Command Performance

~ Release by Joan Sutherland, London Symphony Orchestra, Richard Bonynge (see all versions of this release, 1 available)

Tracklist

1▶12" Vinyl
2▼12" Vinyl
#TitleArtistRatingLength
1The Gypsy and the Bird
engineer:
Arthur Lilley (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
Alexander Murray (flautist) (in 1962-11)
soprano vocals:
Joan Sutherland (soprano) (in 1962-11)
orchestra:
London Symphony Orchestra (in 1962-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1962-11)
recording of:
The Gipsy and the Bird (in 1962-11)
lyricist:
Edward Oxenford (English lyricist)
composer:
Sir Julius Benedict
Sir Julius Benedict2:52
2Parla!
engineer:
Arthur Lilley (engineer)
producer:
Michael Bremner (producer/engineer)
soprano vocals:
Joan Sutherland (soprano) (in 1962-11)
orchestra:
London Symphony Orchestra (in 1962-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1962-11)
recording of:
Parla (in 1962-11)
composer:
Luigi Arditi
Luigi Arditi4:11
3Crispino e la comare: Io non sono piu l'Annetta
engineer:
Arthur Lilley (engineer)
producer:
Michael Bremner (producer/engineer)
soprano vocals:
Joan Sutherland (soprano) (in 1962-11)
orchestra:
London Symphony Orchestra (in 1962-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1962-11)
recording of:
Crispino e la comare: "Io non sono piu l'Annetta" (in 1962-11)
composer:
Federico Ricci
part of:
Crispino e la comare
Federico Ricci3:08
4Ideale
engineer:
Arthur Lilley (engineer)
producer:
Michael Bremner (producer/engineer)
piano:
Richard Bonynge (conductor and pianist) (in 1962-10)
soprano vocals:
Joan Sutherland (soprano) (in 1962-10)
recording of:
Ideale (in 1962-10)
lyricist:
Carmelo Errico
composer:
Francesco Paolo Tosti (Paolo Tosti, composer) (in 1882)
Francesco Paolo Tosti3:02
5Il bacio
engineer:
Arthur Lilley (engineer)
producer:
Michael Bremner (producer/engineer)
soprano vocals:
Joan Sutherland (soprano) (in 1962-11)
orchestra:
London Symphony Orchestra (in 1962-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1962-11)
recording of:
Il bacio (in 1962-11)
lyricist:
Gottardo Aldighieri (operatic baritone, librettist)
composer:
Luigi Arditi
Luigi Arditi3:56
6La Serenata
engineer:
Arthur Lilley (engineer)
producer:
Michael Bremner (producer/engineer)
piano:
Richard Bonynge (conductor and pianist) (in 1962-11)
soprano vocals:
Joan Sutherland (soprano) (in 1962-11)
recording of:
La serenata (original, for voice and piano) (in 1962-11)
lyricist:
Giovanni Alfredo Cesareo (Italian librettist)
composer:
Francesco Paolo Tosti (Paolo Tosti, composer)
dedicated to:
Jules Diaz de Soria
Francesco Paolo Tosti3:48
7Mattinata
engineer:
Arthur Lilley (engineer)
producer:
Michael Bremner (producer/engineer)
soprano vocals:
Joan Sutherland (soprano) (in 1962-11)
orchestra:
London Symphony Orchestra (in 1962-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1962-11)
recording of:
Mattinata (in 1962-11)
lyricist and composer:
Ruggero Leoncavallo (composer)
Ruggero Leoncavallo1:46
8Lo! here the gentle lark
engineer:
Arthur Lilley (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
Alexander Murray (flautist) (in 1962-11)
soprano vocals:
Joan Sutherland (soprano) (in 1962-11)
orchestra:
London Symphony Orchestra (in 1962-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1962-11)
recording of:
The Comedy of Errors: "Lo! Here the Gentle Lark" (in 1962-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
part of:
The Comedy of Errors
Sir Henry Rowley Bishop4:08
9Martha: The Last Rose of Summer
soprano vocals:
Joan Sutherland (soprano)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Martha: Akt II. „Letzte Rose“ (The Last Rose of Summer)
composer:
Friedrich von Flotow (composer)
part of:
Martha: Akt II
Friedrich von Flotow3:13
10Maritana: Scenes that are brightest may charm awhile
engineer:
Arthur Lilley (engineer)
producer:
Michael Bremner (producer/engineer)
soprano vocals:
Joan Sutherland (soprano) (in 1962-11)
orchestra:
London Symphony Orchestra (in 1962-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1962-11)
partial recording of:
Maritana (in 1962-11)
composer:
William Vincent Wallace (Irish composer, pianist, violinist)
librettist:
Edward Fitzball (English playwright)
William Vincent Wallace3:41
11The Bohemian Girl: I dream I dwelt in marble halls
soprano vocals:
Joan Sutherland (soprano) (in 1962-11)
orchestra:
London Symphony Orchestra (in 1962-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1962-11)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1963)
recording of:
The Bohemian Girl: Act 2 no. 3 “I dreamt I dwelt in marble halls” (in 1962-11)
composer:
Michael William Balfe
librettist:
Alfred Bunn
part of:
The Bohemian Girl: Act 2
Michael William Balfe4:31
12Clari, the Maid of Milan: Home, sweet home
engineer:
Arthur Lilley (engineer)
producer:
Michael Bremner (producer/engineer)
harp:
Tina Bonifacio (Harpist) (in 1962-11)
soprano vocals:
Joan Sutherland (soprano) (in 1962-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1962-11)
recording of:
Home! Sweet Home! (Mid pleasures and palaces though we may roam, be it ever so humble there's no place like home) (in 1962-11)
lyricist:
John Howard Payne (American actor, poet, playwright, and author) (in 1823)
composer:
Sir Henry Rowley Bishop (in 1823)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
Sir Henry Rowley Bishop4:17