Bach 101

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Toccata in D minor, BWV 565
engineer:
Robert E. Ridgeway (engineer)
producer:
Paul Vaughan (producer)
organ:
Carlo Curley (US organist) (in 1989-01)
recorded at:
Girard College in Philadelphia, Pennsylvania, United States (in 1989-01)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
3:13
2Fugue in D minor, BWV 565
engineer:
Robert E. Ridgeway (engineer)
producer:
Paul Vaughan (producer)
organ:
Carlo Curley (US organist) (in 1989-01)
recorded at:
Girard College in Philadelphia, Pennsylvania, United States (in 1989-01)
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
6:37
3Orchestral Suite no. 3 in D, BWV 1068: II. Air
producer:
Michael Bremner (producer/engineer)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1970-12)
conductor:
Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
5:15
4Brandenburg Concerto no. 3 in G, BWV 1048: I. Allegro
cello:
Olga Hegedus (cellist) (in 1974-10), Anita Lasker-Wallfisch (in 1974-10) and Stephen Orton (cellist) (in 1974-10)
double bass:
Rodney Slatford (double bassist) (in 1974-10)
viola:
Quintin Ballardie (violist) (in 1974-10), Ruşen Güneş (violist) (in 1974-10) and Andrew Williams (viola player) (in 1974-10)
violin:
José‐Luis García (violinist & conductor) (in 1974-10), Adrian Levine (violinist) (in 1974-10) and Simon Standage (English violinist and conductor) (in 1974-10)
orchestra:
English Chamber Orchestra (in 1974-11)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-11)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
5:39
5Sonata no. 2 for Flute and Harp in E-flat major, BWV 1031: II. Siciliano
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1987-08)
recording engineer:
Ko Witteveen (engineer) (in 1987-08)
producer:
Martha de Francisco (classical producer and engineer)
flute:
Irena Grafenauer (flautist) (in 1987-08)
harp:
Maria Graf (harpist) (in 1987-08)
balance engineer:
Martha de Francisco (classical producer and engineer) (in 1987-08)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1988)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (catch-all for arrangements) (in 1987-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
part of:
Flute Sonata in E-flat major, BWV 1031 (catch-all for arrangements)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E-flat major, BWV 1031
2:19
6Mass in B minor, BWV 232: Crucifixus
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1977-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:47
7Das Wohltemperiete Klavier, Book 1 - Prelude in C minor, BWV 847
piano:
András Schiff (pianist) (in 1984)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1984)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847: Prelude (in 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Klavierbüchlein für Wilhelm Friedemann Bach (number: 15)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847.2/847
1:55
8Concerto for 2 violins, strings and continuo in D minor, BWV 1043: II. Largo ma non tanto
producer:
Vittorio Negri (conductor)
violin:
Maurice Hasson (violinist) (in 1976-06) and Henryk Szeryng (violinist) (in 1976-06)
orchestra:
Academy of St Martin in the Fields (in 1976-06)
conductor:
Neville Marriner (conductor) (in 1976-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1976-06)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1976-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
6:33
9Suite in E minor, BWV 996 (arr. guitar/lute): V. Bourrée
guitar:
Eduardo Fernández (guitarist) (in 1987)
arranger:
Eduardo Fernández (guitarist)
recording of:
Suite in E minor, BWV 996: V. Bourrée (catch-all for arrangements) (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: V. Bourrée
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
1:17
10Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, bleibet meine Freude (arr. Karl Münchinger)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Lucien Cailliet and Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:06
11Matthäus-Passion, BWV 244: Erbarme dich
cello:
John Sharp (cellist)
double bass:
Joseph Guastafeste (double bassist)
flute:
Louise Dixon (flutist) and Donald Peck (flautist)
oboe:
Michael Henoch (oboist) and Grover Schiltz (American classical English horn player)
organ:
David Schrader (harpsichordist)
violin:
Samuel Magad (violinist)
alto vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1987-03)
vocals:
Anne Sofie von Otter (mezzo-soprano)
orchestra:
Chicago Symphony Orchestra (in 1987-03)
conductor:
Sir Georg Solti (conductor) (in 1987-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1987-03)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:07
12Italian Concerto in F major, BWV 971: I. Allegro
engineer:
Jonathan Stokes (engineer)
producer:
Christopher Raeburn (producer)
piano:
András Schiff (pianist) (from 1991-01-08 until 1991-01-10)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1993)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (from 1991-01-08 until 1991-01-10)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (from 1991-01-08 until 1991-01-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
3:58
13Concerto for harpsichord, strings and continuo no. 5 in F minor, BWV 1056
engineer:
Stanley Goodall (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1989-01-24 until 1989-01-26)
orchestra:
Chamber Orchestra of Europe (from 1989-01-24 until 1989-01-26)
performer:
András Schiff (pianist)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1990)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1989-01-24 until 1989-01-26)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: I. Allegro (from 1989-01-24 until 1989-01-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:36
14Nun freut each, liebe Christen g'mein, BWV 734
organ:
Peter Hurford (organist) (from 1974 until 1986)
recorded at:
Knox Grammar School Chapel in Wahroonga, Sydney, New South Wales, Australia (from 1974 until 1986)
recording of:
Nun freut euch, lieben Christen g’mein, BWV 734 (from 1974 until 1986)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 734), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 734) and Bach Compendium (number: BC K 125)
2:02
15Partita for violin solo no. 2 in D minor, BWV 1004: I. Allemande
producer:
Christopher Raeburn (producer)
violin:
Kyung-Wha Chung (violinist) (in 1974-11)
balance engineer:
James Lock (James Locke, engineer) (in 1974-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1974-11)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: I. Allemande (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
4:11
16Weihnachts-Oratorium, BWV 248: Bereite dich, Zion
alto vocals:
Helen Watts (contralto) (in 1966-09)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1966-09)
conductor:
Karl Münchinger (German conductor) (in 1966-09)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1966-09)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1966-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:59
17English Suite no. 6 in D minor, BWV 811: VI. Gavotte I & II
engineer:
Stanley Goodall (engineer)
producer:
Christopher Raeburn (producer)
piano:
András Schiff (pianist) (from 1988-01-04 until 1988-01-08)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1988)
recorded at:
University of Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-01-04 until 1988-01-08)
recording of:
Englische Suite Nr. 6 d-Moll, BWV 811: VI. Gavotte I (from 1988-01-04 until 1988-01-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 6 d-Moll, BWV 811 (English Suite No. 6 in D minor, BWV 811)
recording of:
Englische Suite Nr. 6 d-Moll, BWV 811: VII. Gavotte II - Gavotte I da capo (from 1988-01-04 until 1988-01-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 6 d-Moll, BWV 811 (English Suite No. 6 in D minor, BWV 811)
4:03
18Brandenburg Concerto no. 5 iin D major, BWV 1050: III. Allegro
flute:
Richard Adeney (flautist) (in 1974-10)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1974-10)
violin:
José‐Luis García (violinist & conductor) (in 1974-10)
orchestra:
English Chamber Orchestra (in 1974-10)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-10)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (in 1974-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:12
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