)
Klavier:
Teddy Wilson (am 1933-01-27)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-27)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-27)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-27)
Tenorsaxophon:
Budd Johnson (am 1933-01-27)
Trompete:
Louis Armstrong (am 1933-01-27), Zilner Randolph (am 1933-01-27) und Elmer Whitlock (US trumpet player) (am 1933-01-27)
vocals:
Louis Armstrong (am 1933-01-27)
cover recording of:
Basin Street Blues (am 1933-01-27)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:25
19Honey Do
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-27)
alto saxophone:
Scoville Browne (am 1933-01-27) und George Oldham (am 1933-01-27)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-27)
Klarinette:
Scoville Browne (am 1933-01-27), Budd Johnson (am 1933-01-27) und George Oldham (am 1933-01-27)
Klavier:
Teddy Wilson (am 1933-01-27)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-27)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-27)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-27)
Tenorsaxophon:
Budd Johnson (am 1933-01-27)
Trompete:
Louis Armstrong (am 1933-01-27), Zilner Randolph (am 1933-01-27) und Elmer Whitlock (US trumpet player) (am 1933-01-27)
vocals:
Louis Armstrong (am 1933-01-27)
recording of:
Honey, Do (am 1933-01-27)
Verfasser(in):
J.C. Johnson und Andy Razaf
2:37
20Snowball
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-28)
alto saxophone:
Scoville Browne (am 1933-01-28) und George Oldham (am 1933-01-28)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-28)
Klarinette:
Scoville Browne (am 1933-01-28), Budd Johnson (am 1933-01-28) und George Oldham (am 1933-01-28)
Klavier:
Teddy Wilson (am 1933-01-28)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-28)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-28)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-28)
Tenorsaxophon:
Budd Johnson (am 1933-01-28)
Trompete:
Louis Armstrong (am 1933-01-28), Zilner Randolph (am 1933-01-28) und Elmer Whitlock (US trumpet player) (am 1933-01-28)
vocals:
Louis Armstrong (am 1933-01-28)
recording of:
Snowball (am 1933-01-28)
Verfasser(in):
Hoagy Carmichael
3:07
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