Cantates pour basse (digital)

~ Release by J.S. Bach, Peter Kooy, La Chapelle Royale, Philippe Herreweghe (see all versions of this release, 7 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Cantata no. 82, Ich habe genug (Purification), BWV82: 1. Aria: Ich habe genung, ich habe den Heiland
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:26
2Cantata no. 82, Ich habe genug (Purification), BWV82: 2. Recitativo: Ich habe genung, ich habe den Heiland
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:02
3Cantata no. 82, Ich habe genug (Purification), BWV82: 3. Aria: Schlummert ein, ihr matten Augen
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach9:39
4Cantata no. 82, Ich habe genug (Purification), BWV82: 4. Recitative: Mein Gott! wenn kömmt das schöne: Nun!
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:43
5Cantata no. 82, Ich habe genug (Purification), BWV82: 5. Aria: Ich freue mich auf meinen Tod
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:43
6Cantata no. 56, Ich will den Kreuzstab gerne tragen (Trinity), BWV56: 1. Aria: Ich will den Kreuzstab gerne tragen
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:56
7Cantata no. 56, Ich will den Kreuzstab gerne tragen (Trinity), BWV56: 2. Recitative: Mein Wandel auf der Welt
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:52
8Cantata no. 56, Ich will den Kreuzstab gerne tragen (Trinity), BWV56: 3. Aria: Endlich, endlich wird mein Joch
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach26:45
9Cantata no. 56, Ich will den Kreuzstab gerne tragen (Trinity), BWV56: 4. Recitative and Arioso: Ich stehe fertig und bereit
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:26
10Cantata no. 56, Ich will den Kreuzstab gerne tragen (Trinity), BWV56: 5. Chorus: Komm, o Tod, du Schlafes Bruder
vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:30
11Cantata no. 158, Der Friede sei mit dir, BWV158: 1. Recitative: Der Friede sei mit dir
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:44
12Cantata no. 158, Der Friede sei mit dir, BWV158: 2. Aria and Chorale: Welt, ade, ich bin dein müde
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Georg Albinus (in 1649)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach7:02
13Cantata no. 158, Der Friede sei mit dir, BWV158: 3. Recitative and Arioso: Nun, Herr, regiere meinen Sinn
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:25
14Cantata no. 158, Der Friede sei mit dir, BWV158: 4. Chorale: Hier ist das rechte Osterlamm
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:20