100 Best Karajan

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Concerto for Flute and Harp in C major, K. 299: II. Andantino
producer:
Michel Glotz
flute:
James Galway (flautist) (from 1971-08-17 until 1971-08-24)
harp:
Fritz Helmis (harpist) (from 1971-08-17 until 1971-08-24)
solo flute:
James Galway (flautist)
solo harp:
Fritz Helmis (harpist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-08-17 until 1971-08-24)
conductor:
Herbert von Karajan (conductor) (from 1971-08-17 until 1971-08-24)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1971-08-17 until 1971-08-24)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (from 1971-08-17 until 1971-08-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart8:21
2Symphony no. 40 in G minor, K. 550: I. Molto allegro
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-09-21 until 1971-09-25)
conductor:
Herbert von Karajan (conductor) (from 1971-09-21 until 1971-09-25)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-21 until 1971-09-25)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (from 1971-09-21 until 1971-09-25)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:40
3Eine kleine Nachtmusik, K. 525: I. Allegro
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer) (from 1959-12-30 until 1959-12-31)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (from 1959-12-30 until 1959-12-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:45
4Eine kleine Nachtmusik, K. 525: II. Romance. Andante
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer) (from 1959-12-30 until 1959-12-31)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (from 1959-12-30 until 1959-12-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:54
5Eine kleine Nachtmusik, K. 525: III. Menuetto. Allegretto
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer) (from 1959-12-30 until 1959-12-31)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (from 1959-12-30 until 1959-12-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:23
6Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berlin Philharmonic (Berlin Philharmonic Orchestra) (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer) (from 1959-12-30 until 1959-12-31)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (from 1959-12-30 until 1959-12-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:23
73 German Dances, K. 605: No. 3 in C major "Die Schlittenfahrt"
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1960-11-09 until 1960-11-11)
conductor:
Herbert von Karajan (conductor) (from 1960-11-09 until 1960-11-11)
balance engineer:
Horst Lindner (engineer) (from 1960-11-09 until 1960-11-11)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-11-09 until 1960-11-11)
recording of:
3 German Dances for Orchestra, K. 605: No. 2 in G major. German Dance & Trio (from 1960-11-09 until 1960-11-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
3 German Dances for Orchestra, K. 605
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart2:49
8Clarinet Concerto in A major, K. 622: II. Adagio
producer:
Walter Legge (British classical producer)
clarinet:
Bernard Walton (clarinetist) (from 1955-06-09 until 1955-06-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-06-09 until 1955-06-10)
conductor:
Herbert von Karajan (conductor) (from 1955-06-09 until 1955-06-10)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1955-06-09 until 1955-06-10)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1955-06-09 until 1955-06-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:07
9Horn Concerto no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
producer:
Walter Legge (British classical producer)
French horn:
Dennis Brain (horn player) (from 1953-11-12 until 1953-11-13)
horn:
Dennis Brain (horn player) (in 1953)
solo French horn:
Dennis Brain (horn player) (from 1953-11-12 until 1953-11-23)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1953, from 1953-11-12 until 1953-11-13, from 1953-11-12 until 1953-11-23)
conductor:
Herbert von Karajan (conductor) (in 1953, from 1953-11-12 until 1953-11-13, from 1953-11-12 until 1953-11-23)
balance engineer:
Douglas Larter (from 1953-11-12 until 1953-11-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1954 to present)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-11-12 until 1953-11-13, from 1953-11-12 until 1953-11-23)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1953-11-12 until 1953-11-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1953-11-12 until 1953-11-23)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (in 1953)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:31
10Symphony no. 5 in C minor, op. 67: I. Allegro con brio
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:19
11Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1955-05-20)
conductor:
Herbert von Karajan (conductor) (on 1955-05-20)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1955-05-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-05-20)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (on 1955-05-20)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven3:55
12Die Zauberflöte, K. 620: Overture
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:04
13Die Zauberflöte, K. 620: Act 1: "Der Vogelfänger bin ich ja" (Papageno)
producer:
Walter Legge (British classical producer)
baritone vocals:
Erich Kunz (baritone) (in 1950)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:37
14Die Zauberflöte, K. 620: Act 2: "Der Hölle Rache kocht in meinem Herzen" (Königin der Nacht)
producer:
Walter Legge (British classical producer)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:46
15Così fan tutte, K. 588: Act 1: Terzettino. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso)
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:20
16Ave verum corpus, K. 618
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (on 1955-07-28)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1955-07-28)
conductor:
Herbert von Karajan (conductor) (on 1955-07-28)
balance engineer:
Douglas Larter (on 1955-07-28)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1955-07-28)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (on 1955-07-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart4:06
17Symphony no. 29 in A major, K. 201: I. Allegro moderato
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1960-02-29 until 1960-03-01)
conductor:
Herbert von Karajan (conductor) (from 1960-02-29 until 1960-03-01)
balance engineer:
Horst Lindner (engineer) (from 1960-02-29 until 1960-03-01)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-02-29 until 1960-03-01)
recording of:
Symphony no. 29 in A major, K. 186a / 201: I. Allegro moderato (from 1960-02-29 until 1960-03-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 in A major, K. 186a / 201
Wolfgang Amadeus Mozart7:13
18Oboe Concerto in C major, K. 314: III. Rondo. Allegretto
producer:
Michel Glotz
oboe:
Lothar Koch (oboist) (from 1971-08-17 until 1971-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-08-17 until 1971-08-24)
conductor:
Herbert von Karajan (conductor) (from 1971-08-17 until 1971-08-24)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1971-08-17 until 1971-08-24)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: III. Rondo. Allegretto (from 1971-08-17 until 1971-08-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: III. Rondo. Allegretto
Wolfgang Amadeus Mozart5:30
19The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro
producer:
Peter Alward (EMI producer)
violin:
Anne‐Sophie Mutter (violinist) (from 1984-06-18 until 1984-06-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-06-18 until 1984-06-19)
conductor:
Herbert von Karajan (conductor) (from 1984-06-18 until 1984-06-19)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien (Vienna), Austria (from 1984-06-18 until 1984-06-19)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1984-06-18 until 1984-06-19)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:18
20The Four Seasons, Violin Concerto in G minor, op. 8 no. 2, RV 315 "Summer": III. Presto
producer:
Peter Alward (EMI producer)
violin:
Anne‐Sophie Mutter (violinist) (from 1984-06-18 until 1984-06-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-06-18 until 1984-06-19)
conductor:
Herbert von Karajan (conductor) (from 1984-06-18 until 1984-06-19)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien (Vienna), Austria (from 1984-06-18 until 1984-06-19)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1984-06-18 until 1984-06-19)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:48
21The Four Seasons, Violin Concerto in F major, op. 8 no. 3, RV 293 "Autumn": III. Allegro "La caccia"
producer:
Peter Alward (EMI producer)
harpsichord:
Herbert von Karajan (conductor) and William Tim Read (harpsichordist)
organ:
Rudolf Scholz (organist)
violin:
Anne‐Sophie Mutter (violinist) (from 1984-06-18 until 1984-06-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-06-18 until 1984-06-19)
conductor:
Herbert von Karajan (conductor) (from 1984-06-18 until 1984-06-19)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien (Vienna), Austria (in 1984-06, from 1984-06-18 until 1984-06-19)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (from 1984-06-18 until 1984-06-19)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:24
22The Four Seasons, Violin Concerto in F minor, op. 8 no. 4, RV 297 "Winter": II. Largo
producer:
Peter Alward (EMI producer)
violin:
Anne‐Sophie Mutter (violinist) (from 1984-06-18 until 1984-06-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-06-18 until 1984-06-19)
conductor:
Herbert von Karajan (conductor) (from 1984-06-18 until 1984-06-19)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien (Vienna), Austria (from 1984-06-18 until 1984-06-19)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1984-06-18 until 1984-06-19)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:02
23The Four Seasons, Violin Concerto in F minor, op. 8 no. 4, RV 297 "Winter": III. Allegro
producer:
Peter Alward (EMI producer)
violin:
Anne‐Sophie Mutter (violinist) (from 1984-06-18 until 1984-06-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-06-18 until 1984-06-19)
conductor:
Herbert von Karajan (conductor) (from 1984-06-18 until 1984-06-19)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien (Vienna), Austria (from 1984-06-18 until 1984-06-19)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro (from 1984-06-18 until 1984-06-19)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:16
24Trumpet Concerto in E major, WoO 1: III. Allegro molto
producer:
Michel Glotz
trumpet:
Maurice André (French trumpeter) (from 1974-05-28 until 1974-05-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-05-28 until 1974-05-29)
conductor:
Herbert von Karajan (conductor) (from 1974-05-28 until 1974-05-29)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-05-28 until 1974-05-29)
recording of:
Trompetenkonzert Es-dur: III. Rondo. Allegro (Trumpet Concerto in E flat major: III. Rondo. Allegro) (from 1974-05-28 until 1974-05-29)
composer:
Johann Nepomuk Hummel (Austrian composer)
version of:
Trompetenkonzert in E-Dur, S. 49: III. Rondo (Trumpet Concerto in E major, S. 49: Rondo)
part of:
Trompetenkonzert Es-dur (Trumpet Concerto in E-flat major)
Johann Nepomuk Hummel3:38
25Piano Concerto no. 1 in C major, op. 15: II. Largo
piano:
Alexis Weissenberg
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven13:26
26Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro
piano:
Alexis Weissenberg
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven5:50
27Triple Concerto in C major, op. 56: II. Largo
producer:
Peter Andry (producer)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1969-09-15 until 1969-09-17)
piano:
Sviatoslav Richter (pianist) (from 1969-09-15 until 1969-09-17)
violin:
David Oistrakh (violinist) (from 1969-09-15 until 1969-09-17)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1969-09-15 until 1969-09-17)
conductor:
Herbert von Karajan (conductor) (from 1969-09-15 until 1969-09-17)
balance engineer:
Allen Stagg (from 1969-09-15 until 1969-09-17)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1970 to present, from 1987 to present)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1969-09-15 until 1969-09-17)
recording of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo (from 1969-09-15 until 1969-09-17)
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”
Ludwig van Beethoven5:35
28Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
piano:
Alexis Weissenberg
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven5:08
29Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace
piano:
Alexis Weissenberg
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven9:43
30Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso
piano:
Alexis Weissenberg
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven9:22
31Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro
piano:
Alexis Weissenberg
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven10:08
32Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato
conductor:
Herbert von Karajan (conductor)
Franz Schubert11:20
33Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky9:29
34Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-07-09 until 1953-07-10)
conductor:
Herbert von Karajan (conductor) (from 1953-07-09 until 1953-07-10)
balance engineer:
Douglas Larter (from 1953-07-09 until 1953-07-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-07-09 until 1953-07-10)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto) (from 1953-07-09 until 1953-07-10)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:29
35Symphony no. 7 in A major, op. 92: II. Allegretto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:08
36Symphony no. 7 in A major, op. 92: IV. Allegro con brio
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1951-11-28 until 1951-11-30)
conductor:
Herbert von Karajan (conductor) (from 1951-11-28 until 1951-11-30)
balance engineer:
Douglas Larter (from 1951-11-28 until 1951-11-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1951-11-28 until 1951-11-30)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (from 1951-11-28 until 1951-11-30)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven7:03
37Symphony no. 8 in F major, op. 93: IV. Allegro vivace
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1955-05-20)
conductor:
Herbert von Karajan (conductor) (on 1955-05-20)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1955-05-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-05-20)
recording of:
Symphony no. 8 in F major, op. 93: IV. Allegro vivace (on 1955-05-20)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven7:35
38Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - "O Freunde, nicht diese Töne!" (Ode to Joy)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone)
choir vocals:
Chor der Gesellschaft der Musikfreunde in Wien
contralto vocals:
Marga Höffgen (contralto)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
tenor vocals:
Ernst Haefliger (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-07-24 until 1955-07-29)
conductor:
Herbert von Karajan (conductor) (from 1955-07-24 until 1955-07-29)
balance engineer:
Douglas Larter (from 1955-07-24 until 1955-07-29)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-07-24 until 1955-07-29)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (from 1955-07-24 until 1955-07-29)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven24:12
39Symphony no. 104 in D major, Hob. I:104 "London": III. Menuetto - Trio
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1975-01-04)
conductor:
Herbert von Karajan (conductor) (on 1975-01-04)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1975-01-04)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro (on 1975-01-04)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn4:29
40Symphony no. 9 in E minor, op. 95, B. 178 "From the New World": II. Largo
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák12:08
41Don Quixote, op. 35: Theme. Don Quixote, Knight of the Sorrowful Countenance - Maggiore. Sancho Panza
producer:
Michel Glotz (in 1975-01)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1975-01-03 until 1975-01-08)
piano:
Alexis Weissenberg (from 1975-01-03 until 1975-01-08)
viola:
Ulrich Koch (violist) (from 1975-01-03 until 1975-01-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-01-03 until 1975-01-08)
conductor:
Herbert von Karajan (conductor) (from 1975-01-03 until 1975-01-08)
balance engineer:
Wolfgang Gülich (engineer) (from 1975-01-03 until 1975-01-08)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-01-03 until 1975-01-08)
recording of:
Don Quixote, op. 35: Maggiore. Sancho Panza (from 1975-01-03 until 1975-01-08)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
recording of:
Don Quixote, op. 35: Thema: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (from 1975-01-03 until 1975-01-08)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:20
42Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
producer:
Michel Glotz
piano:
Alexis Weissenberg (from 1972-09-21 until 1972-09-27)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-21 until 1972-09-27)
conductor:
Herbert von Karajan (conductor) (from 1972-09-21 until 1972-09-27)
balance engineer:
Wolfgang Gülich (engineer) (from 1972-09-21 until 1972-09-27)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-21 until 1972-09-27)
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (from 1972-09-21 until 1972-09-27)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninov14:29
43Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace (cadenza by Kreisler)
producer:
Michel Glotz
violin:
Gidon Kremer (violinist) (from 1976-03-06 until 1976-03-07)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1976-03-06 until 1976-03-07)
conductor:
Herbert von Karajan (conductor) (from 1976-03-06 until 1976-03-07)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-03-06 until 1976-03-07)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace) (from 1976-03-06 until 1976-03-07)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms8:35
44Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-09-16 until 1958-09-17)
conductor:
Herbert von Karajan (conductor) (from 1958-09-16 until 1958-09-17)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1958-09-16 until 1958-09-17)
recording of:
Symphony no. 38 in D major, K. 504 “Prague”: III. Presto (from 1958-09-16 until 1958-09-17)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-12-06)
part of:
Symphony no. 38 in D major, K. 504 “Prague”
Wolfgang Amadeus Mozart5:34
45Symphonie fantastique, op. 14, H 48: II. Un bal. Valse. Allegro non troppo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Symphonie fantastique, op. 14: II. Un bal
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:20
46Symphony no. 5 in E-flat major, op. 82: III. Allegro molto
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1976-09-20 until 1976-09-21, on 1976-10-18)
conductor:
Herbert von Karajan (conductor) (from 1976-09-20 until 1976-09-21, on 1976-10-18)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1985)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-09-20 until 1976-09-21, on 1976-10-18)
recording of:
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto (from 1976-09-20 until 1976-10-18)
composer:
Jean Sibelius (Finnish composer) (from 1915 until 1919)
part of:
Symphony no. 5 in E-flat major, op. 82
Jean Sibelius9:12
47Water Music Suite: VI. Allegro deciso
producer:
Christfried Bickenbach and Walter Legge (British classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-12-30 until 1959-12-31)
conductor:
Herbert von Karajan (conductor) (from 1959-12-30 until 1959-12-31)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1959-12-30 until 1959-12-31)
recording of:
Water Music Suite: VI. Allegro deciso (arr. Hamilton Harty) (from 1959-12-30 until 1959-12-31)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Water Music Suite (arr. Hamilton Harty)
George Frideric Handel3:36
48Unter Donner und Blitz, op. 324
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1868)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 324)
Johann Strauss3:08
49An der schönen blauen Donau, op. 314 (excerpt)
orchestra:
Berlin Philharmonic Orchestra
conductor:
Herbert von Karajan (conductor)
partial recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss3:49
50Radetzky March, op. 228
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss2:58
51Les Patineurs, op. 183
conductor:
Herbert von Karajan (conductor)
recording of:
Les Patineurs, op. 183 (The Skaters, op. 183)
composer:
Émile Waldteufel (classical composer) (in 1882)
Émile Waldteufel7:36
52La Damnation de Faust, op. 24, H 111: Marche hongroise
conductor:
Herbert von Karajan (conductor)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:19
53España
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
España (rhapsody for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Emmanuel Chabrier6:13
54Joyeuse marche
conductor:
Herbert von Karajan (conductor)
recording of:
Joyeuse marche (for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1888)
Emmanuel Chabrier4:07
55Tritsch-Tratsch Polka, op. 214
conductor:
Herbert von Karajan (conductor)
recording of:
Tritsch–Tratsch Polka, op. 214
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss2:41
56Má vlast: II. Vltava
conductor:
Herbert von Karajan (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:51
572 Pieces from Kuolema, op. 44: No. 1. Valse triste
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Valse triste, op. 44 no. 1 (for orchestra)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius6:04
58Karelia Suite, op. 11: I. Intermezzo
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Karelia-sarja, op. 11: I. Intermezzo (Karelia Suite, op. 11: I. Intermezzo, for orchestra)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius4:02
59Karelia Suite, op. 11: III. Alla marcia
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Karelia-sarja, op. 11: III. Alla marcia (Karelia Suite, op. 11: III. Alla marcia, for orchestra)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius4:54
60Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace
conductor:
Herbert von Karajan (conductor)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:49
61Pini di Roma, P. 141: I. I pini di Villa Borghese
conductor:
Herbert von Karajan (conductor)
recording of:
Pini di Roma, P 141: I. I pini di Villa Borghese
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi2:50
62Pini di Roma, P. 141: IV. I pini della Via Appia
conductor:
Herbert von Karajan (conductor)
recording of:
Pini di Roma, P 141: IV. I pini della Via Appia
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi6:14
63The Barber of Seville: Overture
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Il barbiere di Siviglia: Sinfonia
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:25
64Faust: Act 5: Ballet "La nuit de Walpurgis": I. Les Nubiennes. Allegretto -
conductor:
Herbert von Karajan (conductor)
recording of:
Faust : Acte V. Ballet I. Danse des Nubiennes: Allegretto (valse)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
Charles Gounod2:34
65Suite no. 2 de L'Arlésienne: IV. Farandole
conductor:
Herbert von Karajan (conductor)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:28
66Carmen Suite no. 1: II. Aragonaise
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:23
67Carmen Suite no. 1: III. Intermezzo
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:57
68Carmen Suite no. 1: V. Les dragons d'Alcala
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:34
69Carmen Suite no. 1: VI. Les toréadors
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:22
70Thaïs: Act 2: Méditation
producer:
Michel Glotz
solo violin:
Anne‐Sophie Mutter (violinist)
violin:
Anne‐Sophie Mutter (violinist) (from 1980-11-16 until 1980-11-17)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1980-11-16 until 1980-11-17)
conductor:
Herbert von Karajan (conductor) (from 1980-11-16 until 1980-11-17)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-11-16 until 1980-11-17)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1980-11-16 until 1980-11-17)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet6:47
71Orpheus in the Underworld: Overture
conductor:
Herbert von Karajan (conductor)
recording of:
Orphée aux enfers : Ouverture (Orpheus in the Underworld: Overture)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (Orpheus in the Underworld, opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (Orpheus in the Underworld, opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Jacques Offenbach9:39
72Les contes d'Hoffmann: Act 3: Barcarolle (instrumental version)
conductor:
Herbert von Karajan (conductor)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach4:08
73Manon Lescaut: Intermezzo
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1980-11-16 until 1980-11-17)
conductor:
Herbert von Karajan (conductor) (from 1980-11-16 until 1980-11-17)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-11-16 until 1980-11-17)
recording of:
Manon Lescaut: Atto III. Intermezzo (Intermezzo between Acts II and III) (from 1980-11-16 until 1980-11-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut
Giacomo Puccini5:29
74Prince Igor: Act 2: Dance of the Polovtsian Maidens
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Prince Igor: Act II. Dance of the Polovtsian Maidens
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Prince Igor: Act II
Alexander Borodin2:22
75Prince Igor: Act II: Polovtsian Dances (instrumental version)
conductor:
Herbert von Karajan (conductor)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin11:30
76Suite from Swan Lake, op. 20a: I. Scene. Moderato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky2:49
77Suite from Swan Lake, op. 20a: III. Dance of the Swans
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky1:35
78Suite from Swan Lake, op. 20a: V. Hungarian Dance "Csárdás"
conductor:
Herbert von Karajan (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky3:28
79Suite from the Sleeping Beauty, op. 66a: II. Adagio
conductor:
Herbert von Karajan (conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky6:09
80Suite from the Sleeping Beauty, op. 66a: V. Waltz
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky4:19
81Schwanda the Bagpiper: Polka
conductor:
Herbert von Karajan (conductor)
recording of:
Polka and Fugue From "Schwanda the Bagpiper": I. Polka
composer:
Jaromír Weinberger
part of:
Polka and Fugue From "Schwanda the Bagpiper"
Jaromír Weinberger2:24
82Lohengrin: Act 3: Prelude
conductor:
Herbert von Karajan (conductor)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner3:19
83Parsifal: Act 3: Prelude - Richard Wagner
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Wagner: Parsifal, WWV 111: Prelude to Act 3
composer and librettist:
Richard Wagner (composer)
translator:
Giovanni Pozza
part of:
Parsifal: Atto III
Richard Wagner6:19
84Otello: Act 4: "Ave Maria, piena di grazia" (Desdemona)
soprano vocals and soprano vocals [Desdemona]:
Mirella Freni (soprano) (in 1973)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1973)
conductor:
Herbert von Karajan (conductor) (in 1973)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi5:01
85Don Carlo: Act 1: "Dio, che nell'alma infondere amor" (Don Carlo, Rodrigo, Coro, Il frate) (1884 Version)
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
bass vocals [Un frate]:
José van Dam (Belgian operatic bass-baritone) (from 1978-09-15 until 1978-09-20)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1978-09-15 until 1978-09-20)
tenor vocals [Don Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20, in 1979)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
chorus master:
Walter Hagen-Groll (chorus master) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:46
86Don Carlo: Act 1: Canzone del velo. "Nel giardin del bello saracin" - "Tessete i veli" (Eboli, Tebaldo, Coro) (1884 Version)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1978-09-15 until 1978-09-20)
mezzo-soprano vocals [Eboli]:
Agnes Blatsa (Agnes Baltsa, mezzo-soprano) (from 1978-09-15 until 1978-09-20)
soprano vocals [Tebaldo]:
Edita Gruberová (soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
chorus master:
Walter Hagen-Groll (chorus master) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:53
87Il trovatore: Act 2: Coro di Zingari. "Vedi! Le fosche notturne spoglie" (Coro)
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:02
88Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
organ:
David Bell (organist)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:32
89Die Meistersinger von Nümberg: Act 1: Prelude
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel
composer:
Richard Wagner (composer) (from 1863 until 1867)
part of:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner9:44
90La traviata: Act 3: Prelude
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
La traviata: Atto III. Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata: Act III (english version)
part of:
La Traviata: Akt III.
part of:
La traviata: Atto III (La traviata: Act III)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi4:03
91Fidelio, op. 72: Act 1: Quartett. "Mir ist so wunderbar" (Marzelline, Leonore, Jaquino, Rocco)
producer:
Michel Glotz
bass vocals:
Karl Riddersbusch (operatic bass)
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (tenor) (from 1970-10 until 1970-12)
vocals:
Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), Horst Laubenthal (tenor) and Karl Ridderbusch (operatic bass)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:41
92Tristan und Isolde: Act 3: Liebestod (orchestral version)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Tristan und Isolde: Prelude and Liebestod (concert piece)
composer:
Richard Wagner (composer)
arrangement of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
arrangement of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
Richard Wagner7:48
93Missa solemnis in D major, op. 123: II. Gloria in excelcis
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1975)
conductor:
Herbert von Karajan (conductor) (in 1975)
recording of:
Missa solemnis D-Dur, op. 123: IIa. Gloria: Allegro vivace: Gloria in excelsis Deo
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
recording of:
Missa solemnis D-Dur, op. 123: IIb. Gloria. Gratias agimus
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Ludwig van Beethoven4:58
94Mass in B minor, BWV 232: Crucifixus
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:46
95Mass in B minor, BWV 232: Et resurrexit
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:54
96Coriolan Overture, op. 62
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-20 until 1953-07-15)
conductor:
Herbert von Karajan (conductor) (from 1953-06-20 until 1953-07-15)
balance engineer:
Douglas Larter (from 1953-06-20 until 1953-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-20 until 1953-07-15)
recording of:
Ouvertüre Coriolan, op. 62 (Coriolan Overture, Op. 62) (from 1953-06-20 until 1953-07-15)
composer:
Ludwig van Beethoven (German composer) (in 1807)
dedicated to:
Heinrich Joseph von Collin
premiered at:
Palais Lobkowitz in Innere Stadt, Wien (Vienna), Austria (in 1807-03)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 62)
Ludwig van Beethoven9:07
97Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro
producer:
Michel Glotz
orchestra:
Orchestre Philharmonique de Berlin (Berlin Philharmonic Orchestra) (from 1971-09-21 until 1971-09-25)
conductor:
Herbert von Karajan (conductor) (from 1971-09-21 until 1971-09-25)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-21 until 1971-09-25)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro (from 1971-09-21 until 1971-09-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart6:14
98Cavalleria rusticana: Intermezzo
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1954-07-24)
conductor:
Herbert von Karajan (conductor) (on 1954-07-24)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1954-07-24)
recording of:
Cavalleria rusticana: Intermezzo (on 1954-07-24)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:34
99Pictures at an Exhibition: X. The Great Gate of Kiev
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-10-11 until 1955-10-12, on 1956-06-18)
conductor:
Herbert von Karajan (conductor) (from 1955-10-11 until 1955-10-12, on 1956-06-18)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-10-11 until 1955-10-12, on 1956-06-18)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (from 1955-10-11 until 1956-06-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky6:13
100Boléro, M. 81
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel16:13