The Decca Sound

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

a newer 2016 release with barcode 028947892625 (possibly with Decca cat # 478 9262) is available at https://www.amazon.com/dp/B018FCVK8U/ (released Jan 15, 2016, referred to from https://www.deccaclassics.com/us/cat/4789262 )

Annotation last modified on 2018-03-03 07:12 UTC.

Tracklist

1▶CD: Ansermet · Falla: El sombrero de tres picos / Debussy: Images
2▶CD: Argenta · España / Tchaikovsky: Violin Concerto
3▶CD: Ashkenazy · Rachmaninov: Piano Concerto 3 / Piano Sonata
4▶CD: Ashkenazy · Sibelius 1 / Mussorgsky: Pictures at an Exhibition
5▶CD: Bartoli · Italian Songs
6▶CD: Bell · Barber & Walton Concertos
7▶CD: Blomstedt · R. Strauss: Eine Alpensinfonie
8▶CD: Böhm · Bruckner 4
9▶CD: Boskovsky · New Year’s Day Concert, 1979
10▶CD: Britten · War Requiem
11▶CD: Chailly · Messiaen: Turangalîla‐sinfonie
12▶CD: Chung · Bruch & Mendelssohn Concertos
13▶CD: Curzon · Mozart: Piano Concertos 20 & 27
14▶CD: Dohnányi · Schoenberg / Berg / Webern
15▶CD: Dorati · Stravinsky: L’Oiseau de feu / Le Sacre du printemps
16▶CD: Dutoit · Ravel: Ma Mère l’Oye / Boléro
17▶CD: Fleming · Opera Scenes
18▶CD: Freire · Brahms: Piano Concerto 1 / Schumann: Carnaval
19▶CD: Haitink · Shostakovich 4 & 9
20▼CD: Hogwood · Purcell: Dido and Aeneas
#TitleArtistRatingLength
1Dido and Aeneas: Overture
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Overture (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell32:04
2Dido and Aeneas: Act I. “Shake the cloud from off your brow”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
vocals:
Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell31:02
3Dido and Aeneas: Act I. “Ah! Belinda, I am prest with torment”
vocals:
Julianne Baird (soprano) (in 1992-09), Catherine Bott (soprano) (in 1992-09) and Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell34:13
4Dido and Aeneas: Act I. “When monarchs unite”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell30:17
5Dido and Aeneas: Act I. “Whence could so much virtue spring?”
vocals:
Julianne Baird (soprano) (in 1992-09), Catherine Bott (soprano) (in 1992-09) and Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell31:31
6Dido and Aeneas: Act I. “Fear no danger” – Dance [The Baske]
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
vocals:
Julianne Baird (soprano) (in 1992-09) and Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, VII. "Fear no danger" / Dance (in 1992-09)
composer:
Henry Purcell (Baroque composer)
Henry Purcell32:08
7Dido and Aeneas: Act I. “See, your royal guest appears”
vocals:
John Mark Ainsley (tenor) (in 1992-09), Catherine Bott (soprano) (in 1992-09) and Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell30:47
8Dido and Aeneas: Act I. “Cupid only throws the dart”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell30:35
9Dido and Aeneas: Act I. “If not for mine”
vocals:
John Mark Ainsley (tenor) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell30:22
10Dido and Aeneas: Act I. “Pursue thy conquest, Love”
vocals:
Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell30:51
11Dido and Aeneas: Act I. A Dance Gittars Chacony
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I. Guitar Dance (interstitial, unnumbered, after Act I, 10) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell30:20
12Dido and Aeneas: Act I. “To the hills and the vales”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell31:10
13Dido and Aeneas: Act I. The triumphing Dance
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (in 1992-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell31:12
14Dido and Aeneas: Act II. Prelude for the Witches – “Wayward sisters”
vocals:
Elisabeth Priday (soprano) (in 1992-09) and David Thomas (British operatic bass) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell31:27
15Dido and Aeneas: Act II. “Harm’s our delight”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell30:14
16Dido and Aeneas: Act II. “The Queen of Carthage, whom we hate”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
vocals:
Elisabeth Priday (soprano) (in 1992-09), Sara Stowe (British soprano) (in 1992-09) and David Thomas (British operatic bass) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell32:41
17Dido and Aeneas: Act II. “In our deep vaulted cell”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell31:12
18Dido and Aeneas: Act II. Echo Dance of Furies
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (in 1992-09)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell31:05
19Dido and Aeneas: Act II. Ritornelle – “Thanks to these lonesome vales”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
vocals:
Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas: Act II. Ritornelle / "Thanks to these lonesome vales" (in 1992-09)
composer:
Henry Purcell (Baroque composer)
Henry Purcell33:13
20Dido and Aeneas: Act II. Gitter ground – a dance
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Gittar Ground a Dance (interstitial, unnumbered) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell30:29
21Dido and Aeneas: Act II. “Oft she visits” – Ritornelle
vocals:
Julianne Baird (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell31:36
22Dido and Aeneas: Act II. “Behold, upon my bending spear”
vocals:
John Mark Ainsley (tenor) (in 1992-09) and Catherine Bott (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell30:32
23Dido and Aeneas: Act II. “Haste, haste to town”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
vocals:
Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell30:45
24Dido and Aeneas: Act II. “Stay, Prince”
vocals:
John Mark Ainsley (tenor) (in 1992-09) and Michael Chance (British countertenor) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell32:45
25Dido and Aeneas: Act II. Ritornelle
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (in 1992-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell30:54
26Dido and Aeneas: Act III. Prelude – “Come away, fellow sailors”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
vocals:
Daniel Lochmann (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell31:36
27Dido and Aeneas: Act III. The Sailors’ Dance
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (in 1992-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell30:48
28Dido and Aeneas: Act III. “See the flags and streamers curling”
vocals:
Elisabeth Priday (soprano) (in 1992-09), Sara Stowe (British soprano) (in 1992-09) and David Thomas (British operatic bass) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell31:26
29Dido and Aeneas: Act III. “Destruction’s our delight”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell30:34
30Dido and Aeneas: Act III. The Witches’ Dance
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (in 1992-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell31:36
31Dido and Aeneas: Act III. “Your counsel all is urg’d in vain”
vocals:
John Mark Ainsley (tenor) (in 1992-09), Catherine Bott (soprano) (in 1992-09) and Emma Kirkby (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell33:41
32Dido and Aeneas: Act III. “Great minds against themselves conspire”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell30:58
33Dido and Aeneas: Act III. “Thy hand Belinda” – “When I am laid in earth”
vocals:
Catherine Bott (soprano) (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell34:06
34Dido and Aeneas: Act III. “With drooping wings”
choir vocals:
Academy of Ancient Music Chorus (in 1992-09)
orchestra:
Academy of Ancient Music (in 1992-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1992-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1992-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (in 1992-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell34:21
21▶CD: Jansen · Britten & Beethoven Violin Concertos
22▶CD: Karajan · Holst: The Planets
23▶CD: Katchen · Bartók / Prokofiev: Piano Concerto 3 / Ravel: Piano Concerto
24▶CD: Kertész · Dvořak: New World Symphony / Symphony 8
25▶CD: King’s College Choir & St John’s College Choir · Haydn: Nelson Mass & Paukenmesse
26▶CD: Larrocha · Granados: Goyescas / Falla: Noches en los jardines de España
27▶CD: Lemper · Berlin Cabaret Songs
28▶CD: Lupu · Beethoven: Moonlight, Pathétique & Waldstein Sonatas
29▶CD: Maag · Mendelssohn: A Midsummer Night’s Dream / Symphony 3
30▶CD: Maazel · Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov
31▶CD: Mackerras · Janáček: Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite
32▶CD: Marriner · Tchaikovsky: Serenade for strings / Souvenir de Florence
33▶CD: Martinon · Ibert: Divertissement / Borodin 2
34▶CD: Mehta · Varèse / Ives 2
35▶CD: Monteux · Ravel: Daphnis et Chloé / Elgar: Enigma Variations
36▶CD: Münchinger · Bach: Magnificat / Cantatas 10 & 140
37▶CD: Nilsson / Solti · Wagner: Der Ring des Nibelungen (great scenes)
38▶CD: Carreras / Domingo / Pavarotti · In Concert, 1990
39▶CD: Pavarotti ・ Puccini: Turandot (highlights)
40▶CD: Pickett · Susato: Dansereye
41▶CD: Rogé · Saint‐Saëns: Piano Concertos 2, 4 & 5
42▶CD: Rousset · Pergolesi: Stabat Mater
43▶CD: Schiff · Bach: Goldber Variations
44▶CD: Solti · Romantic Russia / Suppé: 4 Overtures
45▶CD: Solti · Mahler 8
46▶CD: Sutherland / Horne / Pavarotti · Live from Lincoln Center
47▶CD: Takács Quartet · Beethoven: Quartets opp. 95, 130 & 133
48▶CD: Tebaldi / Del Monaco · Puccini: La fanciulla del West (highlights)
49▶CD: Wiener Oktett · Mendelssohn: Octet / Beethoven: Septet
50▶CD: Winchester / Terfel · Walton: Belshazzar’s Feast

Credits

Release group

includes:A Midsummer Night’s Dream / Symphony no. 3 “Scottish” by Felix Mendelssohn (composer); Peter Maag (conductor)
Arcana / Intégrales / Ionisation by Edgard Varèse (composer); Los Angeles Philharmonic Orchestra, Zubin Mehta (conductor)
Barber: Violin Concerto / Walton: Violin Concerto / Bloch: Baal Shem by Barber (American composer), Walton (British composer and conductor), Bloch (Swiss-American composer); Joshua Bell (violinist), Baltimore Symphony Orchestra, David Zinman (conductor)
Bartók: Piano Concerto no. 3 / Ravel: Piano Concerto in G major by Bartók (Béla Bartók, composer), Ravel (Maurice Ravel, French composer); Julius Katchen (pianist), London Symphony (London Symphony Orchestra), István Kertész (conductor)
Berlin Cabaret Songs by Ute Lemper
Dansereye (1551) by Tielman Susato (Flemish Renaissance composer); New London Consort, Philip Pickett (musician)
Daphnis et Chloé by Ravel (Maurice Ravel, French composer); London Symphony Orchestra, Pierre Monteux (conductor)
Eine Alpensinfonie / Don Juan by Richard Strauss (German composer); San Francisco Symphony, Herbert Blomstedt (conductor)
España by The London Symphony Orchestra (London Symphony Orchestra), Ataúlfo Argenta (pianist and conductor)
Goldberg Variations (1982 recording) by Johann Sebastian Bach (German Baroque period composer & musician); András Schiff (pianist)
Goyescas: Volumes 1 & 2 / El pelele by Granados (composer); Alicia de Larrocha (pianist)
Ibert: Divertissement / Bizet: Jeux d’enfants / Saint‐Säens: Danse macabre / Le rouet d’omphale by Ibert (French composer), Bizet (French composer), Saint‐Saëns (composer); Paris Conservatoire Orchestra, Jean Martinon (French conductor and composer)
In Concert by Carreras (Spanish tenor), Domingo (tenor), Pavarotti (tenor), Mehta (Zubin Mehta, conductor)
Italian Songs by Beethoven (Ludwig van Beethoven, German composer), Schubert (Franz Schubert, composer), Mozart (Wolfgang Amadeus Mozart, classical composer), Haydn (composer); Cecilia Bartoli (mezzo‐soprano), András Schiff (pianist)
La fanciulla del West (1958 studio cast) by Puccini (Italian composer); Tebaldi (soprano), del Monaco (tenor), MacNeil (American baritone), Tozzi (operatic bass), Orchestra (Orchestra of the National Academy of Santa Cecilia) e Coro dell’Accademia di Santa Cecilia, Roma (Chorus of the National Academy of Santa Cecilia), Franco Capuana (conductor)
Le Sacre du printemps / L’Oiseau de feu by Stravinsky (Igor Stravinsky, Russian composer); Antal Doráti (conductor)
Ma Mère l’Oye / Pavane pour une infante défunte / Le Tombeau de Couperin / Valses nobles et sentimentales by Ravel (Maurice Ravel, French composer); Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
Magnificat in D major / Cantata no. 10 by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ameling (soprano), Van Bork (soprano), Watts (contralto), Krenn (tenor), Rintzler (Romanian operatic bass), Krause (bass-baritone), Wiener Akademiechor (Vienna Chamber Choir, choir), Stuttgart Chamber Orchestra, Karl Münchinger (German conductor)
Mendelssohn Octet / Beethoven Septet by Mendelssohn (Felix Mendelssohn, composer), Beethoven (Ludwig van Beethoven, German composer); Wiener Oktett
New Year's Day Concert in Vienna 1979 by Wiener Philharmoniker (Vienna Philharmonic), Willi Boskovsky (violinist and conductor)
Piano Concertos no. 20, K466 & no. 27, K595 by Mozart (Wolfgang Amadeus Mozart, classical composer); Clifford Curzon (classical pianist, knighted in 1977), Benjamin Britten (English composer, conductor, and pianist), English Chamber Orchestra
Piano Concertos nos. 2, 4 & 5 by Saint‐Saëns (composer); Pascal Rogé (pianist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Charles Dutoit (conductor)
Piano Sonata op. 27 no. 2 “Moonlight” / Piano Sonata op. 13 “Pathetique” / Piano Sonata op. 53 “Waldstein” by Beethoven (Ludwig van Beethoven, German composer); Radu Lupu (Romanian concert pianist)
Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov: Le Coq d’or (suite) by Respighi (composer), Rimsky‐Korsakov (Nikolai Rimsky‐Korsakov, Russian composer); The Cleveland Orchestra, Lorin Maazel (conductor)
Serenade for Strings / Souvenir de Florence by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer), Academy of St Martin in the Fields, Neville Marriner (conductor)
Signatures: Great Opera Scenes by Renée Fleming (soprano), Sir Georg Solti (conductor), London Symphony Orchestra
Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite by Janáček (Czech composer); Wiener Philharmoniker (Vienna Philharmonic), Charles Mackerras (Australian conductor)
Stabat Mater / Salve Regina by Pergolesi (composer); Andreas Scholl (countertenor), Barbara Bonney (soprano), Christophe Rousset (French harpsichordist & conductor), Les Talens Lyriques (French classical musical ensemble)
Symphonie no. 8 (1971 recording) by Mahler (composer); Chicago Symphony Orchestra, Georg Solti (Sir Georg Solti, conductor)
Symphony no. 4 by Bruckner (Austrian composer); Vienna Philharmonic Orchestra (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Symphony no. 9 in E minor, op. 95 “New World” by Dvořák (Antonín Dvořák, composer); Vienna Philharmonic Orchestra (Vienna Philharmonic), István Kertész (conductor)
The Planets by Holst (Gustav Holst, composer); Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
The Three-cornered Hat / La Vida Breve - Interlude and Dance by Falla (Spanish composer); Teresa Berganza (mezzo-soprano), L’Orchestre de la Suisse Romande (OSR), Ernest Ansermet (conductor)
Turandot (1972 studio cast) by Puccini (Italian composer); Sutherland (soprano), Pavarotti (tenor), Caballé (soprano), Ghiaurov (operatic bass), Krause (bass-baritone), Pears (tenor), John Alldis Choir (The John Alldis Choir), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Zubin Mehta (conductor)
Turangalîla‐Symphonie by Olivier Messiaen (composer and organist); Royal Concertgebouw Orchestra, Riccardo Chailly (conductor), Jean‐Yves Thibaudet (pianist), Takashi Harada (Harada Takashi, ondes Martenot player)
Violin Concertos / Scottish Fantasia by Mendelssohn (Felix Mendelssohn, composer), Bruch (composer and conductor); Kyung Wha-Chung (Kyung-Wha Chung, violinist), Kempe (conductor), Dutoit (conductor)
Walton: Belshazzar’s Feast / Coronation Te Deum / Parry: I Was Glad / Jerusalem by Walton (British composer and conductor), Parry (English composer); Bryn Terfel (bass‐baritone opera singer), Waynflete Singers, Winchester Cathedral Choir, Bournemouth Symphony Orchestra, Andrew Litton (conductor)
War Requiem by Benjamin Britten (English composer, conductor, and pianist); Galina Vishnevskaya (soprano), Peter Pears (tenor), Dietrich Fischer‐Dieskau (baritone)