Musical Highlights on Broadway 2

~ Release by The New York Theater Orchestra with The Broadway Choir (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1Cabaret
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Cabaret (title song from the Kander & Ebb musical)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
3:40
2And All That Jazz
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
All That Jazz (Chicago)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Larry Shayne Enterprises, Inc. and Warner/Chappell North America
part of:
Chicago (Kander & Ebb musical)
3:00
3Somewhere
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1957)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
1:57
4'S Wonderful
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
2:00
5Singin' in the Rain
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Singin’ in the Rain
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
3:36
6That's Why the Lady Is a Tramp
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
3:16
7Lullaby of Broadway
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 winner)
part of:
42nd Street (full musical)
5:05
8Big Spender
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Big Spender
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
3:42
9Edelweiss
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Edelweiss (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company and Williamson Music Ltd.
part of:
The Sound of Music (Rodgers & Hammerstein musical)
2:00
10As Time Goes By
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
3:06
11Cheek to Cheek
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
3:01
12Ballad of Mack the Knife
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3:08