Bach 333: Great Bach Singers

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Christmas Oratorio, BWV 248: Part One - For the First Day of Christmas: No. 1 Chorus "Jauchzet, frohlocket"
choir vocals:
Berliner Motettenchor (from 1955-08-03 until 1955-08-10) and RIAS Kammerchor (German chamber choir) (from 1955-08-03 until 1955-08-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1955-08-03 until 1955-08-10)
conductor:
Fritz Lehmann (conductor) (from 1955-08-03 until 1955-08-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1955-08-03 until 1955-08-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
8:18
2Christmas Oratorio, BWV 248: Part Two - For the Second Day of Christmas: No. 15 Aria (Tenor) "Frohe Hirten, eilt, ach<"
tenor vocals:
Helmut Krebs (tenor) (from 1955-08-03 until 1955-08-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1955-08-03 until 1955-08-10)
conductor:
Fritz Lehmann (conductor) (from 1955-08-03 until 1955-08-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1955-08-03 until 1955-08-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:49
3Mass in B Minor, BWV 232: Agnus Dei: 26. "Agnus Dei"
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:47
4Widerstehe doch der Sünde, Cantata BWV 54: 1. "Widerstehe doch der Sünde"
alto vocals:
Hilde Rössel‐Majdan (Austrian contralto)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Hermann Scherchen (conductor)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
4:00
5Widerstehe doch der Sünde, Cantata BWV 54: 3. "Wer Sünde tut, der ist vom Teufel"
alto vocals:
Helen Watts (contralto)
orchestra:
Philomusica of London
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
3:24
6Kommt, eilet und laufet (Easter Oratorio), BWV 249: 7. Aria "Sanfte soll mein Todeskummer"
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1956-07)
orchestra:
Stuttgarter Bach-Orchester (in 1956-07)
conductor:
Marcel Couraud (conductor) (in 1956-07)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956-07)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1956-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
6:48
7Jauchzet Gott in allen Landen, Cantata BWV 51: I. "Jauchzet Gott in allen Landen"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
trumpet:
Willi Bauer (trumpet player) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:45
8"Weichet nur, betrübte Schatten" Cantata, BWV 202 "Wedding Cantata": 7. "Sich üben im Lieben"
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1959-08)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1959-08)
oboe:
Kurt Hausmann (oboist) (in 1959-08)
violin:
Otto Büchner (violinist) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
4:35
9Es ist euch gut, dass ich hingehe, Cantata BWV 108: No. 5: "Was mein Herz von dir begehrt"
recorded in:
Wien (Vienna), Austria (in 1960-07)
alto vocals:
Aafje Heynis (contralto)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Hans Gillesberger
recording of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe": V. Aria (Alt) "Was mein Herz von dir begehrt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 108 "Es ist euch gut, daß ich hingehe"
4:04
10St. Matthew Passion, BWV 244: Part One: No. 6 "Buss und Reu"
alto vocals:
Marga Höffgen (contralto) (in 1965-11)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1965-11)
conductor:
Eugen Jochum (conductor) (in 1965-11)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1965-11)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1965-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:57
11St. Matthew Passion: Part 2: No. 35 Aria (Tenor) "Geduld, Geduld, wenn mich falsche Zungen stechen (Extract)
producer:
Ray Minshull (record producer)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1964-07-27 until 1964-07-28)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1964-07-27 until 1964-07-28)
conductor:
Karl Münchinger (German conductor) (from 1964-07-27 until 1964-07-28)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1964-07-27 until 1964-07-28)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1964-07-27 until 1964-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:02
12St. Matthew Passion, BWV 244: Part Two: No. 39: "Erbarme dich"
alto vocals:
Aafje Heynis (contralto) (in 1961)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1961)
conductor:
Hans Gillesberger (in 1961)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1961)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:21
13St. Matthew Passion, BWV 244: Part Two: No. 49 "Aus Liebe will mein Heiland Sterben"
soprano vocals:
Agnes Giebel (soprano) (in 1965-11)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1965-11)
conductor:
Eugen Jochum (conductor) (in 1965-11)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1965-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:06
14Christmas Oratorio, BWV 248: Pt. 5 - For the 1st Sunday in the New Year: No. 51. Terzetto "Ach, wann wird die Zeit ers
recording engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr Gerd Ploebsch (engineer) and Prof. Dr. Hans Hickmann
producer:
Hans Weber (producer/engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1965-02 until 1965-06) and Detlev Kühl (bassoonist) (from 1965-02 until 1965-06)
cello:
Kurt Engert (cellist) (from 1965-02 until 1965-06) and Oswald Uhl (cellist) (from 1965-02 until 1965-06)
double bass:
Herbert Duft (double bass player) (from 1965-02 until 1965-06) and Ludwig Kiblböck (double bass player) (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (German horn player) (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (classical horn player) (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (flautist) (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (French trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (trumpeter) (from 1965-02 until 1965-06)
violin:
Otto Büchner (violinist) (from 1965-02 until 1965-06)
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1965-02 until 1965-06)
soprano vocals:
Gundula Janowitz (soprano) (from 1965-02 until 1965-06)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1965-02 until 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:27
15Magnificat in D major, BWV 243: XII. Chorus "Gloria Patri"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:26
16St. John Passion, BWV 245: Part One: No. 9 "Ich folge dir gleichfalls"
producer:
Jaap van Ginneken
soprano vocals:
Agnes Giebel (soprano)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra)
conductor:
Eugen Jochum (conductor)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1967-06)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
3:40
17Meinen Jesum lass ich nicht, Cantata BWV 124: III. "Und wenn der harte Todesschlag"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Wolfgang Werner
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-03) and Karl Kolbinger (bassoonist) (in 1967-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-03) and Fritz Kiskalt (cellist) (in 1967-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-03)
oboe d'amore:
Manfred Clement (oboist) (in 1967-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-03) and Elmar Schloter (organist) (in 1967-03)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-03)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": III. Aria (Tenor) "Und wenn der harte Todesschlag" (in 1967-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
3:14
18Herr, gehe nicht ins Gericht mit deinem Knecht, Cantata BWV 105: 5. "Kann ich nur Jesum mir zum Freunde machen"
engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1966-05-29 until 1966-05-31)
choir vocals:
Chœur Pro Arte de Lausanne (from 1966-05-29 until 1966-05-31)
contralto vocals:
Helen Watts (contralto) (from 1966-05-29 until 1966-05-31)
tenor vocals:
Ian Partridge (tenor) (from 1966-05-29 until 1966-05-31)
vocals:
Chœur de la Suisse Romande (from 1966-05-29 until 1966-05-31)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1966-05-29 until 1966-05-31)
conductor:
Ernest Ansermet (conductor) (from 1966-05-29 until 1966-05-31)
balance engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1966-05-29 until 1966-05-31)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (from 1966-05-29 until 1966-05-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
6:42
19Ich habe genug, Cantata BWV 82: III. "Schlummert ein, ihr matten Augen"
sound engineer and balance engineer:
Harald Baudis (sound engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1968-07) and Karl Kolbinger (bassoonist) (in 1968-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1968-07) and Fritz Kiskalt (cellist) (in 1968-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1968-07)
oboe:
Manfred Clement (oboist) (in 1968-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970) and Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1968-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
9:48
20Magnificat in D major, BWV 243: 6. Aria (Duet) "Et misericordia"
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1968-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
4:23
21Sie werden euch in den Bann tun, Cantata BWV 44: III. "Christen müssen auf der Erden"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-10, from 1974-01 until 1974-02, in 1975-01)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": III. Aria (Alto) "Christen müssen auf der Erden" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
5:23
22Mass in B minor, BWV 232: Kyrie: 2. "Christe eleison"
engineer and producer:
Vittorio Negri (conductor)
mezzo-soprano vocals and solo alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1977-11)
solo soprano vocals and soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1977-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:24
23Mass in B minor, BWV 232: Gloria: 8. "Domine Deus"
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1991-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
6:00
24Mass in B minor, BWV 232: Gloria: 10. "Qui sedes ad dexteram Patris"
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1998-06)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1998-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1998-06)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1998-06)
chorus master:
Roberto Gabbiani (chorus master) (in 1998-06)
recorded at:
Auditorium Conciliazione in Roma (Rome), Roma, Lazio, Italy (in 1998-06)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1998-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:12
25St. John Passion, BWV 245: Part Two: 31. Arioso "Betrachte, meine Seel"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Sebastian Weigle (hornist and conductor)
recorded at:
Palais im Großen Garten (Dresden) in Dresden, Sachsen (Saxony), Germany
recording of:
Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" (in 2006-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
2:27
26Gott ist unsre Zuversicht, Cantata BWV 197, Pt. 2: VIII. Aria "Vergnügen und Lust"
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust" (in 1990-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
3:21
27Cantata "Ich habe genug" BWV 82: 1. Aria "Ich habe genug, ich habe den Heiland"
producer:
Michael Haas (classical music producer)
oboe:
Albrecht Mayer (oboist) (from 1999-06-16 until 1999-06-18)
bass vocals:
Matthias Goerne (baritone) (from 1999-06-16 until 1999-06-18)
orchestra:
Camerata Salzburg (Austrian chamber orchestra) (from 1999-06-16 until 1999-06-18)
conductor:
Sir Roger Norrington (conductor) (from 1999-06-16 until 1999-06-18)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Kapuzinerkloster in Salzburg, Salzburg, Austria (from 1999-06-16 until 1999-06-18)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1999-06-16 until 1999-06-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
6:50
28Gott soll allein mein Herze haben, Cantata BWV 169: 3. Aria "Gott soll allein mein Herze haben"
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
6:21
29Mein Herze schwimmt im Blut, Cantata BWV 199: No. 2 "Stumme Seufzer, stille Klagen"
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (engineer/producer)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (catch-all for unknown versions) (on 2000-09-03)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
8:03
30St. Matthew Passion, BWV 244 - Part One: 13. "Ich will dir mein Herz schenken"
soprano vocals:
Kiri Te Kanawa (soprano) (in 1987-03)
orchestra:
Chicago Symphony Orchestra (in 1987-03)
conductor:
Sir Georg Solti (conductor) (in 1987-03)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1987-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:48
31St Matthew Passion, BWV 244, Pt. 2: No. 42, Aria (Bass) "Gebt mir meinen Jesum wieder"
bass vocals:
Michael Volle (baritone) (in 1997-09)
orchestra:
Saito Kinen Orchestra (in 1997-09)
conductor:
Seiji Osawa (Seiji Ozawa, conductor and composer) (in 1997-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:02
32St. Matthew Passion, BWV 244: Part Two: No. 52 Aria (Alto) "Können Tränen meiner Wangen"
alto vocals:
Marie‐Claude Chappuis (mezzo-soprano)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Riccardo Chailly (conductor)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 2009-04-02 until 2009-04-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:17
33St. Matthew Passion, BWV 244: Part Two: No.68 Chorus I/II "Wir setzen uns mit Tränen nieder"
choir vocals:
Thomanerchor Leipzig and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Riccardo Chailly (conductor)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 2009-04-02 until 2009-04-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:05