Swedish Hits and More

~ Release by The Hollies (see all versions of this release, 1 available)

Annotation

Stereo #2 - #26
Mono #27

Rights Society: BIEM/STEMRA
Matrix / Runout: 789513 2 @ 1 1-1-1-NL

Annotation last modified on 2026-03-21 15:49 UTC.

Tracklist

1CD
#TitleRatingLength
1Stay
cover recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
2:13
2Just One Look
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-01-27)
cover recording of:
Just One Look (on 1964-01-27)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
12:28
3Here I Go Again
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2003) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1964)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-04-13)
recording of:
Here I Go Again (Shuman/Westlake; The Hollies) (on 1964-04-13)
composer:
Mort Shuman (US singer, pianist & songwriter) and Clive Westlake (British songwriter)
cover recording of:
Here I Go Again (Shuman/Westlake; The Hollies)
composer:
Mort Shuman (US singer, pianist & songwriter) and Clive Westlake (British songwriter)
42:20
4We’re Through
recording of:
We're Through
composer:
L. Ransford (songwriting alias used by Allan Clarke, Graham Nash & Tony Hicks of The Hollies)
2:15
5Yes I Will
cover recording of:
Yes I Will
lyricist:
Gerry Goffin
composer:
Russ Titelman
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:55
6Very Last Day
cover recording of:
The Very Last Day
writer:
Noel Paul Stookey and Peter Yarrow
2:59
7I’m Alive
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
cover recording of:
I’m Alive
lyricist and composer:
Clint Ballard, Jr.
2:26
8Look Through Any Window12:18
9Stewball
cover recording of:
Stewball
writer:
John Herald, Ralph Rinzler and Robert Yellin
3:08
10I Can’t Let Go
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2011)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-01-13, on 1966-01-18)
cover recording of:
I Can't Let Go (from 1966-01-13 until 1966-01-18)
writer:
Al Gorgoni (guitarist, composer, arranger, and producer) and Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music and WB Music Corp. (1929–2019)
recording of:
I Can't Let Go
writer:
Al Gorgoni (guitarist, composer, arranger, and producer) and Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music and WB Music Corp. (1929–2019)
2.52:27
11Bus Stop
producer:
The Hollies and Ron Richards
bass:
Bernie Calvert (on 1966-05-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) and Parlophone (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-05-18)
recording of:
Bus Stop (on 1966-05-18)
lyricist and composer:
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited and Music Sales Corporation (American copyright holder in both popular and classical music)
4.752:54
12Stop Stop Stop
producer:
The Hollies
banjo:
Tony Hicks
recording of:
Stop Stop Stop
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
publisher:
Gralto Music Ltd.
3.52:50
13What’s Wrong With the Way I Live
recording of:
What's Wrong With the Way I Live
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
publisher:
PolyGram Music Publishing and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
2:01
14On a Carousel
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1967)
recording of:
On a Carousel
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2.353:12
15Carrie Anne
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967) and The Hollies Ltd. (in 1967)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-01)
recording of:
Carrie Anne (on 1967-05-01)
lyricist and composer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
publisher:
PolyGram Music Publishing and Universal Music Publishing (use ONLY if no country‐specific information is available)
3.652:55
16King Midas in Reverse
producer:
Ron Richards
acoustic guitar:
Graham Nash
vocals:
Graham Nash
phonographic copyright (℗) by:
The Hollies Ltd. (in 1967, in 2003)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-08-03 until 1967-08-04)
recording of:
King Midas in Reverse (from 1967-08-03 until 1967-08-04)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
composer:
Graham Nash
43:04
17Dear Eloise
producer:
Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1999)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-09-26)
recording of:
Dear Eloise (on 1967-09-26)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
3:06
18Jennifer Eccles
recording of:
Jennifer Eccles
writer:
Allan Clarke (of The Hollies) and Graham Nash
2:44
19Like Everytime Before
recording of:
Like Every Time Before
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:07
20Blowin’ in the Wind
producer:
Ron Richards
conductor:
Mike Vickers (British musician, member of Manfred Mann)
cover recording of:
Blowin’ in the Wind
lyricist and composer:
Bob Dylan (in 1962-04)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1962 until 1990) and Special Rider Music (from 1990 to present)
24:09
21Listen to Me
recording of:
Listen to Me
composer:
Tony Hazzard (songwriter)
2:39
22Sorry Suzanne2:59
23He Ain’t Heavy, He’s My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3.854:15
24The Baby
recording of:
The Baby
lyricist and composer:
Chip Taylor (US singer/songwriter)
3:50
25The Air That I Breathe
engineer:
Mike Jarratt (recording, mixing and lacquer cutting engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies) (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.84:04
26The Woman I Love
recording of:
The Woman I Love
lyricist and composer:
Nik Kershaw
3:36
27Julhälsning (Greeting to Swedish Fans)
2:05