Sternstunden der Musik: J. S. Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶Vinyl
2▼Vinyl
#TitleRatingLength
1Ouvertüre in D-Dur, BWV 1069: Réjouissance (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist) (from 1982 until 1984)
double bass:
Rainer Hucke (double bass player) (from 1982 until 1984)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist) (from 1982 until 1984)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984), Uwe Kleinsorge (oboist) (from 1982 until 1984) and Hans Ludwig Mörchen (oboist) (from 1982 until 1984)
timpani:
Werner Legutke (percussionist) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Roland Rudolph (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
violin:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
New Bach Collegium Musicum (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
2:25
2Aria "Jauchzet Gott in allen Landen", BWV 51 (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
soprano vocals:
Monika Frimmer (soprano)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:35
3Choral "In dulci jubilo", BWV 751 (feat. organ: Felix Friedrich)
organ:
Felix Friedrich (organist, church musician)
recording of:
Choral "In dulci jubilo" (wrongly attributed to Johann Sebastian Bach, as BWV 751)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Neumeister-Sammlung (Neumeister Collection) (number: 12), Emans-Verzeichnis (Emans catalogue) (number: Emans 113), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 751 / Anh. III 172‑>), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 707) and Bach-Werke-Verzeichnis (number: BWV 751)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
1:54
4Ouvertüre in D-Dur, BWV 1068: Air (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist) (from 1982 until 1984)
double bass:
Rainer Hucke (double bass player) (from 1982 until 1984)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist) (from 1982 until 1984)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984) and Uwe Kleinsorge (oboist) (from 1982 until 1984)
timpani:
Werner Legutke (percussionist) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Roland Rudolph (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
violin:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
4:08
5Weihnachtsoratorium, BWV 248: Grosser Herr, o starker König: Aria Nr. 8 (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
bass vocals:
Siegfried Lorenz (baritone)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1984)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:52
6Konzert für Violine und Orchester in E-Dur, BWV 1042: Adagio (Gewandhausorchester Leipzig feat. conductor: Kurt Masur)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (Violin Concerto in E major, BWV 1042: II. Adagio)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
6:23
7Matthaus-Passion, BWV 244: Wir setzen uns mit Tränen nieder (Chor und Orchester des Berliner Rundfunks feat. conductor: Dietrich Knothe) (live)
choir vocals:
Großer Chor des Berliner Rundfunks
conductor:
Dietrich Knothe (conductor)
live recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:46
8Osteroratorium, BWV 249: Sinfonia Nr. 1 (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1984)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
3:57
9Kantate "Lobe den Herrn, meine Seele", BWV 143: Halleluja (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
trumpet:
Ludwig Güttler (trumpet player) and Kurt Sandau (trumpet player)
choir vocals:
Thomaner Kreuzchor
vocals:
Heinz Heinisch
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor and chorus master:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:13
10Brandenburgischen Konzert Nr. 1 in F-Dur, BWV 1046: Adagio (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
4:06
11Praeludium in c-Moll, BWV 999 (feat. guitar: Jürgen Rost)
classical guitar:
Jürgen Rost (classical guitarist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984)
recording of:
Prelude in C minor, BWV 999 (catch-all for arrangements) (in 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Prelude in C minor, BWV 999 (original for lute)
1:57
12Klavierbüchlein für Anna Magdalene Bach: Nr. 20 B "Erbauliche Gedanken eines Tobackrauchers", BWV 515 A (feat. tenor: Peter Schreier)
tenor vocals:
Peter Schreier (German tenor and conductor)
recording of:
Klavierbüchlein für Anna Magdalene Bach: Nr. 20 B "Erbauliche Gedanken eines Tobackrauchers", BWV 515a
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
3:43
13Zweistimmige Invention Nr. 8 in F-Dur, BWV 779 (feat. cembalo: Ton Koopman)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (in 1987)
recording of:
Inventio Nr. 8 F-Dur, BWV 779 (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 8) and Bach-Werke-Verzeichnis (number: BWV 779)
1:00
14Choralvorspiel für Trompete und Orgel, BWV 650: Kommst du nun, Jesu, vom Himmel herunter (feat. trumpet: Ludwig Güttler, organ: Friedrich Kircheis)
co-recording engineer:
Hugo Gneipelt
recording engineer:
Bernd Runge
organ:
Friedrich Kircheis (organist) (in 1981-08)
trumpet:
Ludwig Güttler (trumpet player) (in 1981-08)
recorded at:
Predigerkirche Erfurt in Erfurt, Thüringen (Thuringia), Germany (in 1981-08)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650
3:49
15Ouvertüre in h-Moll, BWV 1067: Polonaise ab initio (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Max Pommer)
bassoon:
Gerd Schulze (bassoonist)
cello:
Burkhard Schmidt (cellist)
double bass:
Rainer Hucke (double bass player)
flute:
Karl-Heinz Passin (flutist)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
3:12
16Kantate "Bringet dem Herrn Ehre seines Namens", BWV 148: Eingangschor Nr. 1 (Neues Bachisches Collegium Musicum Leipzig feat. conductor: Hans-Joachim Rotzsch)
trumpet:
Ludwig Güttler (trumpet player)
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": I. Coro "Bringet dem Herrn Ehre seines Namens" (in 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
3:39

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