Shout to the Top - 80s Pop Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Shout to the Top
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1984)
recording of:
Shout to the Top
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4.353:20
2Atomic
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Gast Hintergrundgesang:
Ellie Greenwich (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
Teil von:
Songs banned by the BBC (Nummer: Gulf War ban)
recording of:
Atomic (von 1979-05 bis 1979-06)
Verfasser(in):
Jimmy Destri und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc
Blondie43:48
3Road to Nowhere
Bearbeitung von:
Road to Nowhere von Talking Heads
recording of:
Road to Nowhere
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. und Warner Bros. Music Corp.
Talking Heads44:03
4The Reflex
Produzent(in):
Duran Duran (English rock band), Ian Little (producer, engineer, songwriter) und Alex Sadkin
Mix:
Jason Corsaro (U.S. music engineer, and record producer) und Nile Rodgers
remixer:
Jason Corsaro (U.S. music engineer, and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983, in 1998)
Bearbeitung von:
The Reflex von Duran Duran (English rock band)
recording of:
The Reflex
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
Beechwood de México, S.A. de C.V., EMI Music Publishing (do not use as a release label!) und Gloucester Place Music Ltd.
Duran Duran3.854:24
5Reward
recording of:
Reward
Komponist(in):
Julian Cope und Alan Gill
The Teardrop Explodes2:55
6Geno
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:28
7Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:25
8Perfect Skin
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1984)
Musikvideos:
Perfect Skin von Lloyd Cole & the Commotions
recording of:
Perfect Skin
Texter und Komponist(in):
Lloyd Cole
publisher:
CBS Songs Ltd. und Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Lloyd Cole and the Commotions43:12
9Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.94:11
10It Ain't What You Do It's the Way That You Do It
Produzent(in):
Fun Boy Three und Dave Jordan (UK producer/remixer)
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
Verfasser(in):
Sy Oliver und Trummy Young
Fun Boy Three & Bananarama3.652:48
11Annie I'm Not Your Daddy
Musikvideos:
Annie, I’m Not Your Daddy von Kid Creole & the Coconuts
recording of:
Annie, I’m Not Your Daddy
Texter und Komponist(in):
August Darnell (singer, songwriter)
Kid Creole and the Coconuts23:49
12Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:38
13Tempted
recording of:
Tempted
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Illegal Songs Inc.
Squeeze3:39
14When Smokey Sings
Assistent recording engineer und assistierende(r) Mix:
Tim Burrell
recording engineer und Techniker(in):
Martyn Webster (engineer)
Koproduzent(in):
Bernard Edwards (American bassist and record producer)
Produzent(in):
Bernard Edwards (American bassist and record producer), Martin Fry und Mark White (ABC/Vice Versa)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Bass:
Brad Lang
Keyboard:
David Clayton
Kontrabass:
Danny Thompson (English double bass player)
Mundharmonika:
Judd Lander
Perkussion:
Pandit Dinesh und Louis Jardim
Saxophon:
Howie Casey
Schlagzeug:
Graham Broad
Saiteninstrumente arranger:
Richard Niles
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1987) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
aufgenommen bei und mixed at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
When Smokey Sings von ABC (English 80s pop group)
Teil von:
The Downloader’s Music Source Book (Nummer: 70)
recording of:
When Smokey Sings
Verfasser(in):
Martin Fry und Mark White (ABC/Vice Versa)
gewidmet:
Smokey Robinson
publisher:
Neutron Music, Neutron Music Ltd. und 10 Music Ltd. (in 1987)
ABC4.254:20
15Killer
assistierende(r) Produzent(in):
Mark Tinley
Produzent(in):
Adamski
Sologesang:
Seal (English‐born singer and songwriter) (in 1990)
Musikvideos:
Killer (music video) von Seal (English‐born singer and songwriter)
Teil von:
The Downloader’s Music Source Book (Nummer: 198)
recording of:
Killer (in 1990)
Texter:
Seal (English‐born singer and songwriter)
Verfasser(in):
Seal (English‐born singer and songwriter) und Adam Paul Tinley
publisher:
EMI Virgin Music Publishing Germany GmbH & Co. KG (beendet), Virgin Music (Publishers) Ltd. (beendet), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing GmbH
Adamski3.44:12
16We Close Our Eyes
Produzent(in):
Gary Stevenson
remixer:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
We Close Our Eyes von Go West
recording of:
We Close Our Eyes
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Go West3.23:41
17Talk Talk
recording engineer und Produzent(in):
Colin Thurston
Mix:
Mike Robinson (engineer)
Bassgitarre:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Keyboard:
Simon Brenner (UK musician, member of Talk Talk)
Schlagzeug:
Lee Harris (drummer, member of Talk Talk and .O.Rang)
Sologesang:
Mark Hollis
recording of:
Talk Talk (Talk Talk)
Texter und Komponist(in):
Ed Hollis (British songwriter and producer) und Mark Hollis
Talk Talk33:22
18Wouldn't It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:29